THE MARCH OF CARNEIROS: strategies and rising social mobility Carneiro family in Northern Captaincies, seventeenth and eighteenth centuries.
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Outros tempos |
Texto Completo: | https://www.outrostempos.uema.br/index.php/outros_tempos_uema/article/view/14 |
Resumo: | In this text, looking up some links between history, anthropology and film from the analysis of the Bolivian film "La Nación Clandestine", produced by filmmaker Jorge Sanjinés and released in 1989. The film portrays historical and cultural elements of the Aymara people, whose protagonist Sebastian, a member of thisethnic group. Through this character, the filmmaker assembles a web of tensions and interethnic conflicts, highlighting the complex relationships between indigenous and non-indigenous, given the context of the military coup in Bolivia in the 1960s. A feature associated with the film is produced by Jorge Sanjinés Italian realism, which aimed to 'films with the people, showing the social and political realities in various spaces. The film seeks to existing relationships within the Aymara community, their cosmology, social organization structure, practices and rituals performed by indigenous, to then make the parallel with the non-Indian society in Bolivia, which turns into hiding practices produced for centuries by ethnic groups. Hence the name "La Nación Clandestine",because it presents a Bolivian native who becomes illegal within their own territories immemorial. Approach will this movie production by the bias of anthropology of colonialism, in view of the permanence of internal colonialism in Bolivia, after the process of independence. The film is riddled with complexities and provides important considerations to think about the relationship between universes indigenous and non-indigenous people within a nation-state that produces inside "clandestine nations." |
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THE MARCH OF CARNEIROS: strategies and rising social mobility Carneiro family in Northern Captaincies, seventeenth and eighteenth centuries.A MARCHA DOS CARNEIROS: estratégias de ascensão e mobilidade social da família Carneiro nas Capitanias do Norte, séculos XVII e XVIIIFamily CarneiroClientelista networkSocial mobilityFamália CarneiroRedes clientelaresAscensão socialIn this text, looking up some links between history, anthropology and film from the analysis of the Bolivian film "La Nación Clandestine", produced by filmmaker Jorge Sanjinés and released in 1989. The film portrays historical and cultural elements of the Aymara people, whose protagonist Sebastian, a member of thisethnic group. Through this character, the filmmaker assembles a web of tensions and interethnic conflicts, highlighting the complex relationships between indigenous and non-indigenous, given the context of the military coup in Bolivia in the 1960s. A feature associated with the film is produced by Jorge Sanjinés Italian realism, which aimed to 'films with the people, showing the social and political realities in various spaces. The film seeks to existing relationships within the Aymara community, their cosmology, social organization structure, practices and rituals performed by indigenous, to then make the parallel with the non-Indian society in Bolivia, which turns into hiding practices produced for centuries by ethnic groups. Hence the name "La Nación Clandestine",because it presents a Bolivian native who becomes illegal within their own territories immemorial. Approach will this movie production by the bias of anthropology of colonialism, in view of the permanence of internal colonialism in Bolivia, after the process of independence. The film is riddled with complexities and provides important considerations to think about the relationship between universes indigenous and non-indigenous people within a nation-state that produces inside "clandestine nations."A família Carneiro é original de Portugal, tendo chegado à capitania de Pernambuco, na América portuguesa, antes da invasão holandesa. A família destacou-se por ocupar cargos administrativos e militares, sobretudo, em Pernambuco, e por possuir engenhos. Além disso, a família contava com uma ampla rede social, estabelecida por meio de casamentos e de amizades. Contudo, para estabelecer-se neste privilegiado espaço social da capitania de Pernambuco e suas anexas, a família Carneiro passou por períodos conturbados, de insegurança política e econômica, como ocorreu na Guerra dos Mascates (1710-1711). A família valeu-se de estratégias para ascender socialmente e manter-se no poder, tendo atuando também nas capitanias do Ceará e Rio Grande para diversificar suas atuações políticas e econômicas, e estabelecer novas redes sociais.Universidade Estadual do Maranhão2012-11-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersion"Avaliado pelos pares", "artigo de covidados"application/pdfhttps://www.outrostempos.uema.br/index.php/outros_tempos_uema/article/view/1410.18817/ot.v9i14.14Outros Tempos: Pesquisa em Foco - História; v. 9 n. 14 (2012): Dossiê: Poderes Locais na América portuguesa1808-803110.18817/ot.v9i14reponame:Outros temposinstname:Universidade Estadual do Maranhão (UEMA)instacron:UEMAporhttps://www.outrostempos.uema.br/index.php/outros_tempos_uema/article/view/14/8Copyright (c) 2012 Outros Tempos: Pesquisa em Foco - Históriainfo:eu-repo/semantics/openAccessMorais, Ana Lunara da Silva2021-03-02T20:16:25Zoai:ojs2.outrostempos.uema.br:article/14Revistahttp://www.outrostempos.uema.br/PUBhttps://www.outrostempos.uema.br/index.php/outros_tempos_uema/oaioutrostempos_revista@yahoo.com.br1808-80311808-8031opendoar:2021-03-02T20:16:25Outros tempos - Universidade Estadual do Maranhão (UEMA)false |
