Gilmar, seedman

Detalhes bibliográficos
Autor(a) principal: de Souza, Maria de Lourdes Macena
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Internacional de Folkcomunicação
Texto Completo: https://revistas.uepg.br/index.php/folkcom/article/view/19804
Resumo: This paper shares sensitive aspects of the man, professor and researcher Gilmar de Carvalho in sharing his studies and knowledge. It seeks to emphasize the rhizomatic web of how, in a simple and inclusive way, he was germinating the recognition of popular cultures, their holders and producers of this knowledge. The article brings the point of view of a teaching artist, from Ceará, whose relations with Gilmar were always present in the constant struggle for traditional knowledge, seeking to give visibility to the invisible hinterlands and/or peripheral areas of these Ceará`s, through communicational and/or educational means. In the methodological path, I used an exploratory research in my affective ties with his work in a descriptive of a qualitative approach, of how each one of them relates to everything I know and do as an active teaching artist. The result brought me several meetings with myself, this professional woman flower of Gilmar, in sensitive moments of eternal learning and gratitude. These meetings, that I now promote through this work, brought me a living Gilmar, present and active through the entire legacy he left for us, confirming yet another of his thesis that it is possible to remain alive through what is perpetuated by writing. I hope this can also sensitize everyone to see the seed man Gilmar beyond the professional.
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spelling Gilmar, seedmanGilmar, hombre semillaGilmar, homem sementeThis paper shares sensitive aspects of the man, professor and researcher Gilmar de Carvalho in sharing his studies and knowledge. It seeks to emphasize the rhizomatic web of how, in a simple and inclusive way, he was germinating the recognition of popular cultures, their holders and producers of this knowledge. The article brings the point of view of a teaching artist, from Ceará, whose relations with Gilmar were always present in the constant struggle for traditional knowledge, seeking to give visibility to the invisible hinterlands and/or peripheral areas of these Ceará`s, through communicational and/or educational means. In the methodological path, I used an exploratory research in my affective ties with his work in a descriptive of a qualitative approach, of how each one of them relates to everything I know and do as an active teaching artist. The result brought me several meetings with myself, this professional woman flower of Gilmar, in sensitive moments of eternal learning and gratitude. These meetings, that I now promote through this work, brought me a living Gilmar, present and active through the entire legacy he left for us, confirming yet another of his thesis that it is possible to remain alive through what is perpetuated by writing. I hope this can also sensitize everyone to see the seed man Gilmar beyond the professional.El trabajo prorratea aspectos ssensibles del hombre, professor, investigador Gilmar de Carvalho en el intercambio de sus estudios e conocimientos. Enfatiza la tela balsâmica de como, de manera sensilla e inclusiva, él fue germinando el reconocimiento de las culturas populares, sus poseedores y produtores de estos saberes. El artículo trae la mirada de una artista professora cearense cuyas relaciones con Gilmar foran siempre presentes en la lucha constante por los saberes tradiconales buscando dar visibilidad a las tierras lejanas invisibles o zonas periféricas de los Ceará`s por médios comunicacionales y/o educaionales. En la ruta metodológica se usa de una investigación exploratória en sus enlaces afetivos con su obra en una descriptiva de acercarse qualitativa, de como cada una de ellas se relaciona a todo lo que sé y hago como artista professora actuante. El resultado me ha traído muchos encuentros de la profesional mujer flor de Gilmar en momentos sensibles  de eterno aprendizajen y gratitud. Los encuentros que ahora hago por médio de este trabajo me ha traído un Gilmar vivo, presente, actuante por medio de todo el legado que nos ha dejado, confirmando más una de sus tesis de que es posible permanecermos vivos por lo que esta perpetuado en la escrita. Rogo que este pueda sensibilizar a todos para mirar al hombre semilla más alla del professional.Este trabalho compartilha aspectos sensíveis do homem, professor, pesquisador Gilmar de Carvalho na partilha de seus estudos e conhecimentos. Busca dar ênfase a teia rizomática de como, de forma simples e includente, ele foi geminando o reconhecimento das culturas populares, dos seus detentores e produtores desses saberes. O artigo traz o olhar de uma artista docente cearense cujas relações com Gilmar foram sempre presentes na luta constante pelos saberes tradicionais, buscando dar visibilidade aos sertões invisíveis e/ou zonas periféricas desses Cearás, por meios comunicacionais e/ou educacionais. No percurso metodológico, utilizei uma pesquisa exploratória em meus laços afetivos com sua obra, numa descritiva de abordagem qualitativa, de como cada uma delas se relacionam a tudo o que sei e faço como artista docente atuante.  