Intermediality and Epic Theatre From Brecht’s ThreePenny Opera: Theatre and Cinema

Detalhes bibliográficos
Autor(a) principal: Flory, Alexandre
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Terra Roxa e Outras Terras: Revista de Estudos Literários
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/25099
Resumo: The play The Threepenny Opera, by Brecht and Weill, premiered succesfully in 1928. Its adaptation to the cinema at first maintened its authors as the responsible for the screenplay, but they were later excluded from the process because of their attempt to catch up with critical issues within the play, and Pabst´movie premiered in 1931. In this paper we discuss some aspects of the text and its cinema adaptation regarding the issue of intermediality. Categories as music, text and plot in epic theatre impose the intermediality as their tenet for their functioning, aiming at a rupture with the normatization of traditional forms to develop a materialistic critique of capitalistic society.
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spelling Intermediality and Epic Theatre From Brecht’s ThreePenny Opera: Theatre and CinemaIntermedialidade e teatro épico a partir de A Ópera dos Três Vinténs, de Brecht: teatro e cinemaBertolt BrechtEpic theatreIntermedialityTheatre and societyBertolt BrechtTeatro épicoIntermedialidadeTeatro e sociedadeThe play The Threepenny Opera, by Brecht and Weill, premiered succesfully in 1928. Its adaptation to the cinema at first maintened its authors as the responsible for the screenplay, but they were later excluded from the process because of their attempt to catch up with critical issues within the play, and Pabst´movie premiered in 1931. In this paper we discuss some aspects of the text and its cinema adaptation regarding the issue of intermediality. Categories as music, text and plot in epic theatre impose the intermediality as their tenet for their functioning, aiming at a rupture with the normatization of traditional forms to develop a materialistic critique of capitalistic society.A peça A Ópera dos Três Vinténs, de Brecht e Weill, estreia com sucesso em 1928. Sua adaptação cinematográfica mantinha os autores na elaboração do roteiro, mas eles são afastados do processo ao atualizar questões críticas da peça, e o filme de Pabst estreia em 1931. Neste artigo, discutirei alguns aspectos do texto da peça e de sua adaptação para o cinema relativos ao tema da intermedialidade. Categorias como música, enredo e texto no teatro épico impõem a intermedialidade como pressuposto para seu funcionamento, no intuito de romper com a normatização das formas tradicionais para desenvolver uma crítica materialista da sociedade capitalista.Programa de Pós-graduação em Letras2013-11-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/2509910.5433/1678-2054.2013v25p18Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 25: Dramaturgia, teatro, intermedialidade; 18-28Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 25: Dramaturgia, teatro, intermedialidade; 18-28Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 25: Dramaturgia, teatro, intermedialidade; 18-281678-2054reponame:Terra Roxa e Outras Terras: Revista de Estudos Literáriosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/25099/18393Copyright (c) 2013 Terra Roxa e Outras Terras: Revista de Estudos Literáriosinfo:eu-repo/semantics/openAccessFlory, Alexandre2020-11-11T13:53:52Zoai:ojs.pkp.sfu.ca:article/25099Revistahttp://www.uel.br/revistas/uel/index.php/terraroxa/indexPUBhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/oaiterraroxa.uel@gmail.com1678-20541678-2054opendoar:2023-01-13T10:37:10.517302Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Intermediality and Epic Theatre From Brecht’s ThreePenny Opera: Theatre and Cinema
Intermedialidade e teatro épico a partir de A Ópera dos Três Vinténs, de Brecht: teatro e cinema
title Intermediality and Epic Theatre From Brecht’s ThreePenny Opera: Theatre and Cinema
spellingShingle Intermediality and Epic Theatre From Brecht’s ThreePenny Opera: Theatre and Cinema
Flory, Alexandre
Bertolt Brecht
Epic theatre
Intermediality
Theatre and society
Bertolt Brecht
Teatro épico
Intermedialidade
Teatro e sociedade
title_short Intermediality and Epic Theatre From Brecht’s ThreePenny Opera: Theatre and Cinema
title_full Intermediality and Epic Theatre From Brecht’s ThreePenny Opera: Theatre and Cinema
title_fullStr Intermediality and Epic Theatre From Brecht’s ThreePenny Opera: Theatre and Cinema
title_full_unstemmed Intermediality and Epic Theatre From Brecht’s ThreePenny Opera: Theatre and Cinema
title_sort Intermediality and Epic Theatre From Brecht’s ThreePenny Opera: Theatre and Cinema
author Flory, Alexandre
author_facet Flory, Alexandre
author_role author
dc.contributor.author.fl_str_mv Flory, Alexandre
dc.subject.por.fl_str_mv Bertolt Brecht
Epic theatre
Intermediality
Theatre and society
Bertolt Brecht
Teatro épico
Intermedialidade
Teatro e sociedade
topic Bertolt Brecht
Epic theatre
Intermediality
Theatre and society
Bertolt Brecht
Teatro épico
Intermedialidade
Teatro e sociedade
description The play The Threepenny Opera, by Brecht and Weill, premiered succesfully in 1928. Its adaptation to the cinema at first maintened its authors as the responsible for the screenplay, but they were later excluded from the process because of their attempt to catch up with critical issues within the play, and Pabst´movie premiered in 1931. In this paper we discuss some aspects of the text and its cinema adaptation regarding the issue of intermediality. Categories as music, text and plot in epic theatre impose the intermediality as their tenet for their functioning, aiming at a rupture with the normatization of traditional forms to develop a materialistic critique of capitalistic society.
publishDate 2013
dc.date.none.fl_str_mv 2013-11-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/25099
10.5433/1678-2054.2013v25p18
url https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/25099
identifier_str_mv 10.5433/1678-2054.2013v25p18
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/25099/18393
dc.rights.driver.fl_str_mv Copyright (c) 2013 Terra Roxa e Outras Terras: Revista de Estudos Literários
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2013 Terra Roxa e Outras Terras: Revista de Estudos Literários
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Programa de Pós-graduação em Letras
publisher.none.fl_str_mv Programa de Pós-graduação em Letras
dc.source.none.fl_str_mv Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 25: Dramaturgia, teatro, intermedialidade; 18-28
Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 25: Dramaturgia, teatro, intermedialidade; 18-28
Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 25: Dramaturgia, teatro, intermedialidade; 18-28
1678-2054
reponame:Terra Roxa e Outras Terras: Revista de Estudos Literários
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Terra Roxa e Outras Terras: Revista de Estudos Literários
collection Terra Roxa e Outras Terras: Revista de Estudos Literários
repository.name.fl_str_mv Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv terraroxa.uel@gmail.com
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