Hans Bellmer’s spectacle of the simultaneous structures: text and drawing in the "Anatomy of the image" (1957)
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Terra Roxa e Outras Terras: Revista de Estudos Literários |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/44223 |
Resumo: | We analyze the intermingling of different expressions (poetic and intellectual) and languages (verbal and visual) in the work of the German artist linked to French Surrealism Hans Bellmer. Such a take on language is related to what the artist calls “the spectacle of the simultaneous structures”. We relate the constant alternation between word and image in his mature artistic text Petit Anatomie de l’image (1957) with Bellmer’s early productions, such as the open-ended work Die Puppe (The Doll, 1934). In this work, Bellmer already demonstrated the suppression of the image by the word. However, in the illustrations of Petit Anatomie, we observe the constant fusion of the three-dimensionality of drawing with the written text. To this end, we selected two drawings present in the author’s illustration for the 1957 text, from which we analyze the effects on the fruition of the work. As used material, our text includes translations of Bellmer into English (2004) and Portuguese (2019) and sources from the visual catalog of the artist of French origin. We also propose a relation of Bellmer’s work with the philosophy of language of the German poet and philosopher Novalis in his Monolog (1997). |
id |
UEL-15_d6f4c2b25995cb889683cda17b40c6f5 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/44223 |
network_acronym_str |
UEL-15 |
network_name_str |
Terra Roxa e Outras Terras: Revista de Estudos Literários |
repository_id_str |
|
spelling |
Hans Bellmer’s spectacle of the simultaneous structures: text and drawing in the "Anatomy of the image" (1957)O espetáculo das estruturas simultâneas de Hans Bellmer: texto e desenho em "A anatomia da imagem" (1957)The anatomy of the imageText and DrawingHans BellmerThe Doll.Anatomia da ImagemDesenhoHans BellmerBoneca.We analyze the intermingling of different expressions (poetic and intellectual) and languages (verbal and visual) in the work of the German artist linked to French Surrealism Hans Bellmer. Such a take on language is related to what the artist calls “the spectacle of the simultaneous structures”. We relate the constant alternation between word and image in his mature artistic text Petit Anatomie de l’image (1957) with Bellmer’s early productions, such as the open-ended work Die Puppe (The Doll, 1934). In this work, Bellmer already demonstrated the suppression of the image by the word. However, in the illustrations of Petit Anatomie, we observe the constant fusion of the three-dimensionality of drawing with the written text. To this end, we selected two drawings present in the author’s illustration for the 1957 text, from which we analyze the effects on the fruition of the work. As used material, our text includes translations of Bellmer into English (2004) and Portuguese (2019) and sources from the visual catalog of the artist of French origin. We also propose a relation of Bellmer’s work with the philosophy of language of the German poet and philosopher Novalis in his Monolog (1997).Analisamos a imbricação entre as diferentes expressões (poética e intelectual) e linguagens (verbal e visual) na obra do artista alemão ligado ao Surrealismo francês Hans Bellmer. Tal atitude se relaciona com aquilo que o artista nomina de “espetáculo das estruturas simultâneas”. Relacionamos a constante alternação entre a palavra e a imagem do texto de maturidade artística Petit Anatomie de l’image (1957) com as primeiras produções de Bellmer, como a obra em aberto Die Puppe (A Boneca, 1934). Nessa publicação, Bellmer já demonstrava a supressão da imagem pela palavra. Conquanto, nas ilustrações de Petit Anatomie, observamos a constante fusão da tridimensionalidade do desenho com o texto escrito. Para a análise, selecionamos dois desenhos presentes na ilustração do próprio autor para o texto de 1957, a partir dos quais analisamos os efeitos na fruição da obra. Como material para a pesquisa, constam no nosso texto traduções de Bellmer para o inglês (2004) e o português (2019), além de fontes do catálogo visual do artista de origem francesa. Propomos, ainda, uma relação da obra de Bellmer com a filosofia da linguagem do poeta e filósofo alemão Novalis em seu Monolog (1997).Programa de Pós-graduação em Letras2022-02-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/4422310.5433/1678-2054.2021v41p85Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 41: Diálogos entre literatura e pintura: tradição e transgressão (dez. 2021); 85-98Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 41: Diálogos entre literatura e pintura: tradição e transgressão (dez. 2021); 85-98Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 41: Diálogos entre literatura e pintura: tradição e transgressão (dez. 2021); 85-981678-2054reponame:Terra Roxa e Outras Terras: Revista de Estudos Literáriosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/44223/pdf_1Copyright (c) 2022 Terra Roxa e Outras Terras: Revista de Estudos Literárioshttps://creativecommons.org/licenses/by/4.0/deed.pt_BRinfo:eu-repo/semantics/openAccessSilva, Lucas Henrique daVolobuef, Karin2022-09-28T13:37:43Zoai:ojs.pkp.sfu.ca:article/44223Revistahttp://www.uel.br/revistas/uel/index.php/terraroxa/indexPUBhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/oaiterraroxa.uel@gmail.com1678-20541678-2054opendoar:2023-01-13T10:37:22.448910Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Hans Bellmer’s spectacle of the simultaneous structures: text and drawing in the "Anatomy of the image" (1957) O espetáculo das estruturas simultâneas de Hans Bellmer: texto e desenho em "A anatomia da imagem" (1957) |
