The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty

Detalhes bibliográficos
Autor(a) principal: Lopes, Marcelo
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Discursos Fotográficos
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13091
Resumo: This research began with reading the book The modern spaceAlberto Tassinari. The text adopted as a systemic approach methodology, aiming to reflect on the internal spaces into works of art to analyze them as potential anthropological tools from Merleau-Pontian phenomenology. It was evident that the images occur in the space between the transmission andperception, not existing by themselves, but going on, and the relationship of images and their manifestations in the visual arts, it was considered Maurice Merleau-Ponty and Hans Belting aesthetics as they conceptualize aisthesis, what is sensitive to the body and is born of the senses. Was named as amanifestation of aesthetic visual schemes that change historically through the creation of new techniques and technologies that act as extensions or prosthesesof the organic body of men, increasing their power of apprehension of the sensible qualities presented to the senses. Artistic works were analyzed, including the caves of Lascaux to works by contemporary artists, making an analogy to the geographical concepts of Milton Santos, where the Fixed /System Objects in the works would be its external spaces and flows/systems form their spaces Actions internal or territories. Flows were fixed and constituents of perceptual faith-Merleau-Pontian, and the manifestation of this faith is manifested in perceptual-regimes of visuality. The paper proposes the use of internal spaces of the art as a tool for anthropological spaces and territories related to the organic body of man in communion with the carnal world, aisthesis.
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spelling The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-PontyOs espaços internos nas obras de arte contemporânea: a antropologia a partir da fenomenologia merleau-pontianaContemporary artVisual communicationsAnthropological toolsMaurice Merleau-Ponty.Teses e Dissertações. Cultura Visual. Arte Contemporânea. Fenomenologia. Maurice Merleau-Ponty - Filósofo.This research began with reading the book The modern spaceAlberto Tassinari. The text adopted as a systemic approach methodology, aiming to reflect on the internal spaces into works of art to analyze them as potential anthropological tools from Merleau-Pontian phenomenology. It was evident that the images occur in the space between the transmission andperception, not existing by themselves, but going on, and the relationship of images and their manifestations in the visual arts, it was considered Maurice Merleau-Ponty and Hans Belting aesthetics as they conceptualize aisthesis, what is sensitive to the body and is born of the senses. Was named as amanifestation of aesthetic visual schemes that change historically through the creation of new techniques and technologies that act as extensions or prosthesesof the organic body of men, increasing their power of apprehension of the sensible qualities presented to the senses. Artistic works were analyzed, including the caves of Lascaux to works by contemporary artists, making an analogy to the geographical concepts of Milton Santos, where the Fixed /System Objects in the works would be its external spaces and flows/systems form their spaces Actions internal or territories. Flows were fixed and constituents of perceptual faith-Merleau-Pontian, and the manifestation of this faith is manifested in perceptual-regimes of visuality. The paper proposes the use of internal spaces of the art as a tool for anthropological spaces and territories related to the organic body of man in communion with the carnal world, aisthesis.Esta pesquisa iniciou-se com a leitura do livro O espaço moderno de Alberto Tassinari. O texto adotou como metodologia uma abordagem sistêmica, objetivando-se refletir sobre os espaços internos nas obras de arte para analisá-los como possíveis ferramentas antropológicas a partir dafenomenologia merleau-pontiana. Evidenciou-se que as imagens acontecem no espaço entre a transmissão e a percepção, não existindo por si mesmas, mas acontecendo, e na relação das imagens e suas manifestações nas artesvisuais, considerou-se Maurice Merleau-Ponty e Hans Belting que conceituam estética como Aisthesis, aquilo que é sensível ao corpo e nasce dos sentidos. Denominou-se estética como manifestação de regimes de visualidade que se alteram historicamente através da criação de novas técnicas e tecnologias que funcionam como prolongamentos ou próteses do corpo orgânico do homem, potencializando seu poder de apreensão das qualidades sensíveis apresentadas aos sentidos. Foram analisadas obras artísticas, abrangendodas cavernas de Lascaux às obras de artistas