It doesn’t know what to inscribe/write or the solitude in “the Handsomest drowned man in the world”, by Gabriel García Márquez

Detalhes bibliográficos
Autor(a) principal: Lima, George
Data de Publicação: 2020
Outros Autores: Gama-Khalil, Marisa Martins
Tipo de documento: Artigo
Idioma: por
Título da fonte: Terra Roxa e Outras Terras: Revista de Estudos Literários
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/41465
Resumo: In this essay, the story “The handsomest drowned man in the world”, written by Gabriel García Márquez (2014), is analyzed, considering the “essential” discourse that materializes solitude in the narrative. In the intermittent reunion that constitutes the essential discourse, according to Blanchot, we will observe the ways in which the drowned man sees solitude on two levels, understanding that this movement deprives the drowned man of being and reveals a kind of image about him that apart from everything that approaches him: solitude in the world and essential solitude. The body of the drowned man, that shies away from a representation, is consistent with the image of the story itself and reveals a diffuse and complex image of presence/absence, visibility/invisibility, an image that spreads through the texture of language that the narrative presents. This reading departs from postulates by Maurice Blanchot (2011, 2010 and 2005) about literature.
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spelling It doesn’t know what to inscribe/write or the solitude in “the Handsomest drowned man in the world”, by Gabriel García MárquezNão se sabe sobre o que se inscreve/escreve ou a solidão em “O afogado mais bonito do mundo”, de Gabriel García MárquezThe handsomest drowned man in the worldSolitudeLiteratureO afogado mais bonito do mundoSolidãoLiteraturaIn this essay, the story “The handsomest drowned man in the world”, written by Gabriel García Márquez (2014), is analyzed, considering the “essential” discourse that materializes solitude in the narrative. In the intermittent reunion that constitutes the essential discourse, according to Blanchot, we will observe the ways in which the drowned man sees solitude on two levels, understanding that this movement deprives the drowned man of being and reveals a kind of image about him that apart from everything that approaches him: solitude in the world and essential solitude. The body of the drowned man, that shies away from a representation, is consistent with the image of the story itself and reveals a diffuse and complex image of presence/absence, visibility/invisibility, an image that spreads through the texture of language that the narrative presents. This reading departs from postulates by Maurice Blanchot (2011, 2010 and 2005) about literature.No presente ensaio, é realizada a análise do conto “O afogado mais bonito do mundo”, escrito por Gabriel García Márquez (2014), considerando o discurso “essencial” que materializa a solidão na narrativa. No reencontro intermitente que constitui o discurso essencial, conforme pautado por Blanchot, serão observados os modos pelos quais o afogado dá a ver a solidão em dois níveis, compreendendo que esse movimento destitui o afogado de ser e revela uma espécie de imagem sobre ele que o aparta de tudo que se aproxima dele: a solidão no mundo e a solidão essencial. O corpo do afogado, que se esquiva de uma representação, coaduna-se à imagem da própria escrita do conto e descortina uma imagem difusa e complexa da presença/ausência, da visibilidade/invisibilidade, imagem essa que se espalha pela tessitura de linguagem que a narrativa apresenta. Essa leitura toma por base principal postulados de Maurice Blanchot (2011; 2010; 2005) sobre a literatura.Programa de Pós-graduação em Letras2020-12-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/4146510.5433/1678-2054.2020v39p103Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 39: Perdas e ausências na literatura contemporânea (dez. 2020); 103-114Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 39: Perdas e ausências na literatura contemporânea (dez. 2020); 103-114Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 39: Perdas e ausências na literatura contemporânea (dez. 2020); 103-1141678-2054reponame:Terra Roxa e Outras Terras: Revista de Estudos Literáriosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/41465/pdfCopyright (c) 2020 Terra Roxa e Outras Terras: Revista de Estudos Literáriosinfo:eu-repo/semantics/openAccessLima, GeorgeGama-Khalil, Marisa Martins2021-02-09T14:02:35Zoai:ojs.pkp.sfu.ca:article/41465Revistahttp://www.uel.br/revistas/uel/index.php/terraroxa/indexPUBhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/oaiterraroxa.uel@gmail.com1678-20541678-2054opendoar:2023-01-13T10:37:21.351093Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv It doesn’t know what to inscribe/write or the solitude in “the Handsomest drowned man in the world”, by Gabriel García Márquez