title |
Hans Bellmer’s spectacle of the simultaneous structures: text and drawing in the "Anatomy of the image" (1957) |
spellingShingle |
Hans Bellmer’s spectacle of the simultaneous structures: text and drawing in the "Anatomy of the image" (1957) Silva, Lucas Henrique da The anatomy of the image Text and Drawing Hans Bellmer The Doll. Anatomia da Imagem Desenho Hans Bellmer Boneca. |
title_short |
Hans Bellmer’s spectacle of the simultaneous structures: text and drawing in the "Anatomy of the image" (1957) |
title_full |
Hans Bellmer’s spectacle of the simultaneous structures: text and drawing in the "Anatomy of the image" (1957) |
title_fullStr |
Hans Bellmer’s spectacle of the simultaneous structures: text and drawing in the "Anatomy of the image" (1957) |
title_full_unstemmed |
Hans Bellmer’s spectacle of the simultaneous structures: text and drawing in the "Anatomy of the image" (1957) |
title_sort |
Hans Bellmer’s spectacle of the simultaneous structures: text and drawing in the "Anatomy of the image" (1957) |
author |
Silva, Lucas Henrique da |
author_facet |
Silva, Lucas Henrique da Volobuef, Karin |
author_role |
author |
author2 |
Volobuef, Karin |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Lucas Henrique da Volobuef, Karin |
dc.subject.por.fl_str_mv |
The anatomy of the image Text and Drawing Hans Bellmer The Doll. Anatomia da Imagem Desenho Hans Bellmer Boneca. |
topic |
The anatomy of the image Text and Drawing Hans Bellmer The Doll. Anatomia da Imagem Desenho Hans Bellmer Boneca. |
description |
We analyze the intermingling of different expressions (poetic and intellectual) and languages (verbal and visual) in the work of the German artist linked to French Surrealism Hans Bellmer. Such a take on language is related to what the artist calls “the spectacle of the simultaneous structures”. We relate the constant alternation between word and image in his mature artistic text Petit Anatomie de l’image (1957) with Bellmer’s early productions, such as the open-ended work Die Puppe (The Doll, 1934). In this work, Bellmer already demonstrated the suppression of the image by the word. However, in the illustrations of Petit Anatomie, we observe the constant fusion of the three-dimensionality of drawing with the written text. To this end, we selected two drawings present in the author’s illustration for the 1957 text, from which we analyze the effects on the fruition of the work. As used material, our text includes translations of Bellmer into English (2004) and Portuguese (2019) and sources from the visual catalog of the artist of French origin. We also propose a relation of Bellmer’s work with the philosophy of language of the German poet and philosopher Novalis in his Monolog (1997). |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-02-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/44223 10.5433/1678-2054.2021v41p85 |
url |
https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/44223 |
identifier_str_mv |
10.5433/1678-2054.2021v41p85 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/44223/pdf_1 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Terra Roxa e Outras Terras: Revista de Estudos Literários https://creativecommons.org/licenses/by/4.0/deed.pt_BR info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Terra Roxa e Outras Terras: Revista de Estudos Literários https://creativecommons.org/licenses/by/4.0/deed.pt_BR |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-graduação em Letras |
publisher.none.fl_str_mv |
Programa de Pós-graduação em Letras |
dc.source.none.fl_str_mv |
Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 41: Diálogos entre literatura e pintura: tradição e transgressão (dez. 2021); 85-98 Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 41: Diálogos entre literatura e pintura: tradição e transgressão (dez. 2021); 85-98 Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 41: Diálogos entre literatura e pintura: tradição e transgressão (dez. 2021); 85-98 1678-2054 reponame:Terra Roxa e Outras Terras: Revista de Estudos Literários instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Terra Roxa e Outras Terras: Revista de Estudos Literários |
collection |
Terra Roxa e Outras Terras: Revista de Estudos Literários |
repository.name.fl_str_mv |
Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
terraroxa.uel@gmail.com |
_version_ |
1797047361560641536 |