The contradictions of (self-) representation
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/36914 |
Resumo: | The purpose of this paper is to reflect on the problem of (self-) representation in indigenous audiovisual production from a critical perspective. Although in principle it is possible to think of an autonomous and "pure" representation of the indigenous, our hypothesis here has to do with the concept of the white-ness and the presence of pre-existing forms of audiovisual aesthetics and narrative. The idea of an indigenous person who represents themselves from an apparent purity seems to dissolve in the mediation of hegemonic forms of construction of identity. The text does not pretend to make an exhaustive analysis of the audiovisual representation of indigeneity, this escapes our possibilities, but rather to think about the paradoxes that are hidden behind the idea of purity in the audiovisual representation and the need to recognize ourselves as a hybrid nation beyond the place of enunciation. |
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The contradictions of (self-) representationLas contradicciones de la (auto) representaciónComunicação visualThe purpose of this paper is to reflect on the problem of (self-) representation in indigenous audiovisual production from a critical perspective. Although in principle it is possible to think of an autonomous and "pure" representation of the indigenous, our hypothesis here has to do with the concept of the white-ness and the presence of pre-existing forms of audiovisual aesthetics and narrative. The idea of an indigenous person who represents themselves from an apparent purity seems to dissolve in the mediation of hegemonic forms of construction of identity. The text does not pretend to make an exhaustive analysis of the audiovisual representation of indigeneity, this escapes our possibilities, but rather to think about the paradoxes that are hidden behind the idea of purity in the audiovisual representation and the need to recognize ourselves as a hybrid nation beyond the place of enunciation.El propósito de este artículo es reflexionar sobre el problema de la (auto) representación en la producción audiovisual indígena desde una perspectiva crítica. Aunque en principio puede pensarse en una representación autónoma y “pura” de lo indígena, nuestra hipótesis aquí tiene que ver con la idea de lo blanco y la presencia de formas preexistentes de la estética y la narrativa audiovisual. La idea de un indígena que se (auto)representa desde una aparente pureza parece disolverse en la mediación de formas hegemónicas de construcción de lo identitario. El texto no pretende hacer un análisis exhaustivo la representación audiovisual de lo indígena, esto escapa a nuestras posibilidades, sino, más bien, pensar las paradojas que se ocultan tras la idea de la pureza en la representación audiovisual y la necesidad de reconocernos como una nación híbrida más allá del lugar de enunciación.Universidade Estadual de Londrina2020-04-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/3691410.5433/1984-7939.2019v15n26p110Discursos Fotograficos; v. 15 n. 26 (2019); 110-1411984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELspahttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/36914/pdfCopyright (c) 2020 Discursos Fotográficosinfo:eu-repo/semantics/openAccessRoncallo-Dow, SergioUribe-Jongbloed, Enrique2020-07-17T22:47:53Zoai:ojs.pkp.sfu.ca:article/36914Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2020-07-17T22:47:53Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The contradictions of (self-) representation Las contradicciones de la (auto) representación |
title |
The contradictions of (self-) representation |
spellingShingle |
The contradictions of (self-) representation Roncallo-Dow, Sergio Comunicação visual |
title_short |
The contradictions of (self-) representation |
title_full |
The contradictions of (self-) representation |
title_fullStr |
The contradictions of (self-) representation |
title_full_unstemmed |
The contradictions of (self-) representation |
title_sort |
The contradictions of (self-) representation |
author |
Roncallo-Dow, Sergio |
author_facet |
Roncallo-Dow, Sergio Uribe-Jongbloed, Enrique |
author_role |
author |
author2 |
Uribe-Jongbloed, Enrique |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Roncallo-Dow, Sergio Uribe-Jongbloed, Enrique |
dc.subject.por.fl_str_mv |
Comunicação visual |
topic |
Comunicação visual |
description |
The purpose of this paper is to reflect on the problem of (self-) representation in indigenous audiovisual production from a critical perspective. Although in principle it is possible to think of an autonomous and "pure" representation of the indigenous, our hypothesis here has to do with the concept of the white-ness and the presence of pre-existing forms of audiovisual aesthetics and narrative. The idea of an indigenous person who represents themselves from an apparent purity seems to dissolve in the mediation of hegemonic forms of construction of identity. The text does not pretend to make an exhaustive analysis of the audiovisual representation of indigeneity, this escapes our possibilities, but rather to think about the paradoxes that are hidden behind the idea of purity in the audiovisual representation and the need to recognize ourselves as a hybrid nation beyond the place of enunciation. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-04-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/36914 10.5433/1984-7939.2019v15n26p110 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/36914 |
identifier_str_mv |
10.5433/1984-7939.2019v15n26p110 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/36914/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Discursos Fotográficos info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Discursos Fotográficos |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 15 n. 26 (2019); 110-141 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
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1799315410329272320 |