THE SIGNIFICATION AND THE MEANING OF ORGASTIC BODY IN THE PORN CINEMA
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Signum: Estudos da Linguagem |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/signum/article/view/2237-4876.2013v16n149 |
Resumo: | In the early 1970s, three films establish a way for determining the representation of sex in movie screens: Deep Throat (1972), The Devil in Miss Jones (1973), and Behind the Green Door (1972). In these films, dissatisfaction, innocence, curiosity, and incompleteness, understood as abstract thematic routes, gain concreteness by the procedure of female bodies figurativization installed on filmic enunciate, immersed in a search, voluntary or otherwise, completeness carnal. For the French Semiotics, the figurativization is an important process in the grounds of a discourse whatsoever: it is a procedure in which semantic content perceived as more “concrete” overlying theme paths more “abstract”. Our purpose is to verify, by means of semiotic discoursive, such as abstract thematic routes are materialized, that receiving one figurative coating to convey a sense of purpose intended by the enunciator, and to investigate the representation of the body projected onto the film text. From these three films of eroticism i excess, hardcore erotic cinema, we intend to lay the groundwork for the foundation of a semiotics of sexual representation on film porn, whose figurativization body in ecstasy, in the utterance, it becomes crucial for the establishment this genre of film. |
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THE SIGNIFICATION AND THE MEANING OF ORGASTIC BODY IN THE PORN CINEMAA significação e o sentido do corpo orgástico no cinema pornôBody and meaning. Figurativization. Porn cinema.Corpo e sentido. Figurativização. Cinema pornô.In the early 1970s, three films establish a way for determining the representation of sex in movie screens: Deep Throat (1972), The Devil in Miss Jones (1973), and Behind the Green Door (1972). In these films, dissatisfaction, innocence, curiosity, and incompleteness, understood as abstract thematic routes, gain concreteness by the procedure of female bodies figurativization installed on filmic enunciate, immersed in a search, voluntary or otherwise, completeness carnal. For the French Semiotics, the figurativization is an important process in the grounds of a discourse whatsoever: it is a procedure in which semantic content perceived as more “concrete” overlying theme paths more “abstract”. Our purpose is to verify, by means of semiotic discoursive, such as abstract thematic routes are materialized, that receiving one figurative coating to convey a sense of purpose intended by the enunciator, and to investigate the representation of the body projected onto the film text. From these three films of eroticism i excess, hardcore erotic cinema, we intend to lay the groundwork for the foundation of a semiotics of sexual representation on film porn, whose figurativization body in ecstasy, in the utterance, it becomes crucial for the establishment this genre of film.No início dos anos 1970, três filmes fundaram um modo determinante para a representação das relações sexuais nas telas dos cinemas: Garganta profunda (1972); O diabo na carne de Miss Jones (1973); e Atrás da porta verde (1972). Nesses filmes, a insatisfação, a inocência, a curiosidade, e a incompletude, entendidas como percursos temáticos abstratos, ganham concretude pelo procedimento da figurativização dos corpos femininos instalados no enunciado fílmico, imersos em uma busca, voluntária ou não, da completude carnal. Para a semiótica francesa, a figurativização é um processo importante na fundamentação de um discurso qualquer: trata-se de um procedimento semântico em que conteúdos percebidos como mais “concretos” recobrem os percursos temáticos mais “abstratos”. Nosso propósito é verificar, por meio da semiótica discursiva, como tais percursos temáticos abstratos são concretizados, figurativizados para transmitir um efeito de sentido pretendido pelo enunciador, além de investigar a representação do corpo projetada no texto fílmico. A partir desses três filmes do erotismo em excesso, o cinema erótico hardcore, pretendemos lançar as bases para a fundação de uma semiótica da representação sexual no cinema pornô, cuja figurativização do corpo em êxtase, no enunciado, torna-se ponto crucial para o estabelecimento desse gênero de filme.UEL2013-01-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresPesquisa empírica de campo.application/pdfhttps://ojs.uel.br/revistas/uel/index.php/signum/article/view/2237-4876.2013v16n14910.5433/2237-4876.2013v16n1p149Signum: