Cartography to research curriculum: an active and experimental exercise on a territory in constant transformation

Detalhes bibliográficos
Autor(a) principal: Carneiro, Glaucia Conceição
Data de Publicação: 2018
Outros Autores: Paraíso, Marlucy Alves
Tipo de documento: Artigo
Idioma: por
Título da fonte: Práxis Educativa (Online)
Texto Completo: https://revistas.uepg.br/index.php/praxiseducativa/article/view/12109
Resumo: This paper explores the research itineraries in the curriculum using a cartography that implements three lines of creation, namely: ‘Walk’, ‘Compose with sensations’ and ‘Trigger the laughter’. The argument explored is that these three movements: ‘walk’, ‘compose’ and ‘laugh’ trigger two combats: a combat-against the State machine, in its machinations and operations, which, in the field of curriculum, has prioritized the form and normalization of bodies; and also a combat-between the forces of thinking that, when operating with the ideas-forces of Gilles Deleuze’s Philosophy of  Difference seeks to make small openings in the ‘norms’ and ‘forms’. Such movements make up the main objective of an ongoing cartography that aims to map the intensity of the encounters unleashed by the performances of a queer artist in the city of Belo Horizonte, Minas Gerais, Brazil. These encounters are triggers of knowledge that build a nomadic curriculum: the Curriculum of the city with Art, which will be exploited here.   Keywords: Cartography. Composition. Curriculum research.
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spelling Cartography to research curriculum: an active and experimental exercise on a territory in constant transformationCartografía para investigar currículos: un ejercicio activo y experimental sobre un territorio en constante transformaciónCartografia para pesquisar currículos: um exercício ativo e experimental sobre um território em constante transformaçãoThis paper explores the research itineraries in the curriculum using a cartography that implements three lines of creation, namely: ‘Walk’, ‘Compose with sensations’ and ‘Trigger the laughter’. The argument explored is that these three movements: ‘walk’, ‘compose’ and ‘laugh’ trigger two combats: a combat-against the State machine, in its machinations and operations, which, in the field of curriculum, has prioritized the form and normalization of bodies; and also a combat-between the forces of thinking that, when operating with the ideas-forces of Gilles Deleuze’s Philosophy of  Difference seeks to make small openings in the ‘norms’ and ‘forms’. Such movements make up the main objective of an ongoing cartography that aims to map the intensity of the encounters unleashed by the performances of a queer artist in the city of Belo Horizonte, Minas Gerais, Brazil. These encounters are triggers of knowledge that build a nomadic curriculum: the Curriculum of the city with Art, which will be exploited here.   Keywords: Cartography. Composition. Curriculum research.Este artículo explora los itinerarios de investigación en currículo utilizando una cartografía que implementa tres líneas de creación: “Caminar”, “Componer con las sensaciones” y “Accionar la risa”. El argumento explorado es que estos tres movimientos: “caminar”, “componer” y “reír” desencadenan dos combates: un combate-contra las máquinas de Estado, en sus maquinaciones y operaciones, que en el campo del currículo, ha priorizado la forma y la normalización de los cuerpos. También es un combate-entre las fuerzas del pensamiento que, al operar con las “ideas-fuerzas” de la Filosofía de la Diferencia de Gilles Deleuze, busca hacer aparecer pequeñas rupturas con “las normas” y “las formas”. Tales movimientos componen el objetivo mayor de una cartografía en curso que pretende mapear las intensidades de los encuentros desencadenados por las performances de una artista queer en la ciudad de Belo Horizonte, Minas Gerais, Brasil. Estos encuentros son disparadores de saberes que construyen un currículo nómade: el “Currículo de la ciudad con el Arte”, que será aquí explorado.   Palabras-clave: Cartografía. Composición. Investigación en currículo.Este artigo explora itinerários de pesquisa em currículo lançando mão de uma cartografia que implementa três linhas de criação, a saber: “Caminhar”, “Compor com as sensações” e “Acionar o riso”. O argumento explorado é o de que esses três movimentos de “caminhar”, “compor” e “rir” acionam dois combates: um combate-contra as máquinas de Estado em suas maquinações e operações, que, no campo do currículo, tem priorizado a forma e a normalização dos corpos; e, também, um combate-entre as forças de pensamento que, ao operar com as “ideias-forças” da Filosofia da Diferença de Gilles Deleuze, busca fazer aparecer pequenas rupturas com “as normas” e “as formas”. Tais movimentos compõem o objetivo maior de uma cartografia em curso que visa mapear as intensidades dos encontros acionados pelas performances de uma artista queer na cidade de Belo Horizonte. Esses encontros são disparadores de saberes que constroem um currículo nômade: o “Currículo da cidade com a Arte”, que será aqui explorado.   