Aesthetics of the invisible and androginia: the dissolution of the symbolic unit of belonging as a reflection to physical education
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | eng por |
Título da fonte: | Journal of Physical Education (Maringá) |
Texto Completo: | https://periodicos.uem.br/ojs/index.php/RevEducFis/article/view/46527 |
Resumo: | The interest in conducting the study comes from the visibility that non-binary individuals acquire in different spaces, including artistic manifestations that invite dialogue. An example is the event “Mostra de Multilinguagens Corpos Visíveis: arte e diversidade”, which promoted a public debate involving the theme. It included the photographic exhibition “Estética do Invisível”, from which we selected two images, with the purpose of interpreting them, discussing some senses linked to their compositions. These are those entitled "Ensaio disfarce para o fim do mundo" and "Meu corpo criação". The method is inspired by the anthropology of the image. It requires interpretation to surpass the content of photographs and to consider aspects related to their production and exhibition. The results indicate that both images surpass the authoritarian discourse, representing individuals who refuse to submit to current identity processes. They express a mode of suffering, which translates into a symptom by the dissolution of the symbolic unity of belonging. The elements that constitute them evoke notions of divinity, power, endurance, and transformation. In addition to changing subjectivities, photographs illuminate the dawn of a new paradigm that challenges conventions and entails changes in different fields, especially those that act directly on the body. |
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Aesthetics of the invisible and androginia: the dissolution of the symbolic unit of belonging as a reflection to physical educationEstética do invisível e androginia: a dissolução da unidade simbólica de pertencimento como reflexão à educação físicaphysical educationandrogynous bodyphotographyeducação físicacorpo andróginofotografiaThe interest in conducting the study comes from the visibility that non-binary individuals acquire in different spaces, including artistic manifestations that invite dialogue. An example is the event “Mostra de Multilinguagens Corpos Visíveis: arte e diversidade”, which promoted a public debate involving the theme. It included the photographic exhibition “Estética do Invisível”, from which we selected two images, with the purpose of interpreting them, discussing some senses linked to their compositions. These are those entitled "Ensaio disfarce para o fim do mundo" and "Meu corpo criação". The method is inspired by the anthropology of the image. It requires interpretation to surpass the content of photographs and to consider aspects related to their production and exhibition. The results indicate that both images surpass the authoritarian discourse, representing individuals who refuse to submit to current identity processes. They express a mode of suffering, which translates into a symptom by the dissolution of the symbolic unity of belonging. The elements that constitute them evoke notions of divinity, power, endurance, and transformation. In addition to changing subjectivities, photographs illuminate the dawn of a new paradigm that challenges conventions and entails changes in different fields, especially those that act directly on the body.O interesse pela realização do estudo parte da visibilidade que indivíduos não binários adquirem em diferentes espaços, inclusive em manifestações artísticas que convidam ao diálogo. Um exemplo é o evento “Mostra de Multilinguagens Corpos Visíveis: arte e diversidade”, que promoveu um debate público envolvendo a temática. A mesma comportou a exposição fotográfica “Estética do Invisível”, de onde selecionamos duas imagens, com o objetivo de interpretá-las, discutindo alguns sentidos atrelados às suas composições. Trata-se daquelas intituladas “Ensaio disfarce para o fim do mundo” e “Meu corpo criação”. O método é inspirado na antropologia da imagem. O mesmo exige que a interpretação supere o conteúdo das fotografias e considere aspectos ligados à sua produção e exibição. Os resultados apontam que ambas as imagens superam o discurso autoritário, representando indivíduos que recusam se submeter aos processos identitários vigentes. Elas expressam um modo de sofrimento, que se traduz em sintoma pela dissolução da unidade simbólica de pertencimento. Os elementos que as constituem evocam noções de divindade, poder, resistência e transformação. Além de subjetividades cambiantes, as fotografias iluminam o despontar de um novo paradigma que desafia convenções e acarreta mudanças em diferentes campos, principalmente aos que atuam diretamente sobre o corpo.Department of Physical Education - State University of Maringá (UEM), Maringá-PR, Brazil2020-06-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://periodicos.uem.br/ojs/index.php/RevEducFis/article/view/4652710.4025/jphyseduc.v31i1.3152Journal of Physical Education; Vol 31 No 1 (2020); e-3152Journal of Physical Education; Vol. 31 Núm. 1 (2020); e-3152Journal of Physical Education; v. 31 n. 1 (2020); e-31522448-2455reponame:Journal of Physical Education (Maringá)instname:Universidade Estadual de Maringá (UEM)instacron:UEMengporhttps://periodicos.uem.br/ojs/index.php/RevEducFis/article/view/46527/751375150313https://periodicos.uem.br/ojs/index.php/RevEducFis/article/view/46527/751375150211Copyright (c) 2020 Journal of Physical Educationhttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessCândido, Cássia MarquesSuzano, Heloísa de AlmeidaAssis, Monique Ribeiro de2021-05-18T18:29:33Zoai:periodicos.uem.br/ojs:article/46527Revistahttp://periodicos.uem.br/ojs/index.php/RevEducFis/indexPUBhttps://old.scielo.br/oai/scielo-oai.php||revdef@uem.br2448-24552448-2455opendoar:2021-05-18T18:29:33Journal of Physical Education (Maringá) - Universidade Estadual de Maringá (UEM)false |
