Margins: poetics of exclusion in ‘a people agree to not die’, by Conceição Evaristo

Detalhes bibliográficos
Autor(a) principal: Silva, Elen Karla Sousa da
Data de Publicação: 2022
Outros Autores: Conte, Daniel
Tipo de documento: Artigo
Idioma: por
Título da fonte: Acta Scientiarum. Language and Culture (Online)
Texto Completo: http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/62351
Resumo: Literature has constantly been used by female and male writers as a tool for denunciation, social criticism, a space of reflection on the human condition, for human rights, the right to literature for writers from outlying ghettos and for the right to the act of writing. With this idea in mind, this article discusses the poetry of exclusion and the social portrait of the ghetto in the narrative of Conceição Evaristo. The outflying ghettos are a fertile environment where literature is strongly present. The literature from the ghettos intends to give voice to those excluded from society, in a new movement that came to diversify literary production and encourage reading habits on these marginalized environments. Exclusion is not simply an economical process, as it encompasses countless particularities of the social, cultural, and political life of those who are distant from the spaces of power. In this regard, Conceição Evaristo is understood as a writer that represents the themes of fighting against racial prejudice, of resistance, of the valorization of memories, oralities, and many others. The short story ‘A gente combinamos de não morrer’, from the book Olhos D'água (2014), by Conceição Evaristo, illustrates the reality of pain, exclusion, and violence of the black population of Brazil, who is routinely neglected by society. Guiding the theoretical framework are the thoughts of Candido (1995), Rama (2015), Schwarz (1983), Dalcastagnè (2008, 2012), Nascimento (2006), Mbembe (2018), among others.
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spelling Margins: poetics of exclusion in ‘a people agree to not die’, by Conceição EvaristoMargens: poéticas da exclusão em ‘A gente combinamos de não morrer’, de Conceição Evaristo literature; Conceição Evaristo; spaces of power; outlying ghettos.literatura; Conceição Evaristo; espaços de poder; periférico.Literature has constantly been used by female and male writers as a tool for denunciation, social criticism, a space of reflection on the human condition, for human rights, the right to literature for writers from outlying ghettos and for the right to the act of writing. With this idea in mind, this article discusses the poetry of exclusion and the social portrait of the ghetto in the narrative of Conceição Evaristo. The outflying ghettos are a fertile environment where literature is strongly present. The literature from the ghettos intends to give voice to those excluded from society, in a new movement that came to diversify literary production and encourage reading habits on these marginalized environments. Exclusion is not simply an economical process, as it encompasses countless particularities of the social, cultural, and political life of those who are distant from the spaces of power. In this regard, Conceição Evaristo is understood as a writer that represents the themes of fighting against racial prejudice, of resistance, of the valorization of memories, oralities, and many others. The short story ‘A gente combinamos de não morrer’, from the book Olhos D'água (2014), by Conceição Evaristo, illustrates the reality of pain, exclusion, and violence of the black population of Brazil, who is routinely neglected by society. Guiding the theoretical framework are the thoughts of Candido (1995), Rama (2015), Schwarz (1983), Dalcastagnè (2008, 2012), Nascimento (2006), Mbembe (2018), among others.A literatura constantemente tem sido utilizada por escritoras e escritores como instrumento de denúncia, crítica social e espaço de reflexão sobre a condição humana, pelos direitos humanos, pelo direito à literatura de escritores pertencentes ao âmbito periférico e pelo direito ao ato de escrever. Atentando para tal pressuposto, este artigo discute a poética da exclusão e o retrato social periférico na narrativa de Conceição Evaristo. A periferia é um terreno fértil onde a literatura se apresenta com força. A literatura periférica intenciona dar voz aos excluídos da sociedade, movimento novo que veio diversificar a produção literária e incentivar o hábito da leitura nas periferias. A exclusão não é apenas um processo econômico, pois abrange inúmeras particularidades da vida social, cultural e política dos que se encontram distantes dos espaços de poder. Nesse sentido, entende-se Conceição Evaristo como uma escritora representativa no que concerne a temáticas no combate ao preconceito racial, resistência, valorização da memória, oralidade e tantos outros. O conto ‘A gente combinamos de não morrer’, da obra Olhos D'água (2014), de Conceição Evaristo, ilustra a realidade de dor, exclusão e violência da população negra no Brasil, rotineiramente negligenciada por parte da sociedade. Como norteadores teóricos serão utilizados os pensamentos de Candido (2010), Rama (2015), Schwarz (1983), Dalcastagnè (2008, 2012), Nascimento (2006), Mbembe (2018), entre outros.Universidade Estadual De Maringá2022-08-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6235110.4025/actascilangcult.v44i2.62351Acta Scientiarum. Language and Culture; Vol 44 No 2 (2022): July-Dec.; e62351Acta Scientiarum. Language and Culture; v. 44 n. 2 (2022): July-Dec.; e623511983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/62351/751375154652Copyright (c) 2022 Acta Scientiarum. Language and Culturehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSilva, Elen Karla Sousa daConte, Daniel2022-08-22T16:49:23Zoai:periodicos.uem.br/ojs:article/62351Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2022-08-22T16:49:23Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false
dc.title.none.fl_str_mv Margins: poetics of exclusion in ‘a people agree to not die’, by Conceição Evaristo
Margens: poéticas da exclusão em ‘A gente combinamos de não morrer’, de Conceição Evaristo
title Margins: poetics of exclusion in ‘a people agree to not die’, by Conceição Evaristo
spellingShingle Margins: poetics of exclusion in ‘a people agree to not die’, by Conceição Evaristo
Silva, Elen Karla Sousa da
literature; Conceição Evaristo; spaces of power; outlying ghettos.