Não se sabe sobre o que se inscreve/escreve ou a solidão em “O afogado mais bonito do mundo”, de Gabriel García Márquez
title It doesn’t know what to inscribe/write or the solitude in “the Handsomest drowned man in the world”, by Gabriel García Márquez
spellingShingle It doesn’t know what to inscribe/write or the solitude in “the Handsomest drowned man in the world”, by Gabriel García Márquez
Lima, George
The handsomest drowned man in the world
Solitude
Literature
O afogado mais bonito do mundo
Solidão
Literatura
title_short It doesn’t know what to inscribe/write or the solitude in “the Handsomest drowned man in the world”, by Gabriel García Márquez
title_full It doesn’t know what to inscribe/write or the solitude in “the Handsomest drowned man in the world”, by Gabriel García Márquez
title_fullStr It doesn’t know what to inscribe/write or the solitude in “the Handsomest drowned man in the world”, by Gabriel García Márquez
title_full_unstemmed It doesn’t know what to inscribe/write or the solitude in “the Handsomest drowned man in the world”, by Gabriel García Márquez
title_sort It doesn’t know what to inscribe/write or the solitude in “the Handsomest drowned man in the world”, by Gabriel García Márquez
author Lima, George
author_facet Lima, George
Gama-Khalil, Marisa Martins
author_role author
author2 Gama-Khalil, Marisa Martins
author2_role author
dc.contributor.author.fl_str_mv Lima, George
Gama-Khalil, Marisa Martins
dc.subject.por.fl_str_mv The handsomest drowned man in the world
Solitude
Literature
O afogado mais bonito do mundo
Solidão
Literatura
topic The handsomest drowned man in the world
Solitude
Literature
O afogado mais bonito do mundo
Solidão
Literatura
description In this essay, the story “The handsomest drowned man in the world”, written by Gabriel García Márquez (2014), is analyzed, considering the “essential” discourse that materializes solitude in the narrative. In the intermittent reunion that constitutes the essential discourse, according to Blanchot, we will observe the ways in which the drowned man sees solitude on two levels, understanding that this movement deprives the drowned man of being and reveals a kind of image about him that apart from everything that approaches him: solitude in the world and essential solitude. The body of the drowned man, that shies away from a representation, is consistent with the image of the story itself and reveals a diffuse and complex image of presence/absence, visibility/invisibility, an image that spreads through the texture of language that the narrative presents. This reading departs from postulates by Maurice Blanchot (2011, 2010 and 2005) about literature.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/41465
10.5433/1678-2054.2020v39p103
url https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/41465
identifier_str_mv 10.5433/1678-2054.2020v39p103
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/41465/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2020 Terra Roxa e Outras Terras: Revista de Estudos Literários
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Terra Roxa e Outras Terras: Revista de Estudos Literários
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Programa de Pós-graduação em Letras
publisher.none.fl_str_mv Programa de Pós-graduação em Letras
dc.source.none.fl_str_mv Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 39: Perdas e ausências na literatura contemporânea (dez. 2020); 103-114
Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 39: Perdas e ausências na literatura contemporânea (dez. 2020); 103-114
Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 39: Perdas e ausências na literatura contemporânea (dez. 2020); 103-114
1678-2054
reponame:Terra Roxa e Outras Terras: Revista de Estudos Literários
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Terra Roxa e Outras Terras: Revista de Estudos Literários
collection Terra Roxa e Outras Terras: Revista de Estudos Literários
repository.name.fl_str_mv Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv terraroxa.uel@gmail.com
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