A identidade do Brock 1985-1990

Detalhes bibliográficos
Autor(a) principal: Paiva, Marília Luana Pinheiro de
Data de Publicação: 2016
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UEPG
Texto Completo: http://tede2.uepg.br/jspui/handle/prefix/244
Resumo: The research sought to understand the discursive processes that permeated the identity of the Brazilian rock (1985-1990) from the lyrics of these songs on the "hit parade reader" of Bizz magazine. The research had as main source of study the Bizz magazine, which had its August 1985 time period until mid-2007, is considered a major journal for being a rock genre movement of the vehicle in the national and international level and the his long stay in business. Thus, we selected 6 songs for discourse analysis from the 66 copies of the magazine Bizz between the years 1985-1990, during which happens the re-democratization of Brazil, so choosing one every year. In this perspective, the central axis of the research was to try to understand what identity present in the Brazilian rock, taking into account the historical and social context in which these songs were inserted. He attempted to interpret and analyze historically the Brazilian musical context, realizing that the analyzed rock bands built an identity in relation to the political period in which they were inserted (1985-1990). The work addressed the beginning of rock in Brazil in the mid 1950s, with the movement of the Young Guard, through Tropicália, MPB, punk rock and rock in the 80s he was noticed then the spread of the Brazilian rock in the 1980s due to political openness and the democratization process. It was found that with the softened censorship, created a larger space for socialization and impact of rock with the advent of Rock in Rio. The songs analyzed in this research have recognized a cultural identity in relation to the immediate historical context. the authors Stuart Hall were used (2011), Zygmunt Bauman (2005) and Sandra Jatahy Pesavento (1995) to understand the identity of the bands, its conceptual aspects, and also used the authors Michael Maffesoli (2000) and Barbara Rosenwein (2011) to understand the concepts of tribes and communities that formed in the 1980s in the survey, we used the theoretical analysis of the French Discourse, which, according to Eni Orlandi (2005), refers to the practice of language as production of meanings and aims to understand the place of interpretation of the subject and its reality. The Discourse Analysis assists thus in reflection on the social practice, political, ideological and historical aspects, allowing then a thorough approach to the discursive processes. In this sense, the study addressed the letter of the songs as a source for understanding social and ideological sets that permeated the history of Brazil in the democratization period. It was understood, so that the bands studied here created their own cultural identity, through the letters of politicized music and his irreverent character to the 1980s.
id UEPG_8756d97001ad8bd6d27245c863237c18
oai_identifier_str oai:tede2.uepg.br:prefix/244
network_acronym_str UEPG
network_name_str Biblioteca Digital de Teses e Dissertações da UEPG
repository_id_str
spelling Cordova, Maria Julieta WeberCPF:73948209987http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4778435Y6Barros, Patrícia Marcondes deCPF:02002579946http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4767840D3Luiz, Danuta E. CantóiaCPF:45213186904http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4705758Y8Benatte, Antonio PauloCPF:58712690953http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4791349P5CPF:07589992917http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4351390Y9Paiva, Marília Luana Pinheiro de2017-07-21T14:42:38Z2016-06-022017-07-21T14:42:38Z2016-03-28PAIVA, Marília Luana Pinheiro de. A identidade do Brock 1985-1990. 2016. 142 f. Dissertação (Mestrado em Sociedade, Direito e Cidadania) - UNIVERSIDADE ESTADUAL DE PONTA GROSSA, Ponta Grossa, 2016.http://tede2.uepg.br/jspui/handle/prefix/244The research sought to understand the discursive processes that permeated the identity of the Brazilian rock (1985-1990) from the lyrics of these songs on the "hit parade reader" of Bizz magazine. The research had as main source of study the Bizz magazine, which had its August 1985 time period until mid-2007, is considered a major journal for being a rock genre movement of the vehicle in the national and international level and the his long stay in business. Thus, we selected 6 songs for discourse analysis from the 66 copies of the magazine Bizz between the years 1985-1990, during which happens the re-democratization of Brazil, so choosing one every year. In this perspective, the central axis of the research was to try to understand what identity present in the Brazilian rock, taking into account the historical and social context in which these songs were inserted. He attempted to interpret and analyze historically the Brazilian musical context, realizing that the analyzed rock bands built an identity in relation to the political period in which they were inserted (1985-1990). The work addressed the beginning of rock in Brazil in the mid 1950s, with the movement of the Young Guard, through Tropicália, MPB, punk rock and rock in the 80s he was noticed then the spread of the Brazilian rock in the 1980s due to political openness and the democratization process. It was found that with the softened censorship, created a larger space for socialization and impact of rock with the advent of Rock in Rio. The songs analyzed in this research have recognized a cultural identity in relation to the immediate historical context. the authors Stuart Hall were used (2011), Zygmunt Bauman (2005) and Sandra Jatahy Pesavento (1995) to understand the identity of the bands, its conceptual aspects, and also used the authors Michael Maffesoli (2000) and Barbara Rosenwein (2011) to understand the concepts of tribes and communities that formed in the 1980s in the survey, we used the theoretical analysis of the French Discourse, which, according to Eni