literatura; Conceição Evaristo; espaços de poder; periférico.
title_short Margins: poetics of exclusion in ‘a people agree to not die’, by Conceição Evaristo
title_full Margins: poetics of exclusion in ‘a people agree to not die’, by Conceição Evaristo
title_fullStr Margins: poetics of exclusion in ‘a people agree to not die’, by Conceição Evaristo
title_full_unstemmed Margins: poetics of exclusion in ‘a people agree to not die’, by Conceição Evaristo
title_sort Margins: poetics of exclusion in ‘a people agree to not die’, by Conceição Evaristo
author Silva, Elen Karla Sousa da
author_facet Silva, Elen Karla Sousa da
Conte, Daniel
author_role author
author2 Conte, Daniel
author2_role author
dc.contributor.author.fl_str_mv Silva, Elen Karla Sousa da
Conte, Daniel
dc.subject.por.fl_str_mv literature; Conceição Evaristo; spaces of power; outlying ghettos.
literatura; Conceição Evaristo; espaços de poder; periférico.
topic literature; Conceição Evaristo; spaces of power; outlying ghettos.
literatura; Conceição Evaristo; espaços de poder; periférico.
description Literature has constantly been used by female and male writers as a tool for denunciation, social criticism, a space of reflection on the human condition, for human rights, the right to literature for writers from outlying ghettos and for the right to the act of writing. With this idea in mind, this article discusses the poetry of exclusion and the social portrait of the ghetto in the narrative of Conceição Evaristo. The outflying ghettos are a fertile environment where literature is strongly present. The literature from the ghettos intends to give voice to those excluded from society, in a new movement that came to diversify literary production and encourage reading habits on these marginalized environments. Exclusion is not simply an economical process, as it encompasses countless particularities of the social, cultural, and political life of those who are distant from the spaces of power. In this regard, Conceição Evaristo is understood as a writer that represents the themes of fighting against racial prejudice, of resistance, of the valorization of memories, oralities, and many others. The short story ‘A gente combinamos de não morrer’, from the book Olhos D'água (2014), by Conceição Evaristo, illustrates the reality of pain, exclusion, and violence of the black population of Brazil, who is routinely neglected by society. Guiding the theoretical framework are the thoughts of Candido (1995), Rama (2015), Schwarz (1983), Dalcastagnè (2008, 2012), Nascimento (2006), Mbembe (2018), among others.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-05
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dc.relation.none.fl_str_mv http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/62351/751375154652
dc.rights.driver.fl_str_mv Copyright (c) 2022 Acta Scientiarum. Language and Culture
http://creativecommons.org/licenses/by/4.0
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rights_invalid_str_mv Copyright (c) 2022 Acta Scientiarum. Language and Culture
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dc.publisher.none.fl_str_mv Universidade Estadual De Maringá
publisher.none.fl_str_mv Universidade Estadual De Maringá
dc.source.none.fl_str_mv Acta Scientiarum. Language and Culture; Vol 44 No 2 (2022): July-Dec.; e62351
Acta Scientiarum. Language and Culture; v. 44 n. 2 (2022): July-Dec.; e62351
1983-4683
1983-4675
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