O resultado trouxe vários encontros dessa profissional mulher, flor de Gilmar, em momentos sensíveis de eterna aprendizagem e gratidão. Estes encontros que ora promovo por meio deste trabalho trouxe-me um Gilmar vivo, presente, atuante, por meio de todo o legado que nos deixou, confirmando mais uma de suas teses: de que é possível permanecermos vivos por meio do que está perpetuado pela escrita. Espero que este possa também sensibilizar a todos e a todas para ver o homem semente Gilmar para além do profissional.Editora UEPG2021-12-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://revistas.uepg.br/index.php/folkcom/article/view/1980410.5212/RIF.v.19.i43.0002Revista Internacional de Folkcomunicação; v. 19 n. 43 (2021): (JUL./DEZ. 2021): "Cultura na pandemia"; 14-301807-496010.5212/RIF.v.19.i43.00010020reponame:Revista Internacional de Folkcomunicaçãoinstname:Universidade Estadual de Ponta Grossa (UEPG)instacron:UEPGporhttps://revistas.uepg.br/index.php/folkcom/article/view/19804/209209215876https://revistas.uepg.br/index.php/folkcom/article/view/19804/209209215877de Souza, Maria de Lourdes Macenainfo:eu-repo/semantics/openAccess2021-12-23T19:17:23Zoai:uepg.br:article/19804Revistahttp://www.revistas.uepg.br/index.php?journal=folkcomPUBhttp://www.revistas.uepg.br/index.php/folkcom/oairevistafolkcom@uepg.br||sergiogadini@yahoo.com.br1807-49601807-4960opendoar:2021-12-23T19:17:23Revista Internacional de Folkcomunicação - Universidade Estadual de Ponta Grossa (UEPG)false
dc.title.none.fl_str_mv Gilmar, seedman
Gilmar, hombre semilla
Gilmar, homem semente
title Gilmar, seedman
spellingShingle Gilmar, seedman
de Souza, Maria de Lourdes Macena
title_short Gilmar, seedman
title_full Gilmar, seedman
title_fullStr Gilmar, seedman
title_full_unstemmed Gilmar, seedman
title_sort Gilmar, seedman
author de Souza, Maria de Lourdes Macena
author_facet de Souza, Maria de Lourdes Macena
author_role author
dc.contributor.author.fl_str_mv de Souza, Maria de Lourdes Macena
description This paper shares sensitive aspects of the man, professor and researcher Gilmar de Carvalho in sharing his studies and knowledge. It seeks to emphasize the rhizomatic web of how, in a simple and inclusive way, he was germinating the recognition of popular cultures, their holders and producers of this knowledge. The article brings the point of view of a teaching artist, from Ceará, whose relations with Gilmar were always present in the constant struggle for traditional knowledge, seeking to give visibility to the invisible hinterlands and/or peripheral areas of these Ceará`s, through communicational and/or educational means. In the methodological path, I used an exploratory research in my affective ties with his work in a descriptive of a qualitative approach, of how each one of them relates to everything I know and do as an active teaching artist. The result brought me several meetings with myself, this professional woman flower of Gilmar, in sensitive moments of eternal learning and gratitude. These meetings, that I now promote through this work, brought me a living Gilmar, present and active through the entire legacy he left for us, confirming yet another of his thesis that it is possible to remain alive through what is perpetuated by writing. I hope this can also sensitize everyone to see the seed man Gilmar beyond the professional.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-23
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dc.identifier.uri.fl_str_mv https://revistas.uepg.br/index.php/folkcom/article/view/19804
10.5212/RIF.v.19.i43.0002
url https://revistas.uepg.br/index.php/folkcom/article/view/19804
identifier_str_mv 10.5212/RIF.v.19.i43.0002
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.uepg.br/index.php/folkcom/article/view/19804/209209215876
https://revistas.uepg.br/index.php/folkcom/article/view/19804/209209215877
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dc.publisher.none.fl_str_mv Editora UEPG
publisher.none.fl_str_mv Editora UEPG
dc.source.none.fl_str_mv Revista Internacional de Folkcomunicação; v. 19 n. 43 (2021): (JUL./DEZ. 2021): "Cultura na pandemia"; 14-30
1807-4960
10.5212/RIF.v.19.i43.00010020
reponame:Revista Internacional de Folkcomunicação
instname:Universidade Estadual de Ponta Grossa (UEPG)
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instname_str Universidade Estadual de Ponta Grossa (UEPG)
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reponame_str Revista Internacional de Folkcomunicação
collection Revista Internacional de Folkcomunicação
repository.name.fl_str_mv Revista Internacional de Folkcomunicação - Universidade Estadual de Ponta Grossa (UEPG)
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