Images of the unimaginable: photography and the (re)presentation of the event
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13122 |
Resumo: | We seem to live in a time of omnipresent images. Guy Debord’s diagnosis about the becoming image of reality pronounced in the late 1960s still seems to be relevant to describe our time. We have reached the point when it is not surprising to have images of the extraordinary but not having them. The connection between extraordinary events and images seems natural today. However, it could be still legitimate to ask what can images do regarding those events? What can photography do when facing the unimaginable? In this text, we would like to present three cases that could serve, and actually have been used, to reply this inquiry about the possible relation between photography and the event. |
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Discursos Fotográficos |
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Images of the unimaginable: photography and the (re)presentation of the eventImagens do inimaginável: fotografia e a (re)presentação do eventoAnálise Fotográfica.Filosofia da Imagem. Imaginário.We seem to live in a time of omnipresent images. Guy Debord’s diagnosis about the becoming image of reality pronounced in the late 1960s still seems to be relevant to describe our time. We have reached the point when it is not surprising to have images of the extraordinary but not having them. The connection between extraordinary events and images seems natural today. However, it could be still legitimate to ask what can images do regarding those events? What can photography do when facing the unimaginable? In this text, we would like to present three cases that could serve, and actually have been used, to reply this inquiry about the possible relation between photography and the event.Nós parecemos viver em um tempo em que a imagem é onipresente. O diagnóstico de Guy Debord, em meados de 1960, sobre a imagem vindoura da realidade, parece ser relevante para descrever a contemporaneidade. Chegamos ao ponto em que o surpreendente não é a imagem do extraordinário, mas a falta dela. Hoje, a conexão entre eventos extraordinários e imagens parece ser natural. Entretanto, ainda seria legítimo questionar o que as imagens podem fazer em relação a tais eventos? O que a fotografia pode fazer frente ao inimaginável? Neste texto, gostaríamos de apresentar três casos que poderiam servir, e, na verdade foram usados, para responder a esta questão sobre a possível relação entre a fotografia e o evento.Universidade Estadual de Londrina2013-04-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1312210.5433/1984-7939.2013v9n14p141Discursos Fotograficos; v. 9 n. 14 (2013); 141-1721984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13122/12413Roncallo, SergioArias, Juan Carlosinfo:eu-repo/semantics/openAccess2017-04-27T18:17:39Zoai:ojs.pkp.sfu.ca:article/13122Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-04-27T18:17:39Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Images of the unimaginable: photography and the (re)presentation of the event Imagens do inimaginável: fotografia e a (re)presentação do evento |
title |
Images of the unimaginable: photography and the (re)presentation of the event |
spellingShingle |
Images of the unimaginable: photography and the (re)presentation of the event Roncallo, Sergio Análise Fotográfica.Filosofia da Imagem. Imaginário. |
title_short |
Images of the unimaginable: photography and the (re)presentation of the event |
title_full |
Images of the unimaginable: photography and the (re)presentation of the event |
title_fullStr |
Images of the unimaginable: photography and the (re)presentation of the event |
title_full_unstemmed |
Images of the unimaginable: photography and the (re)presentation of the event |
title_sort |
Images of the unimaginable: photography and the (re)presentation of the event |
author |
Roncallo, Sergio |
author_facet |
Roncallo, Sergio Arias, Juan Carlos |
author_role |
author |
author2 |
Arias, Juan Carlos |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Roncallo, Sergio Arias, Juan Carlos |
dc.subject.por.fl_str_mv |
Análise Fotográfica.Filosofia da Imagem. Imaginário. |
topic |
Análise Fotográfica.Filosofia da Imagem. Imaginário. |
description |
We seem to live in a time of omnipresent images. Guy Debord’s diagnosis about the becoming image of reality pronounced in the late 1960s still seems to be relevant to describe our time. We have reached the point when it is not surprising to have images of the extraordinary but not having them. The connection between extraordinary events and images seems natural today. However, it could be still legitimate to ask what can images do regarding those events? What can photography do when facing the unimaginable? In this text, we would like to present three cases that could serve, and actually have been used, to reply this inquiry about the possible relation between photography and the event. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-04-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13122 10.5433/1984-7939.2013v9n14p141 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13122 |
identifier_str_mv |
10.5433/1984-7939.2013v9n14p141 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13122/12413 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 9 n. 14 (2013); 141-172 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315409374019584 |