dc.title.none.fl_str_mv |
Aesthetics of the invisible and androginia: the dissolution of the symbolic unit of belonging as a reflection to physical education Estética do invisível e androginia: a dissolução da unidade simbólica de pertencimento como reflexão à educação física |
title |
Aesthetics of the invisible and androginia: the dissolution of the symbolic unit of belonging as a reflection to physical education |
spellingShingle |
Aesthetics of the invisible and androginia: the dissolution of the symbolic unit of belonging as a reflection to physical education Cândido, Cássia Marques physical education androgynous body photography educação física corpo andrógino fotografia |
title_short |
Aesthetics of the invisible and androginia: the dissolution of the symbolic unit of belonging as a reflection to physical education |
title_full |
Aesthetics of the invisible and androginia: the dissolution of the symbolic unit of belonging as a reflection to physical education |
title_fullStr |
Aesthetics of the invisible and androginia: the dissolution of the symbolic unit of belonging as a reflection to physical education |
title_full_unstemmed |
Aesthetics of the invisible and androginia: the dissolution of the symbolic unit of belonging as a reflection to physical education |
title_sort |
Aesthetics of the invisible and androginia: the dissolution of the symbolic unit of belonging as a reflection to physical education |
author |
Cândido, Cássia Marques |
author_facet |
Cândido, Cássia Marques Suzano, Heloísa de Almeida Assis, Monique Ribeiro de |
author_role |
author |
author2 |
Suzano, Heloísa de Almeida Assis, Monique Ribeiro de |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Cândido, Cássia Marques Suzano, Heloísa de Almeida Assis, Monique Ribeiro de |
dc.subject.por.fl_str_mv |
physical education androgynous body photography educação física corpo andrógino fotografia |
topic |
physical education androgynous body photography educação física corpo andrógino fotografia |
description |
The interest in conducting the study comes from the visibility that non-binary individuals acquire in different spaces, including artistic manifestations that invite dialogue. An example is the event “Mostra de Multilinguagens Corpos Visíveis: arte e diversidade”, which promoted a public debate involving the theme. It included the photographic exhibition “Estética do Invisível”, from which we selected two images, with the purpose of interpreting them, discussing some senses linked to their compositions. These are those entitled "Ensaio disfarce para o fim do mundo" and "Meu corpo criação". The method is inspired by the anthropology of the image. It requires interpretation to surpass the content of photographs and to consider aspects related to their production and exhibition. The results indicate that both images surpass the authoritarian discourse, representing individuals who refuse to submit to current identity processes. They express a mode of suffering, which translates into a symptom by the dissolution of the symbolic unity of belonging. The elements that constitute them evoke notions of divinity, power, endurance, and transformation. In addition to changing subjectivities, photographs illuminate the dawn of a new paradigm that challenges conventions and entails changes in different fields, especially those that act directly on the body. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uem.br/ojs/index.php/RevEducFis/article/view/46527 10.4025/jphyseduc.v31i1.3152 |
url |
https://periodicos.uem.br/ojs/index.php/RevEducFis/article/view/46527 |
identifier_str_mv |
10.4025/jphyseduc.v31i1.3152 |
dc.language.iso.fl_str_mv |
eng por |
language |
eng por |
dc.relation.none.fl_str_mv |
https://periodicos.uem.br/ojs/index.php/RevEducFis/article/view/46527/751375150313 https://periodicos.uem.br/ojs/index.php/RevEducFis/article/view/46527/751375150211 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Journal of Physical Education https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Journal of Physical Education https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Department of Physical Education - State University of Maringá (UEM), Maringá-PR, Brazil |
publisher.none.fl_str_mv |
Department of Physical Education - State University of Maringá (UEM), Maringá-PR, Brazil |
dc.source.none.fl_str_mv |
Journal of Physical Education; Vol 31 No 1 (2020); e-3152 Journal of Physical Education; Vol. 31 Núm. 1 (2020); e-3152 Journal of Physical Education; v. 31 n. 1 (2020); e-3152 2448-2455 reponame:Journal of Physical Education (Maringá) instname:Universidade Estadual de Maringá (UEM) instacron:UEM |
instname_str |
Universidade Estadual de Maringá (UEM) |
instacron_str |
UEM |
institution |
UEM |
reponame_str |
Journal of Physical Education (Maringá) |
collection |
Journal of Physical Education (Maringá) |
repository.name.fl_str_mv |
Journal of Physical Education (Maringá) - Universidade Estadual de Maringá (UEM) |
repository.mail.fl_str_mv |
||revdef@uem.br |
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1754732545723858944 |