contemporâneos, fazendo uma analogia com os conceitos geográficos de Milton Santos, onde os Fixos/Sistemas de Objetos nas obras seriam seus espaços externos e os Fluxos/Sistemas de Ações formariam seus espaços internos, ou territórios. Fixos eFluxos seriam constituintes da fé-perceptiva merleau-pontiana, e a manifestação desta fé-perceptiva se manifestaria em regimes de visualidade. O texto propõe o uso dos espaços internos das obras de arte como ferramentas antropológicas porque espaços e territórios relacionam-se à organicidadecorporal do homem em comunhão carnal com o mundo, em aisthesis.Universidade Estadual de Londrina2012-09-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo não avaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1309110.5433/1984-7939.2012v8n13p279Discursos Fotograficos; v. 8 n. 13 (2012); 279-2801984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13091/11313Lopes, Marceloinfo:eu-repo/semantics/openAccess2017-08-22T19:25:53Zoai:ojs.pkp.sfu.ca:article/13091Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-08-22T19:25:53Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty
Os espaços internos nas obras de arte contemporânea: a antropologia a partir da fenomenologia merleau-pontiana
title The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty
spellingShingle The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty
Lopes, Marcelo
Contemporary art
Visual communications
Anthropological tools
Maurice Merleau-Ponty.
Teses e Dissertações. Cultura Visual. Arte Contemporânea. Fenomenologia. Maurice Merleau-Ponty - Filósofo.
title_short The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty
title_full The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty
title_fullStr The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty
title_full_unstemmed The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty
title_sort The interior spaces in contemporary art works: the anthropology of phenomenology from Merleau-Ponty
author Lopes, Marcelo
author_facet Lopes, Marcelo
author_role author
dc.contributor.author.fl_str_mv Lopes, Marcelo
dc.subject.por.fl_str_mv Contemporary art
Visual communications
Anthropological tools
Maurice Merleau-Ponty.
Teses e Dissertações. Cultura Visual. Arte Contemporânea. Fenomenologia. Maurice Merleau-Ponty - Filósofo.
topic Contemporary art
Visual communications
Anthropological tools
Maurice Merleau-Ponty.
Teses e Dissertações. Cultura Visual. Arte Contemporânea. Fenomenologia. Maurice Merleau-Ponty - Filósofo.
description This research began with reading the book The modern spaceAlberto Tassinari. The text adopted as a systemic approach methodology, aiming to reflect on the internal spaces into works of art to analyze them as potential anthropological tools from Merleau-Pontian phenomenology. It was evident that the images occur in the space between the transmission andperception, not existing by themselves, but going on, and the relationship of images and their manifestations in the visual arts, it was considered Maurice Merleau-Ponty and Hans Belting aesthetics as they conceptualize aisthesis, what is sensitive to the body and is born of the senses. Was named as amanifestation of aesthetic visual schemes that change historically through the creation of new techniques and technologies that act as extensions or prosthesesof the organic body of men, increasing their power of apprehension of the sensible qualities presented to the senses. Artistic works were analyzed, including the caves of Lascaux to works by contemporary artists, making an analogy to the geographical concepts of Milton Santos, where the Fixed /System Objects in the works would be its external spaces and flows/systems form their spaces Actions internal or territories. Flows were fixed and constituents of perceptual faith-Merleau-Pontian, and the manifestation of this faith is manifested in perceptual-regimes of visuality. The paper proposes the use of internal spaces of the art as a tool for anthropological spaces and territories related to the organic body of man in communion with the carnal world, aisthesis.
publishDate 2012
dc.date.none.fl_str_mv 2012-09-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo não avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13091
10.5433/1984-7939.2012v8n13p279
url https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13091
identifier_str_mv 10.5433/1984-7939.2012v8n13p279
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/13091/11313
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Discursos Fotograficos; v. 8 n. 13 (2012); 279-280
1984-7939
1808-5652
reponame:Discursos Fotográficos
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Discursos Fotográficos
collection Discursos Fotográficos
repository.name.fl_str_mv Discursos Fotográficos - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br
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