The Structural metaphor of the tale Champavert, le lycanthrope (1833), by Pétrus Borel (1809-1859)

Detalhes bibliográficos
Autor(a) principal: Lima, Fernanda
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Entretextos
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/24288
Resumo: This study aims to analyse the enunciative scenography composition (MAINGUENEAU, 2006) of the Champavert, le lycanthrope (1833) tale, written by Petrus Borel, legitimate representative of the French Frenetic Romanticism. The central issue of this article is linked to the saturation of grotesque metaphors in this tale, in its relationship with the enunciative identity of the author. The metaphors that permeate through the Champavert, le lycanthrope tale refer to the grotesque subjects of metamorphosis and the opposition between being-seeming. These metaphors weave and direct the readability of the narrative (GENETTE, 1972, 1991), indicating the strategies in the composition of its enunciative scenography. The textual analysis process reveals the structural and structuring potential of the society's metaphor like a swamp, a "conductive analogue thread" (BORDAS, 2003) of the tale chosen.
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spelling The Structural metaphor of the tale Champavert, le lycanthrope (1833), by Pétrus Borel (1809-1859)A metáfora estrutural do conto Champavert, le lycanthrope (1833), de Pétrus Borel (1809-1859)MetaphorGrotesquePétrus BorelMetáforaGrotescoPétrus BorelThis study aims to analyse the enunciative scenography composition (MAINGUENEAU, 2006) of the Champavert, le lycanthrope (1833) tale, written by Petrus Borel, legitimate representative of the French Frenetic Romanticism. The central issue of this article is linked to the saturation of grotesque metaphors in this tale, in its relationship with the enunciative identity of the author. The metaphors that permeate through the Champavert, le lycanthrope tale refer to the grotesque subjects of metamorphosis and the opposition between being-seeming. These metaphors weave and direct the readability of the narrative (GENETTE, 1972, 1991), indicating the strategies in the composition of its enunciative scenography. The textual analysis process reveals the structural and structuring potential of the society's metaphor like a swamp, a "conductive analogue thread" (BORDAS, 2003) of the tale chosen.O presente trabalho tem como foco de análise a composição da cenografia enunciativa (MAINGUENEAU, 2006) do conto Champavert, le lycanthrope (1833), escrito por Pétrus Borel, representante legítimo do romantismo frenético francês. A problemática central deste artigo vincula-se à saturação de metáforas do grotesco no conto em questão, em sua relação com a identidade enunciativa do autor. As metáforas que permeiam o conto Champavert, le lycanthrope referem-se às temáticas grotescas da metamorfose e da oposição ser-parecer. Essas metáforas tecem e orientam a legibilidade da narrativa (GENETTE, 1972, 1991), indiciando estratégias na composição de sua cenografia enunciativa. O processo de análise textual desvela o potencial estruturante e estrutural da metáfora da sociedade como um charco, enquanto “fio analógico condutor” (BORDAS, 2003) do conto selecionado.Universidade Estadual de Londrina2016-11-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/2428810.5433/1519-5392.2016v16n2p221Entretextos; v. 16 n. 2 (2016); 221-2412764-08091519-5392reponame:Revista Entretextosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/24288/20769Copyright (c) 2016 Entretextosinfo:eu-repo/semantics/openAccessLima, Fernanda2021-03-29T20:01:57Zoai:ojs.pkp.sfu.ca:article/24288Revistahttps://www.uel.br/revistas/uel/index.php/entretextosPUBhttps://www.uel.br/revistas/uel/index.php/entretextos/oai||entretextos.uel@gmail.com|| ppgel@uel.br|| laudi@uel.br1519-53922764-0809opendoar:2021-03-29T20:01:57Revista Entretextos - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv The Structural metaphor of the tale Champavert, le lycanthrope (1833), by Pétrus Borel (1809-1859)
A metáfora estrutural do conto Champavert, le lycanthrope (1833), de Pétrus Borel (1809-1859)
title The Structural metaphor of the tale Champavert, le lycanthrope (1833), by Pétrus Borel (1809-1859)
spellingShingle The Structural metaphor of the tale Champavert, le lycanthrope (1833), by Pétrus Borel (1809-1859)
Lima, Fernanda
Metaphor
Grotesque
Pétrus Borel
Metáfora
Grotesco
Pétrus Borel
title_short The Structural metaphor of the tale Champavert, le lycanthrope (1833), by Pétrus Borel (1809-1859)
title_full The Structural metaphor of the tale Champavert, le lycanthrope (1833), by Pétrus Borel (1809-1859)
title_fullStr The Structural metaphor of the tale Champavert, le lycanthrope (1833), by Pétrus Borel (1809-1859)
title_full_unstemmed The Structural metaphor of the tale Champavert, le lycanthrope (1833), by Pétrus Borel (1809-1859)
title_sort The Structural metaphor of the tale Champavert, le lycanthrope (1833), by Pétrus Borel (1809-1859)
author Lima, Fernanda
author_facet Lima, Fernanda
author_role author
dc.contributor.author.fl_str_mv Lima, Fernanda
dc.subject.por.fl_str_mv Metaphor
Grotesque
Pétrus Borel
Metáfora
Grotesco
Pétrus Borel
topic Metaphor
Grotesque
Pétrus Borel
Metáfora
Grotesco
Pétrus Borel
description This study aims to analyse the enunciative scenography composition (MAINGUENEAU, 2006) of the Champavert, le lycanthrope (1833) tale, written by Petrus Borel, legitimate representative of the French Frenetic Romanticism. The central issue of this article is linked to the saturation of grotesque metaphors in this tale, in its relationship with the enunciative identity of the author. The metaphors that permeate through the Champavert, le lycanthrope tale refer to the grotesque subjects of metamorphosis and the opposition between being-seeming. These metaphors weave and direct the readability of the narrative (GENETTE, 1972, 1991), indicating the strategies in the composition of its enunciative scenography. The textual analysis process reveals the structural and structuring potential of the society's metaphor like a swamp, a "conductive analogue thread" (BORDAS, 2003) of the tale chosen.
publishDate 2016
dc.date.none.fl_str_mv 2016-11-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/24288
10.5433/1519-5392.2016v16n2p221
url https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/24288
identifier_str_mv 10.5433/1519-5392.2016v16n2p221
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/24288/20769
dc.rights.driver.fl_str_mv Copyright (c) 2016 Entretextos
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Entretextos
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Entretextos; v. 16 n. 2 (2016); 221-241
2764-0809
1519-5392
reponame:Revista Entretextos
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Revista Entretextos
collection Revista Entretextos
repository.name.fl_str_mv Revista Entretextos - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv ||entretextos.uel@gmail.com|| ppgel@uel.br|| laudi@uel.br
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