The Scenic performance mechanism in the Aristophanes' comedies: the prompter and the focalization
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Acta Scientiarum. Language and Culture (Online) |
Texto Completo: | http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31639 |
Resumo: | In this article, we aimed to point two important mechanisms of scenic performance in the plays of the Greek comedy writer Aristophanes (V BC). Our start assumption is that it is possible to find in the text important marks for the scenic operationalization of those comedies. In the time when those comedies were composed, the author knew the material conditions of scenic performance and he used some interesting strategies, and we highlight two of them: (i) he inserted reminder-speech inside the sing of chorus to work as a prompter for the coreutas' choreography; (ii) he used the chorus' collective body to indicate to the spectator which scenic elements deserve the attention for being important for the progress of the plot. These two play composition strategies are similar, but not equal, to the contemporary concepts of prompter and focalization. |
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The Scenic performance mechanism in the Aristophanes' comedies: the prompter and the focalizationMecanismo de performance cênica nas comédias de Aristófanes: ponto e focalizaçãoAristophanesgreek comedyscenic performance.Aristófanescomédia gregaperformance cênica.literaturaIn this article, we aimed to point two important mechanisms of scenic performance in the plays of the Greek comedy writer Aristophanes (V BC). Our start assumption is that it is possible to find in the text important marks for the scenic operationalization of those comedies. In the time when those comedies were composed, the author knew the material conditions of scenic performance and he used some interesting strategies, and we highlight two of them: (i) he inserted reminder-speech inside the sing of chorus to work as a prompter for the coreutas' choreography; (ii) he used the chorus' collective body to indicate to the spectator which scenic elements deserve the attention for being important for the progress of the plot. These two play composition strategies are similar, but not equal, to the contemporary concepts of prompter and focalization. Este artigo objetiva evidenciar dois importantes mecanismos de performance cênica existentes nas peças de Aristófanes, autor de comédias gregas do século V a.C. Partimos do pressuposto de que é possível encontrar no texto elementos que são importantes para a operacionalização cênica das comédias daquela época. Neste artigo mostraremos que, no momento de composição, sabendo das condições materiais da realização cênica, o comediógrafo utilizava algumas interessantes estratégias, dentre as quais destacaremos duas: (i) ele inseria falas-lembrete nos cantos corais que serviam como um ponto para a coreografia dos coreutas, e (ii) ele usava o corpo coletivo do coro como um sinalizador que indicava ao espectador os elementos cênicos que são importantes para o desenvolvimento do enredo e que, por isso, mereciam atenção da plateia. Essas duas estratégias presentes na composição das peças são similares, não idênticas, aos conceitos atuais de ponto e focalização. Universidade Estadual De Maringá2017-07-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfapplication/vnd.openxmlformats-officedocument.wordprocessingml.documenthttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/3163910.4025/actascilangcult.v39i3.31639Acta Scientiarum. Language and Culture; Vol 39 No 3 (2017); 281-290Acta Scientiarum. Language and Culture; v. 39 n. 3 (2017); 281-2901983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporenghttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31639/pdfhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31639/pdf_1http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31639/751375145315Copyright (c) 2017 Acta Scientiarum. Language and Cultureinfo:eu-repo/semantics/openAccessOliveira, Jane Kelly de2022-02-17T22:23:38Zoai:periodicos.uem.br/ojs:article/31639Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2022-02-17T22:23:38Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false |
dc.title.none.fl_str_mv |
The Scenic performance mechanism in the Aristophanes' comedies: the prompter and the focalization Mecanismo de performance cênica nas comédias de Aristófanes: ponto e focalização |
title |
The Scenic performance mechanism in the Aristophanes' comedies: the prompter and the focalization |
spellingShingle |
The Scenic performance mechanism in the Aristophanes' comedies: the prompter and the focalization Oliveira, Jane Kelly de Aristophanes greek comedy scenic performance. Aristófanes comédia grega performance cênica. literatura |
title_short |
The Scenic performance mechanism in the Aristophanes' comedies: the prompter and the focalization |
title_full |
The Scenic performance mechanism in the Aristophanes' comedies: the prompter and the focalization |
title_fullStr |
The Scenic performance mechanism in the Aristophanes' comedies: the prompter and the focalization |
title_full_unstemmed |
The Scenic performance mechanism in the Aristophanes' comedies: the prompter and the focalization |
title_sort |
The Scenic performance mechanism in the Aristophanes' comedies: the prompter and the focalization |
author |
Oliveira, Jane Kelly de |
author_facet |
Oliveira, Jane Kelly de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Jane Kelly de |
dc.subject.por.fl_str_mv |
Aristophanes greek comedy scenic performance. Aristófanes comédia grega performance cênica. literatura |
topic |
Aristophanes greek comedy scenic performance. Aristófanes comédia grega performance cênica. literatura |
description |
In this article, we aimed to point two important mechanisms of scenic performance in the plays of the Greek comedy writer Aristophanes (V BC). Our start assumption is that it is possible to find in the text important marks for the scenic operationalization of those comedies. In the time when those comedies were composed, the author knew the material conditions of scenic performance and he used some interesting strategies, and we highlight two of them: (i) he inserted reminder-speech inside the sing of chorus to work as a prompter for the coreutas' choreography; (ii) he used the chorus' collective body to indicate to the spectator which scenic elements deserve the attention for being important for the progress of the plot. These two play composition strategies are similar, but not equal, to the contemporary concepts of prompter and focalization. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-07-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31639 10.4025/actascilangcult.v39i3.31639 |
url |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31639 |
identifier_str_mv |
10.4025/actascilangcult.v39i3.31639 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31639/pdf http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31639/pdf_1 http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/31639/751375145315 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Acta Scientiarum. Language and Culture info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Acta Scientiarum. Language and Culture |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf application/vnd.openxmlformats-officedocument.wordprocessingml.document |
dc.publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
dc.source.none.fl_str_mv |
Acta Scientiarum. Language and Culture; Vol 39 No 3 (2017); 281-290 Acta Scientiarum. Language and Culture; v. 39 n. 3 (2017); 281-290 1983-4683 1983-4675 reponame:Acta Scientiarum. Language and Culture (Online) instname:Universidade Estadual de Maringá (UEM) instacron:UEM |
instname_str |
Universidade Estadual de Maringá (UEM) |
instacron_str |
UEM |
institution |
UEM |
reponame_str |
Acta Scientiarum. Language and Culture (Online) |
collection |
Acta Scientiarum. Language and Culture (Online) |
repository.name.fl_str_mv |
Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM) |
repository.mail.fl_str_mv |
||actalan@uem.br |
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1799317464293572608 |