Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visible
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/17382 |
Resumo: | This article aims to analyse Claudia Andujar’s photographies from her books Yanomami and The vulnerability of being not only to reflect about their conceptual characteristics that mix social engagement and personal expression, but also to identify the photographer’s technical and aesthetic choices to document the invisible phenomenons of the Yanomami’s culture. Using innovatives strategies of representation, Andujar reached inedited results from the political and aesthetic points of view, which marked a break with the Brazilian documentary photography history. |
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Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visibleRupturas na fotografia documental brasileira: Claudia Andujar e a poética do (in)visívelClaudia AndujarDocumentary photographyPhotographic realismContemporary art.Fotografia documental. Claudia Andujar - Fotógrafo. Realismo fotográfico. Arte contemporânea.This article aims to analyse Claudia Andujar’s photographies from her books Yanomami and The vulnerability of being not only to reflect about their conceptual characteristics that mix social engagement and personal expression, but also to identify the photographer’s technical and aesthetic choices to document the invisible phenomenons of the Yanomami’s culture. Using innovatives strategies of representation, Andujar reached inedited results from the political and aesthetic points of view, which marked a break with the Brazilian documentary photography history.Este artigo propõe-se a analisar as fotografias de Claudia Andujar presentes nos livros Yanomami e A vulnerabilidade do ser, a fim de refletir sobre as suas características conceituais, que mesclam engajamento social e expressão pessoal, e identificar as escolhas técnicas e estéticas da fotógrafa para documentar os fenômenos invisíveis da cultura Yanomami. Utilizando estratégias de representação inovadoras, Andujar atingiu resultados inéditos tanto do ponto de vista político, quanto do estético, marcando um período de rupturas na história da fotografia documental brasileira.Universidade Estadual de Londrina2014-07-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresPesquisa Históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1738210.5433/1984-7939.2014v10n16p53Discursos Fotograficos; v. 10 n. 16 (2014); 53-841984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/17382/14590Moraes, Rafael Castanheira Pedroso deinfo:eu-repo/semantics/openAccess2017-02-14T17:17:21Zoai:ojs.pkp.sfu.ca:article/17382Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-02-14T17:17:21Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visible Rupturas na fotografia documental brasileira: Claudia Andujar e a poética do (in)visível |
title |
Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visible |
spellingShingle |
Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visible Moraes, Rafael Castanheira Pedroso de Claudia Andujar Documentary photography Photographic realism Contemporary art. Fotografia documental. Claudia Andujar - Fotógrafo. Realismo fotográfico. Arte contemporânea. |
title_short |
Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visible |
title_full |
Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visible |
title_fullStr |
Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visible |
title_full_unstemmed |
Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visible |
title_sort |
Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visible |
author |
Moraes, Rafael Castanheira Pedroso de |
author_facet |
Moraes, Rafael Castanheira Pedroso de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Moraes, Rafael Castanheira Pedroso de |
dc.subject.por.fl_str_mv |
Claudia Andujar Documentary photography Photographic realism Contemporary art. Fotografia documental. Claudia Andujar - Fotógrafo. Realismo fotográfico. Arte contemporânea. |
topic |
Claudia Andujar Documentary photography Photographic realism Contemporary art. Fotografia documental. Claudia Andujar - Fotógrafo. Realismo fotográfico. Arte contemporânea. |
description |
This article aims to analyse Claudia Andujar’s photographies from her books Yanomami and The vulnerability of being not only to reflect about their conceptual characteristics that mix social engagement and personal expression, but also to identify the photographer’s technical and aesthetic choices to document the invisible phenomenons of the Yanomami’s culture. Using innovatives strategies of representation, Andujar reached inedited results from the political and aesthetic points of view, which marked a break with the Brazilian documentary photography history. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-07-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares Pesquisa Histórica |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/17382 10.5433/1984-7939.2014v10n16p53 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/17382 |
identifier_str_mv |
10.5433/1984-7939.2014v10n16p53 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/17382/14590 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 10 n. 16 (2014); 53-84 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315409448468480 |