dc.title.none.fl_str_mv |
THE MARCH OF CARNEIROS: strategies and rising social mobility Carneiro family in Northern Captaincies, seventeenth and eighteenth centuries. A MARCHA DOS CARNEIROS: estratégias de ascensão e mobilidade social da família Carneiro nas Capitanias do Norte, séculos XVII e XVIII |
title |
THE MARCH OF CARNEIROS: strategies and rising social mobility Carneiro family in Northern Captaincies, seventeenth and eighteenth centuries. |
spellingShingle |
THE MARCH OF CARNEIROS: strategies and rising social mobility Carneiro family in Northern Captaincies, seventeenth and eighteenth centuries. Morais, Ana Lunara da Silva Family Carneiro Clientelista network Social mobility Famália Carneiro Redes clientelares Ascensão social |
title_short |
THE MARCH OF CARNEIROS: strategies and rising social mobility Carneiro family in Northern Captaincies, seventeenth and eighteenth centuries. |
title_full |
THE MARCH OF CARNEIROS: strategies and rising social mobility Carneiro family in Northern Captaincies, seventeenth and eighteenth centuries. |
title_fullStr |
THE MARCH OF CARNEIROS: strategies and rising social mobility Carneiro family in Northern Captaincies, seventeenth and eighteenth centuries. |
title_full_unstemmed |
THE MARCH OF CARNEIROS: strategies and rising social mobility Carneiro family in Northern Captaincies, seventeenth and eighteenth centuries. |
title_sort |
THE MARCH OF CARNEIROS: strategies and rising social mobility Carneiro family in Northern Captaincies, seventeenth and eighteenth centuries. |
author |
Morais, Ana Lunara da Silva |
author_facet |
Morais, Ana Lunara da Silva |
author_role |
author |
dc.contributor.author.fl_str_mv |
Morais, Ana Lunara da Silva |
dc.subject.por.fl_str_mv |
Family Carneiro Clientelista network Social mobility Famália Carneiro Redes clientelares Ascensão social |
topic |
Family Carneiro Clientelista network Social mobility Famália Carneiro Redes clientelares Ascensão social |
description |
In this text, looking up some links between history, anthropology and film from the analysis of the Bolivian film "La Nación Clandestine", produced by filmmaker Jorge Sanjinés and released in 1989. The film portrays historical and cultural elements of the Aymara people, whose protagonist Sebastian, a member of thisethnic group. Through this character, the filmmaker assembles a web of tensions and interethnic conflicts, highlighting the complex relationships between indigenous and non-indigenous, given the context of the military coup in Bolivia in the 1960s. A feature associated with the film is produced by Jorge Sanjinés Italian realism, which aimed to 'films with the people, showing the social and political realities in various spaces. The film seeks to existing relationships within the Aymara community, their cosmology, social organization structure, practices and rituals performed by indigenous, to then make the parallel with the non-Indian society in Bolivia, which turns into hiding practices produced for centuries by ethnic groups. Hence the name "La Nación Clandestine",because it presents a Bolivian native who becomes illegal within their own territories immemorial. Approach will this movie production by the bias of anthropology of colonialism, in view of the permanence of internal colonialism in Bolivia, after the process of independence. The film is riddled with complexities and provides important considerations to think about the relationship between universes indigenous and non-indigenous people within a nation-state that produces inside "clandestine nations." |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-11-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion "Avaliado pelos pares", "artigo de covidados" |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.outrostempos.uema.br/index.php/outros_tempos_uema/article/view/14 10.18817/ot.v9i14.14 |
url |
https://www.outrostempos.uema.br/index.php/outros_tempos_uema/article/view/14 |
identifier_str_mv |
10.18817/ot.v9i14.14 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.outrostempos.uema.br/index.php/outros_tempos_uema/article/view/14/8 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2012 Outros Tempos: Pesquisa em Foco - História info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2012 Outros Tempos: Pesquisa em Foco - História |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual do Maranhão |
publisher.none.fl_str_mv |
Universidade Estadual do Maranhão |
dc.source.none.fl_str_mv |
Outros Tempos: Pesquisa em Foco - História; v. 9 n. 14 (2012): Dossiê: Poderes Locais na América portuguesa 1808-8031 10.18817/ot.v9i14 reponame:Outros tempos instname:Universidade Estadual do Maranhão (UEMA) instacron:UEMA |
instname_str |
Universidade Estadual do Maranhão (UEMA) |
instacron_str |
UEMA |
institution |
UEMA |
reponame_str |
Outros tempos |
collection |
Outros tempos |
repository.name.fl_str_mv |
Outros tempos - Universidade Estadual do Maranhão (UEMA) |
repository.mail.fl_str_mv |
outrostempos_revista@yahoo.com.br |
_version_ |
1797067030967353344 |