Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Acta Scientiarum. Language and Culture (Online) |
Texto Completo: | http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6614 |
Resumo: | This work presents, in a didactic manner, a few considerations about the use made by Surrealism of some exemplary techniques in modern poetry (such as automatic writing, the dream, the image, and the collage) to achieve its aesthetic project that privileges the dream and imagination as artistic practice. As a point of convergence between poetic practice and theory, we will take as example poems ‘XXIII’ and ‘XXIV’ of the First Canto of Jorge de Lima’s Invenção de Orfeu. |
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Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614Lírica Moderna e Surrealismo: uma leitura dos poemas “XXIII” e “XXIV” do Canto Primeiro de Invenção de Orfeu, de Jorge de Lima - doi: 10.4025/actascilangcult.v33i1.6614modern poetrysurrealismInvenção de OrfeuJorge de Limapoesia modernasurrealismoInvenção de OrfeuJorge de LimaThis work presents, in a didactic manner, a few considerations about the use made by Surrealism of some exemplary techniques in modern poetry (such as automatic writing, the dream, the image, and the collage) to achieve its aesthetic project that privileges the dream and imagination as artistic practice. As a point of convergence between poetic practice and theory, we will take as example poems ‘XXIII’ and ‘XXIV’ of the First Canto of Jorge de Lima’s Invenção de Orfeu.Este ensaio apresenta, de forma didática, algumas considerações acerca da utilização que o surrealismo faz de algumas técnicas exemplares da poesia moderna (como a escrita automática, o sonho, a imagem e a colagem) para realização de seu projeto estético que privilegia o sonho e a imaginação como prática artística. Como ponto de convergência entre teoria e prática poética, tomaremos como exemplo os poemas ‘XXIII’ e ‘XXIV’ do Canto Primeiro de Invenção de Orfeu de Jorge de Lima.Universidade Estadual De Maringá2011-03-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/661410.4025/actascilangcult.v33i1.6614Acta Scientiarum. Language and Culture; Vol 33 No 1 (2011); 121-131Acta Scientiarum. Language and Culture; v. 33 n. 1 (2011); 121-1311983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6614/6614Cavalcanti, Luciano Marcos Diasinfo:eu-repo/semantics/openAccess2022-11-23T17:34:59Zoai:periodicos.uem.br/ojs:article/6614Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2022-11-23T17:34:59Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false |
dc.title.none.fl_str_mv |
Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614 Lírica Moderna e Surrealismo: uma leitura dos poemas “XXIII” e “XXIV” do Canto Primeiro de Invenção de Orfeu, de Jorge de Lima - doi: 10.4025/actascilangcult.v33i1.6614 |
title |
Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614 |
spellingShingle |
Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614 Cavalcanti, Luciano Marcos Dias modern poetry surrealism Invenção de Orfeu Jorge de Lima poesia moderna surrealismo Invenção de Orfeu Jorge de Lima |
title_short |
Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614 |
title_full |
Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614 |
title_fullStr |
Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614 |
title_full_unstemmed |
Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614 |
title_sort |
Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614 |
author |
Cavalcanti, Luciano Marcos Dias |
author_facet |
Cavalcanti, Luciano Marcos Dias |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cavalcanti, Luciano Marcos Dias |
dc.subject.por.fl_str_mv |
modern poetry surrealism Invenção de Orfeu Jorge de Lima poesia moderna surrealismo Invenção de Orfeu Jorge de Lima |
topic |
modern poetry surrealism Invenção de Orfeu Jorge de Lima poesia moderna surrealismo Invenção de Orfeu Jorge de Lima |
description |
This work presents, in a didactic manner, a few considerations about the use made by Surrealism of some exemplary techniques in modern poetry (such as automatic writing, the dream, the image, and the collage) to achieve its aesthetic project that privileges the dream and imagination as artistic practice. As a point of convergence between poetic practice and theory, we will take as example poems ‘XXIII’ and ‘XXIV’ of the First Canto of Jorge de Lima’s Invenção de Orfeu. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-03-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6614 10.4025/actascilangcult.v33i1.6614 |
url |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6614 |
identifier_str_mv |
10.4025/actascilangcult.v33i1.6614 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6614/6614 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
dc.source.none.fl_str_mv |
Acta Scientiarum. Language and Culture; Vol 33 No 1 (2011); 121-131 Acta Scientiarum. Language and Culture; v. 33 n. 1 (2011); 121-131 1983-4683 1983-4675 reponame:Acta Scientiarum. Language and Culture (Online) instname:Universidade Estadual de Maringá (UEM) instacron:UEM |
instname_str |
Universidade Estadual de Maringá (UEM) |
instacron_str |
UEM |
institution |
UEM |
reponame_str |
Acta Scientiarum. Language and Culture (Online) |
collection |
Acta Scientiarum. Language and Culture (Online) |
repository.name.fl_str_mv |
Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM) |
repository.mail.fl_str_mv |
||actalan@uem.br |
_version_ |
1799317464725585920 |