Palavras-chave: Cartografia. Composição. Pesquisa em currículo.Universidade Estadual de Ponta Grossa2018-07-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdftext/xmlhttps://revistas.uepg.br/index.php/praxiseducativa/article/view/1210910.5212/PraxEduc.v.13i3.0021Práxis Educativa; Vol. 13 No. 3 (2018); 1003-1024Práxis Educativa; Vol. 13 Núm. 3 (2018); 1003-1024Práxis Educativa; V. 13 N. 3 (2018); 1003-1024Práxis Educativa; v. 13 n. 3 (2018); 1003-10241809-43091809-403110.5212/PraxEduc.v.13i3reponame:Práxis Educativa (Online)instname:Universidade Estadual de Ponta Grossa (UEPG)instacron:UEPGporhttps://revistas.uepg.br/index.php/praxiseducativa/article/view/12109/209209210260https://revistas.uepg.br/index.php/praxiseducativa/article/view/12109/209209210261https://revistas.uepg.br/index.php/praxiseducativa/article/view/12109/209209213155Copyright (c) 2018 Práxis Educativainfo:eu-repo/semantics/openAccessCarneiro, Glaucia ConceiçãoParaíso, Marlucy Alves2020-04-15T19:32:34Zoai:uepg.br:article/12109Revistahttp://www.revistas2.uepg.br/index.php/praxiseducativaPUBhttps://revistas2.uepg.br/index.php/praxiseducativa/oaipraxiseducativa@uepg.br||praxiseducativa@uepg.br1809-43091809-4031opendoar:2020-04-15T19:32:34Práxis Educativa (Online) - Universidade Estadual de Ponta Grossa (UEPG)false
dc.title.none.fl_str_mv Cartography to research curriculum: an active and experimental exercise on a territory in constant transformation
Cartografía para investigar currículos: un ejercicio activo y experimental sobre un territorio en constante transformación
Cartografia para pesquisar currículos: um exercício ativo e experimental sobre um território em constante transformação
title Cartography to research curriculum: an active and experimental exercise on a territory in constant transformation
spellingShingle Cartography to research curriculum: an active and experimental exercise on a territory in constant transformation
Carneiro, Glaucia Conceição
title_short Cartography to research curriculum: an active and experimental exercise on a territory in constant transformation
title_full Cartography to research curriculum: an active and experimental exercise on a territory in constant transformation
title_fullStr Cartography to research curriculum: an active and experimental exercise on a territory in constant transformation
title_full_unstemmed Cartography to research curriculum: an active and experimental exercise on a territory in constant transformation
title_sort Cartography to research curriculum: an active and experimental exercise on a territory in constant transformation
author Carneiro, Glaucia Conceição
author_facet Carneiro, Glaucia Conceição
Paraíso, Marlucy Alves
author_role author
author2 Paraíso, Marlucy Alves
author2_role author
dc.contributor.author.fl_str_mv Carneiro, Glaucia Conceição
Paraíso, Marlucy Alves
description This paper explores the research itineraries in the curriculum using a cartography that implements three lines of creation, namely: ‘Walk’, ‘Compose with sensations’ and ‘Trigger the laughter’. The argument explored is that these three movements: ‘walk’, ‘compose’ and ‘laugh’ trigger two combats: a combat-against the State machine, in its machinations and operations, which, in the field of curriculum, has prioritized the form and normalization of bodies; and also a combat-between the forces of thinking that, when operating with the ideas-forces of Gilles Deleuze’s Philosophy of  Difference seeks to make small openings in the ‘norms’ and ‘forms’. Such movements make up the main objective of an ongoing cartography that aims to map the intensity of the encounters unleashed by the performances of a queer artist in the city of Belo Horizonte, Minas Gerais, Brazil. These encounters are triggers of knowledge that build a nomadic curriculum: the Curriculum of the city with Art, which will be exploited here.   Keywords: Cartography. Composition. Curriculum research.
publishDate 2018
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dc.relation.none.fl_str_mv https://revistas.uepg.br/index.php/praxiseducativa/article/view/12109/209209210260
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https://revistas.uepg.br/index.php/praxiseducativa/article/view/12109/209209213155
dc.rights.driver.fl_str_mv Copyright (c) 2018 Práxis Educativa
info:eu-repo/semantics/openAccess
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dc.publisher.none.fl_str_mv Universidade Estadual de Ponta Grossa
publisher.none.fl_str_mv Universidade Estadual de Ponta Grossa
dc.source.none.fl_str_mv Práxis Educativa; Vol. 13 No. 3 (2018); 1003-1024
Práxis Educativa; Vol. 13 Núm. 3 (2018); 1003-1024
Práxis Educativa; V. 13 N. 3 (2018); 1003-1024
Práxis Educativa; v. 13 n. 3 (2018); 1003-1024
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