Tableau Vivant in Lucíola: the ficto in the aesthetics of the nineteenth century novel
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Acta Scientiarum. Language and Culture (Online) |
Texto Completo: | http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/55556 |
Resumo: | These notes address the status of fiction and of genre/gender in two moments and places of José de Alencar’s writing. Focus is placed on the privilege of the visual exercise in his non-fiction accounts of the mid-19th century, as well as on the convergence of the visual and scenic arts in his novel Lucíola (1862). Walter Benjamin’s theoretical framework comes on the foreplay to shed light on the changes affecting optical sensitivity, especially when it comes to large cities, as from the mid-19th century, whether observed in his criticism over Baudelaire (1989), whether in his considerations on photography and cinema (Benjamin,1994). Limits imposed to that emerging formal apparatus are discussed in face of the Brazilian novelist’s compromises with moral edification. Yet, the productivity of Alencar’s writing at that moment stands out in paving the way to the aesthetic-historic synthesis Machado de Assis will head at the last quarter of the 19th century, in view of the strongly dramatic-cinematographic narrative of the latter’s. |
id |
UEM-2_4871279ea940d1d3f1c0c84da0f193eb |
---|---|
oai_identifier_str |
oai:periodicos.uem.br/ojs:article/55556 |
network_acronym_str |
UEM-2 |
network_name_str |
Acta Scientiarum. Language and Culture (Online) |
repository_id_str |
|
spelling |
Tableau Vivant in Lucíola: the ficto in the aesthetics of the nineteenth century novelTableau Vivant em Lucíola: o ficto na estética romanesca oitocentistaJosé de Alencar; Lucíola; ficção; gêneros literários; artes visuais; artes cênicas.José de Alencar; Lucíola; ficção; gêneros literários; artes visuais; artes cênicas.These notes address the status of fiction and of genre/gender in two moments and places of José de Alencar’s writing. Focus is placed on the privilege of the visual exercise in his non-fiction accounts of the mid-19th century, as well as on the convergence of the visual and scenic arts in his novel Lucíola (1862). Walter Benjamin’s theoretical framework comes on the foreplay to shed light on the changes affecting optical sensitivity, especially when it comes to large cities, as from the mid-19th century, whether observed in his criticism over Baudelaire (1989), whether in his considerations on photography and cinema (Benjamin,1994). Limits imposed to that emerging formal apparatus are discussed in face of the Brazilian novelist’s compromises with moral edification. Yet, the productivity of Alencar’s writing at that moment stands out in paving the way to the aesthetic-historic synthesis Machado de Assis will head at the last quarter of the 19th century, in view of the strongly dramatic-cinematographic narrative of the latter’s. Estas considerações voltam-se para o lugar da ficção e do gênero em dois momentos e lugares da prosa de José de Alencar. Destaca-se a saliência do exercício escópico como elemento privilegiado na sua crônica de meio de século (1855), assim como o concurso das artes visuais e cênicas na escrita de seu romance Lucíola (1862). Recorre-se às considerações teóricas de Walter Benjamin sobre as mudanças na sensibilidade ótica, especialmente nas grandes cidades, a partir da segunda metade do século XIX, seja em sua crítica a Baudelaire (1989), seja ainda em suas considerações sobre a fotografia e o cinema (Benjamin, 1994). Apontam-se os limites impostos a esse aparato formal diante do compromisso do ficcionista brasileiro com a edificação moral ao mesmo tempo em que se sugere a produtividade desse momento de sua escrita para a síntese estético-histórica, capitaneada por Machado de Assis no último quartel do século XIX, no que diz respeito ao acabamento magistral da narrativa acentuadamente dramático-cinematográfica deste último escritor. Universidade Estadual De Maringá2022-03-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/5555610.4025/actascilangcult.v44i1.55556Acta Scientiarum. Language and Culture; Vol 44 No 1 (2022): Jan.-June; e55556Acta Scientiarum. Language and Culture; v. 44 n. 1 (2022): Jan.-June; e555561983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/55556/751375153861Copyright (c) 2022 Acta Scientiarum. Language and Culturehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRosito, Valeria 2022-04-01T17:46:10Zoai:periodicos.uem.br/ojs:article/55556Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2022-04-01T17:46:10Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false |
