Robert Capa: spectator and adjuvant in the conflicts of his time
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2937 |
Resumo: | This article is intended to revisit the biography of photojournalist Robert Capa (1913-1954), in order to record his status as a spectator - in view of the technical innovations in photography and concept modifications - and investigate his stance as adjuvant in warfare. Paradoxically, Capa was distinguished as the most important war photographer in the first half of the twentieth century, but at the same time, he used his camera as a tool to consolidate his thought as an engaged photographer and as a weapon against belligerency. In an interview, he made clear his dislike for the war: “I hate violence and the thing that I hate most is war.” |
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Robert Capa: spectator and adjuvant in the conflicts of his timeRobert Capa: espectador e coadjuvante nos conflitos de seu tempoRobert Capa – life and worksphotographyWar photojournalismHistory – Twentieth Century.Fotojornalismo. Robert Capa – Fotógrafo. Fotojornalismo de guerra. História. Século XX.This article is intended to revisit the biography of photojournalist Robert Capa (1913-1954), in order to record his status as a spectator - in view of the technical innovations in photography and concept modifications - and investigate his stance as adjuvant in warfare. Paradoxically, Capa was distinguished as the most important war photographer in the first half of the twentieth century, but at the same time, he used his camera as a tool to consolidate his thought as an engaged photographer and as a weapon against belligerency. In an interview, he made clear his dislike for the war: “I hate violence and the thing that I hate most is war.”O presente artigo tem como objetivo revisitar a biografia do fotojornalista Robert Capa (1913-1954), a fim de registrar sua condição de espectador – frente às inovações técnicas na fotografia e suas modificações de concepção – e investigar sua postura de coadjuvante nos conflitos bélicos. Paradoxalmente, Capa destacouse como o mais importante fotógrafo de guerra da primeira metade do século XX, mas, ao mesmo tempo, usou sua câmera fotográfica como instrumento para consolidar sua posição de fotógrafo engajado e como arma em sua luta antibelicista. Numa entrevista, deixou claro sua aversão pela guerra: “Eu odeio violência e a coisa que mais odeio é guerra.”Universidade Estadual de Londrina2009-12-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/293710.5433/1984-7939.2009v5n6p99Discursos Fotograficos; v. 5 n. 6 (2009); 99-1301984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2937/2488Cavalheiro Neto, RodolphoAybar Ramírez, María Doloresinfo:eu-repo/semantics/openAccess2017-01-31T18:47:16Zoai:ojs.pkp.sfu.ca:article/2937Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-01-31T18:47:16Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Robert Capa: spectator and adjuvant in the conflicts of his time Robert Capa: espectador e coadjuvante nos conflitos de seu tempo |
title |
Robert Capa: spectator and adjuvant in the conflicts of his time |
spellingShingle |
Robert Capa: spectator and adjuvant in the conflicts of his time Cavalheiro Neto, Rodolpho Robert Capa – life and works photography War photojournalism History – Twentieth Century. Fotojornalismo. Robert Capa – Fotógrafo. Fotojornalismo de guerra. História. Século XX. |
title_short |
Robert Capa: spectator and adjuvant in the conflicts of his time |
title_full |
Robert Capa: spectator and adjuvant in the conflicts of his time |
title_fullStr |
Robert Capa: spectator and adjuvant in the conflicts of his time |
title_full_unstemmed |
Robert Capa: spectator and adjuvant in the conflicts of his time |
title_sort |
Robert Capa: spectator and adjuvant in the conflicts of his time |
author |
Cavalheiro Neto, Rodolpho |
author_facet |
Cavalheiro Neto, Rodolpho Aybar Ramírez, María Dolores |
author_role |
author |
author2 |
Aybar Ramírez, María Dolores |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Cavalheiro Neto, Rodolpho Aybar Ramírez, María Dolores |
dc.subject.por.fl_str_mv |
Robert Capa – life and works photography War photojournalism History – Twentieth Century. Fotojornalismo. Robert Capa – Fotógrafo. Fotojornalismo de guerra. História. Século XX. |
topic |
Robert Capa – life and works photography War photojournalism History – Twentieth Century. Fotojornalismo. Robert Capa – Fotógrafo. Fotojornalismo de guerra. História. Século XX. |
description |
This article is intended to revisit the biography of photojournalist Robert Capa (1913-1954), in order to record his status as a spectator - in view of the technical innovations in photography and concept modifications - and investigate his stance as adjuvant in warfare. Paradoxically, Capa was distinguished as the most important war photographer in the first half of the twentieth century, but at the same time, he used his camera as a tool to consolidate his thought as an engaged photographer and as a weapon against belligerency. In an interview, he made clear his dislike for the war: “I hate violence and the thing that I hate most is war.” |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-12-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2937 10.5433/1984-7939.2009v5n6p99 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2937 |
identifier_str_mv |
10.5433/1984-7939.2009v5n6p99 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/2937/2488 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 5 n. 6 (2009); 99-130 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
_version_ |
1799315408586539008 |