The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13091 |
Resumo: | This research began with reading the book The modern spaceAlberto Tassinari. The text adopted as a systemic approach methodology, aiming to reflect on the internal spaces into works of art to analyze them as potential anthropological tools from Merleau-Pontian phenomenology. It was evident that the images occur in the space between the transmission andperception, not existing by themselves, but going on, and the relationship of images and their manifestations in the visual arts, it was considered Maurice Merleau-Ponty and Hans Belting aesthetics as they conceptualize aisthesis, what is sensitive to the body and is born of the senses. Was named as amanifestation of aesthetic visual schemes that change historically through the creation of new techniques and technologies that act as extensions or prosthesesof the organic body of men, increasing their power of apprehension of the sensible qualities presented to the senses. Artistic works were analyzed, including the caves of Lascaux to works by contemporary artists, making an analogy to the geographical concepts of Milton Santos, where the Fixed /System Objects in the works would be its external spaces and flows/systems form their spaces Actions internal or territories. Flows were fixed and constituents of perceptual faith-Merleau-Pontian, and the manifestation of this faith is manifested in perceptual-regimes of visuality. The paper proposes the use of internal spaces of the art as a tool for anthropological spaces and territories related to the organic body of man in communion with the carnal world, aisthesis. |
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The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-PontyOs espaços internos nas obras de arte contemporânea: a antropologia a partir da fenomenologia merleau-pontianaContemporary artVisual communicationsAnthropological toolsMaurice Merleau-Ponty.Teses e Dissertações. Cultura Visual. Arte Contemporânea. Fenomenologia. Maurice Merleau-Ponty - Filósofo.This research began with reading the book The modern spaceAlberto Tassinari. The text adopted as a systemic approach methodology, aiming to reflect on the internal spaces into works of art to analyze them as potential anthropological tools from Merleau-Pontian phenomenology. It was evident that the images occur in the space between the transmission andperception, not existing by themselves, but going on, and the relationship of images and their manifestations in the visual arts, it was considered Maurice Merleau-Ponty and Hans Belting aesthetics as they conceptualize aisthesis, what is sensitive to the body and is born of the senses. Was named as amanifestation of aesthetic visual schemes that change historically through the creation of new techniques and technologies that act as extensions or prosthesesof the organic body of men, increasing their power of apprehension of the sensible qualities presented to the senses. Artistic works were analyzed, including the caves of Lascaux to works by contemporary artists, making an analogy to the geographical concepts of Milton Santos, where the Fixed /System Objects in the works would be its external spaces and flows/systems form their spaces Actions internal or territories. Flows were fixed and constituents of perceptual faith-Merleau-Pontian, and the manifestation of this faith is manifested in perceptual-regimes of visuality. The paper proposes the use of internal spaces of the art as a tool for anthropological spaces and territories related to the organic body of man in communion with the carnal world, aisthesis.Esta pesquisa iniciou-se com a leitura do livro O espaço moderno de Alberto Tassinari. O texto adotou como metodologia uma abordagem sistêmica, objetivando-se refletir sobre os espaços internos nas obras de arte para analisá-los como possíveis ferramentas antropológicas a partir dafenomenologia merleau-pontiana. Evidenciou-se que as imagens acontecem no espaço entre a transmissão e a percepção, não existindo por si mesmas, mas acontecendo, e na relação das imagens e suas manifestações nas artesvisuais, considerou-se Maurice Merleau-Ponty e Hans Belting que conceituam estética como Aisthesis, aquilo que é sensível ao corpo e nasce dos sentidos. Denominou-se estética como manifestação de regimes de visualidade que se alteram historicamente através da criação de novas técnicas e tecnologias que funcionam como prolongamentos ou próteses do corpo orgânico do homem, potencializando seu poder de apreensão das qualidades sensíveis apresentadas aos sentidos. Foram analisadas obras artísticas, abrangendodas cavernas de Lascaux às obras de artistas contemporâneos, fazendo uma analogia com os conceitos geográficos de Milton Santos, onde os Fixos/Sistemas de Objetos nas obras seriam seus espaços externos e os Fluxos/Sistemas de Ações formariam seus espaços internos, ou territórios. Fixos eFluxos seriam constituintes da fé-perceptiva merleau-pontiana, e a manifestação desta fé-perceptiva se manifestaria em regimes de visualidade. O texto propõe o uso dos espaços internos das obras de arte como ferramentas antropológicas porque espaços e territórios relacionam-se à organicidadecorporal do homem em comunhão carnal com o mundo, em aisthesis.Universidade Estadual de Londrina2012-09-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo não avaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1309110.5433/1984-7939.2012v8n13p279Discursos Fotograficos; v. 8 n. 13 (2012); 279-2801984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13091/11313Lopes, Marceloinfo:eu-repo/semantics/openAccess2017-08-22T19:25:53Zoai:ojs.pkp.sfu.ca:article/13091Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-08-22T19:25:53Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty Os espaços internos nas obras de arte contemporânea: a antropologia a partir da fenomenologia merleau-pontiana |
title |
The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty |
spellingShingle |
The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty Lopes, Marcelo Contemporary art Visual communications Anthropological tools Maurice Merleau-Ponty. Teses e Dissertações. Cultura Visual. Arte Contemporânea. Fenomenologia. Maurice Merleau-Ponty - Filósofo. |
title_short |
The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty |
title_full |
The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty |
title_fullStr |
The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty |
title_full_unstemmed |
The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty |
title_sort |
The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty |
author |
Lopes, Marcelo |
author_facet |
Lopes, Marcelo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lopes, Marcelo |
dc.subject.por.fl_str_mv |
Contemporary art Visual communications Anthropological tools Maurice Merleau-Ponty. Teses e Dissertações. Cultura Visual. Arte Contemporânea. Fenomenologia. Maurice Merleau-Ponty - Filósofo. |
topic |
Contemporary art Visual communications Anthropological tools Maurice Merleau-Ponty. Teses e Dissertações. Cultura Visual. Arte Contemporânea. Fenomenologia. Maurice Merleau-Ponty - Filósofo. |
description |
This research began with reading the book The modern spaceAlberto Tassinari. The text adopted as a systemic approach methodology, aiming to reflect on the internal spaces into works of art to analyze them as potential anthropological tools from Merleau-Pontian phenomenology. It was evident that the images occur in the space between the transmission andperception, not existing by themselves, but going on, and the relationship of images and their manifestations in the visual arts, it was considered Maurice Merleau-Ponty and Hans Belting aesthetics as they conceptualize aisthesis, what is sensitive to the body and is born of the senses. Was named as amanifestation of aesthetic visual schemes that change historically through the creation of new techniques and technologies that act as extensions or prosthesesof the organic body of men, increasing their power of apprehension of the sensible qualities presented to the senses. Artistic works were analyzed, including the caves of Lascaux to works by contemporary artists, making an analogy to the geographical concepts of Milton Santos, where the Fixed /System Objects in the works would be its external spaces and flows/systems form their spaces Actions internal or territories. Flows were fixed and constituents of perceptual faith-Merleau-Pontian, and the manifestation of this faith is manifested in perceptual-regimes of visuality. The paper proposes the use of internal spaces of the art as a tool for anthropological spaces and territories related to the organic body of man in communion with the carnal world, aisthesis. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-09-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo não avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13091 10.5433/1984-7939.2012v8n13p279 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13091 |
identifier_str_mv |
10.5433/1984-7939.2012v8n13p279 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13091/11313 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 8 n. 13 (2012); 279-280 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
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1799315409362485248 |