dc.title.none.fl_str_mv |
Tableau Vivant in Lucíola: the ficto in the aesthetics of the nineteenth century novel Tableau Vivant em Lucíola: o ficto na estética romanesca oitocentista |
title |
Tableau Vivant in Lucíola: the ficto in the aesthetics of the nineteenth century novel |
spellingShingle |
Tableau Vivant in Lucíola: the ficto in the aesthetics of the nineteenth century novel Rosito, Valeria José de Alencar; Lucíola; ficção; gêneros literários; artes visuais; artes cênicas. José de Alencar; Lucíola; ficção; gêneros literários; artes visuais; artes cênicas. |
title_short |
Tableau Vivant in Lucíola: the ficto in the aesthetics of the nineteenth century novel |
title_full |
Tableau Vivant in Lucíola: the ficto in the aesthetics of the nineteenth century novel |
title_fullStr |
Tableau Vivant in Lucíola: the ficto in the aesthetics of the nineteenth century novel |
title_full_unstemmed |
Tableau Vivant in Lucíola: the ficto in the aesthetics of the nineteenth century novel |
title_sort |
Tableau Vivant in Lucíola: the ficto in the aesthetics of the nineteenth century novel |
author |
Rosito, Valeria |
author_facet |
Rosito, Valeria |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rosito, Valeria |
dc.subject.por.fl_str_mv |
José de Alencar; Lucíola; ficção; gêneros literários; artes visuais; artes cênicas. José de Alencar; Lucíola; ficção; gêneros literários; artes visuais; artes cênicas. |
topic |
José de Alencar; Lucíola; ficção; gêneros literários; artes visuais; artes cênicas. José de Alencar; Lucíola; ficção; gêneros literários; artes visuais; artes cênicas. |
description |
These notes address the status of fiction and of genre/gender in two moments and places of José de Alencar’s writing. Focus is placed on the privilege of the visual exercise in his non-fiction accounts of the mid-19th century, as well as on the convergence of the visual and scenic arts in his novel Lucíola (1862). Walter Benjamin’s theoretical framework comes on the foreplay to shed light on the changes affecting optical sensitivity, especially when it comes to large cities, as from the mid-19th century, whether observed in his criticism over Baudelaire (1989), whether in his considerations on photography and cinema (Benjamin,1994). Limits imposed to that emerging formal apparatus are discussed in face of the Brazilian novelist’s compromises with moral edification. Yet, the productivity of Alencar’s writing at that moment stands out in paving the way to the aesthetic-historic synthesis Machado de Assis will head at the last quarter of the 19th century, in view of the strongly dramatic-cinematographic narrative of the latter’s. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-03-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/55556 10.4025/actascilangcult.v44i1.55556 |
url |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/55556 |
identifier_str_mv |
10.4025/actascilangcult.v44i1.55556 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/55556/751375153861 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Acta Scientiarum. Language and Culture http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Acta Scientiarum. Language and Culture http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
dc.source.none.fl_str_mv |
Acta Scientiarum. Language and Culture; Vol 44 No 1 (2022): Jan.-June; e55556 Acta Scientiarum. Language and Culture; v. 44 n. 1 (2022): Jan.-June; e55556 1983-4683 1983-4675 reponame:Acta Scientiarum. Language and Culture (Online) instname:Universidade Estadual de Maringá (UEM) instacron:UEM |
instname_str |
Universidade Estadual de Maringá (UEM) |
instacron_str |
UEM |
institution |
UEM |
reponame_str |
Acta Scientiarum. Language and Culture (Online) |
collection |
Acta Scientiarum. Language and Culture (Online) |
repository.name.fl_str_mv |
Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM) |
repository.mail.fl_str_mv |
||actalan@uem.br |
_version_ |
1750312524225445888 |