Estudos da Linguagem; Vol. 16 No. 1 (2013): Linguagem e Sentido: estudos textuais e discursivos; 149-170Signum: Estudos da Linguagem; v. 16 n. 1 (2013): Linguagem e Sentido: estudos textuais e discursivos; 149-1702237-4876reponame:Signum: Estudos da Linguageminstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/signum/article/view/2237-4876.2013v16n149/13201http://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSilva, Odair José Moreira da2022-11-16T18:09:41Zoai:ojs.pkp.sfu.ca:article/14556Revistahttps://www.uel.br/revistas/uel/index.php/signumPUBhttps://www.uel.br/revistas/uel/index.php/signum/oai||signum@uel.br2237-48761516-3083opendoar:2022-11-16T18:09:41Signum: Estudos da Linguagem - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
THE SIGNIFICATION AND THE MEANING OF ORGASTIC BODY IN THE PORN CINEMA A significação e o sentido do corpo orgástico no cinema pornô |
title |
THE SIGNIFICATION AND THE MEANING OF ORGASTIC BODY IN THE PORN CINEMA |
spellingShingle |
THE SIGNIFICATION AND THE MEANING OF ORGASTIC BODY IN THE PORN CINEMA Silva, Odair José Moreira da Body and meaning. Figurativization. Porn cinema. Corpo e sentido. Figurativização. Cinema pornô. |
title_short |
THE SIGNIFICATION AND THE MEANING OF ORGASTIC BODY IN THE PORN CINEMA |
title_full |
THE SIGNIFICATION AND THE MEANING OF ORGASTIC BODY IN THE PORN CINEMA |
title_fullStr |
THE SIGNIFICATION AND THE MEANING OF ORGASTIC BODY IN THE PORN CINEMA |
title_full_unstemmed |
THE SIGNIFICATION AND THE MEANING OF ORGASTIC BODY IN THE PORN CINEMA |
title_sort |
THE SIGNIFICATION AND THE MEANING OF ORGASTIC BODY IN THE PORN CINEMA |
author |
Silva, Odair José Moreira da |
author_facet |
Silva, Odair José Moreira da |
author_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Odair José Moreira da |
dc.subject.por.fl_str_mv |
Body and meaning. Figurativization. Porn cinema. Corpo e sentido. Figurativização. Cinema pornô. |
topic |
Body and meaning. Figurativization. Porn cinema. Corpo e sentido. Figurativização. Cinema pornô. |
description |
In the early 1970s, three films establish a way for determining the representation of sex in movie screens: Deep Throat (1972), The Devil in Miss Jones (1973), and Behind the Green Door (1972). In these films, dissatisfaction, innocence, curiosity, and incompleteness, understood as abstract thematic routes, gain concreteness by the procedure of female bodies figurativization installed on filmic enunciate, immersed in a search, voluntary or otherwise, completeness carnal. For the French Semiotics, the figurativization is an important process in the grounds of a discourse whatsoever: it is a procedure in which semantic content perceived as more “concrete” overlying theme paths more “abstract”. Our purpose is to verify, by means of semiotic discoursive, such as abstract thematic routes are materialized, that receiving one figurative coating to convey a sense of purpose intended by the enunciator, and to investigate the representation of the body projected onto the film text. From these three films of eroticism i excess, hardcore erotic cinema, we intend to lay the groundwork for the foundation of a semiotics of sexual representation on film porn, whose figurativization body in ecstasy, in the utterance, it becomes crucial for the establishment this genre of film. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-01-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares Pesquisa empírica de campo. |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/signum/article/view/2237-4876.2013v16n149 10.5433/2237-4876.2013v16n1p149 |
url |
https://ojs.uel.br/revistas/uel/index.php/signum/article/view/2237-4876.2013v16n149 |
identifier_str_mv |
10.5433/2237-4876.2013v16n1p149 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/signum/article/view/2237-4876.2013v16n149/13201 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UEL |
publisher.none.fl_str_mv |
UEL |
dc.source.none.fl_str_mv |
Signum: Estudos da Linguagem; Vol. 16 No. 1 (2013): Linguagem e Sentido: estudos textuais e discursivos; 149-170 Signum: Estudos da Linguagem; v. 16 n. 1 (2013): Linguagem e Sentido: estudos textuais e discursivos; 149-170 2237-4876 reponame:Signum: Estudos da Linguagem instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Signum: Estudos da Linguagem |
collection |
Signum: Estudos da Linguagem |
repository.name.fl_str_mv |
Signum: Estudos da Linguagem - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
||signum@uel.br |
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