Self-inscription exercises in the cinema: the movie as a lived experience through the director
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Data de Publicação: | 2019 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/37323 |
Resumo: | This paper intends to review the hypothesis of Jean-Louis Comolli formulated from the analysis of Robert Kramer's work Berlin 10/90. We want to feature the performative character of Kramer's self-inscription in his film comparing it with other self-inscription exercises in order to demonstrate how this ethical-aesthetic regime derived from the director's body investment is present in other personal documentary projects in contemporary cinema. |
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oai:ojs.pkp.sfu.ca:article/37323 |
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UEL-4 |
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Discursos Fotográficos |
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Self-inscription exercises in the cinema: the movie as a lived experience through the directorExercícios de autoinscrição no cinema: o filme como experiência vivida pelo realizadorSelf-inscriptionCinemaPerformanceBerlin 10/90AutoinscriçãoCinemaPerformanceBerlin 10/90This paper intends to review the hypothesis of Jean-Louis Comolli formulated from the analysis of Robert Kramer's work Berlin 10/90. We want to feature the performative character of Kramer's self-inscription in his film comparing it with other self-inscription exercises in order to demonstrate how this ethical-aesthetic regime derived from the director's body investment is present in other personal documentary projects in contemporary cinema.Este trabalho pretende revisar a hipótese de Jean-Louis Comolli formulada a partir da análise do filme Berlin 10/90, de Robert Kramer, sobre o engajamento corporal do realizador no espaço da cena exceder a representação em favor da experiência vivida. Busca-se apontar o caráter performativo da autoinscrição de Kramer, comparando-o com outros exercícios de autoinscrição a fim de demonstrar como esse regime ético-estético faz-se presente em distintos documentários contemporâneos.Universidade Estadual de Londrina2019-11-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresAnálise Fílmicaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/3732310.5433/1984-7939.2019v15n27p190Discursos Fotograficos; v. 15 n. 27 (2019); 190-2171984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/37323/pdfCopyright (c) 2019 Discursos Fotográficosinfo:eu-repo/semantics/openAccessCodato, HenriqueOliveira, Eduardo dos SantosReis, Breno Almeida Brito2020-10-04T13:16:12Zoai:ojs.pkp.sfu.ca:article/37323Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2020-10-04T13:16:12Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Self-inscription exercises in the cinema: the movie as a lived experience through the director Exercícios de autoinscrição no cinema: o filme como experiência vivida pelo realizador |
title |
Self-inscription exercises in the cinema: the movie as a lived experience through the director |
spellingShingle |
Self-inscription exercises in the cinema: the movie as a lived experience through the director Codato, Henrique Self-inscription Cinema Performance Berlin 10/90 Autoinscrição Cinema Performance Berlin 10/90 |
title_short |
Self-inscription exercises in the cinema: the movie as a lived experience through the director |
title_full |
Self-inscription exercises in the cinema: the movie as a lived experience through the director |
title_fullStr |
Self-inscription exercises in the cinema: the movie as a lived experience through the director |
title_full_unstemmed |
Self-inscription exercises in the cinema: the movie as a lived experience through the director |
title_sort |
Self-inscription exercises in the cinema: the movie as a lived experience through the director |
author |
Codato, Henrique |
author_facet |
Codato, Henrique Oliveira, Eduardo dos Santos Reis, Breno Almeida Brito |
author_role |
author |
author2 |
Oliveira, Eduardo dos Santos Reis, Breno Almeida Brito |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Codato, Henrique Oliveira, Eduardo dos Santos Reis, Breno Almeida Brito |
dc.subject.por.fl_str_mv |
Self-inscription Cinema Performance Berlin 10/90 Autoinscrição Cinema Performance Berlin 10/90 |
topic |
Self-inscription Cinema Performance Berlin 10/90 Autoinscrição Cinema Performance Berlin 10/90 |
description |
This paper intends to review the hypothesis of Jean-Louis Comolli formulated from the analysis of Robert Kramer's work Berlin 10/90. We want to feature the performative character of Kramer's self-inscription in his film comparing it with other self-inscription exercises in order to demonstrate how this ethical-aesthetic regime derived from the director's body investment is present in other personal documentary projects in contemporary cinema. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-11-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares Análise Fílmica |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/37323 10.5433/1984-7939.2019v15n27p190 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/37323 |
identifier_str_mv |
10.5433/1984-7939.2019v15n27p190 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/37323/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Discursos Fotográficos info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Discursos Fotográficos |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 15 n. 27 (2019); 190-217 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315410335563776 |