Orlandi (2005), refers to the practice of language as production of meanings and aims to understand the place of interpretation of the subject and its reality. The Discourse Analysis assists thus in reflection on the social practice, political, ideological and historical aspects, allowing then a thorough approach to the discursive processes. In this sense, the study addressed the letter of the songs as a source for understanding social and ideological sets that permeated the history of Brazil in the democratization period. It was understood, so that the bands studied here created their own cultural identity, through the letters of politicized music and his irreverent character to the 1980s.A pesquisa procurou compreender os processos discursivos que permearam a identidade do rock brasileiro (1985-1990) a partir das letras das músicas presentes no ―hit parade do leitor‖ da revista Bizz. A pesquisa teve como principal fonte de estudo a revista Bizz, que teve seu período de duração de agosto de 1985 até meados de 2007, sendo considerado um periódico de grande importância por ser um veículo de circulação do gênero rock no âmbito nacional e internacional e pela sua longa permanência em atividade. Assim, foram selecionadas 6 músicas para análise discursiva dentre os 66 exemplares da revista Bizz entre os anos de 1985 a 1990, período no qual ocorre a redemocratização do Brasil, escolhendo assim uma a cada ano. Nessa perspectiva, o eixo central da pesquisa foi procurar compreender qual a identidade presente no rock brasileiro, tendo em conta o contexto histórico e social em que essas músicas foram inseridas. Buscou-se interpretar e analisar historicamente o contexto musical brasileiro, percebendo que as bandas de rock analisadas construíram uma identidade em relação ao período político em que estavam inseridas (1985-1990). O trabalho abordou o início do rock no Brasil em meados de 1950, com o movimento da Jovem Guarda, passando pela Tropicália, a MPB, o punk rock e o rock nos anos 80. Percebeu-se, então, uma difusão maior do rock brasileiro na década de 1980 devido à abertura política e ao processo de redemocratização. Constatou-se que, com a censura amenizada, criou-se um espaço maior de socialização e de repercussão do rock junto ao advento do Rock in Rio. As músicas analisadas nesta pesquisa permitiram constatar uma identidade cultural em relação ao contexto imediato histórico. Foram utilizados os autores Stuart Hall (2011), Zygmunt Bauman (2005) e Sandra Jatahy Pesavento (1995) para compreender a identidade das bandas, seus aspectos conceituais, e também se utilizou os autores Michael Maffesoli (2000) e Bárbara Rosenwein (2011) para entender os conceitos de tribos e de comunidades que se constituíram na década de 1980. Na pesquisa, utilizou-se o referencial teórico da Análise do Discurso de linha francesa, que, segundo Eni Orlandi (2005), se refere à prática da linguagem enquanto produção de sentidos e visa compreender o lugar de interpretação do sujeito e a sua realidade. A Análise do Discurso auxilia, assim, na reflexão a respeito da prática social, dos aspectos políticos, ideológicos e históricos, possibilitando, então, uma abordagem aprofundada dos processos discursivos. Nesse sentido, a pesquisa abordou a letra das músicas como fonte para compreender os conjuntos sociais e ideológicos que permearam a história do Brasil no período de redemocratização. Compreendeu-se, assim, que as bandas aqui estudadas criaram uma identidade cultural própria, através das letras das músicas politizadas e seu caráter irreverente para a década de 1980.Made available in DSpace on 2017-07-21T14:42:38Z (GMT). No. of bitstreams: 1 Marilia Luana Paiva.pdf: 1865618 bytes, checksum: b8cfdfb3621f2bf56aaf0e94e3647b1d (MD5) Previous issue date: 2016-03-28Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUNIVERSIDADE ESTADUAL DE PONTA GROSSAPrograma de Pós Graduação em Ciências Sociais AplicadasUEPGBRSociedade, Direito e CidadaniaidentidadeRevista BizzBrockredemocratizaçãoidentityBizz MagazineBrockredemocratizationCNPQ::CIENCIAS SOCIAIS APLICADASA identidade do Brock 1985-1990info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UEPGinstname:Universidade Estadual de Ponta Grossa (UEPG)instacron:UEPGORIGINALMarilia Luana Paiva.pdfapplication/pdf1865618http://tede2.uepg.br/jspui/bitstream/prefix/244/1/Marilia%20Luana%20Paiva.pdfb8cfdfb3621f2bf56aaf0e94e3647b1dMD51prefix/2442017-07-21 11:42:38.586oai:tede2.uepg.br:prefix/244Biblioteca Digital de Teses e Dissertaçõeshttps://tede2.uepg.br/jspui/PUBhttp://tede2.uepg.br/oai/requestbicen@uepg.br||mv_fidelis@yahoo.com.bropendoar:2017-07-21T14:42:38Biblioteca Digital de Teses e Dissertações da UEPG - Universidade Estadual de Ponta Grossa (UEPG)false
dc.title.por.fl_str_mv A identidade do Brock 1985-1990
title A identidade do Brock 1985-1990
spellingShingle A identidade do Brock 1985-1990
Paiva, Marília Luana Pinheiro de
identidade
Revista Bizz
Brock
redemocratização
identity
Bizz Magazine
Brock
redemocratization
CNPQ::CIENCIAS SOCIAIS APLICADAS
title_short A identidade do Brock 1985-1990
title_full A identidade do Brock 1985-1990
title_fullStr A identidade do Brock 1985-1990
title_full_unstemmed A identidade do Brock 1985-1990
title_sort A identidade do Brock 1985-1990
author Paiva, Marília Luana Pinheiro de
author_facet Paiva, Marília Luana Pinheiro de
author_role author
dc.contributor.advisor1.fl_str_mv Cordova, Maria Julieta Weber
dc.contributor.advisor1ID.fl_str_mv CPF:73948209987
dc.contributor.advisor1Lattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4778435Y6
dc.contributor.referee1.fl_str_mv Barros, Patrícia Marcondes de
dc.contributor.referee1ID.fl_str_mv CPF:02002579946
dc.contributor.referee1Lattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4767840D3
dc.contributor.referee2.fl_str_mv Luiz, Danuta E. Cantóia
dc.contributor.referee2ID.fl_str_mv CPF:45213186904
dc.contributor.referee2Lattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4705758Y8
dc.contributor.referee3.fl_str_mv Benatte, Antonio Paulo
dc.contributor.referee3ID.fl_str_mv CPF:58712690953
dc.contributor.referee3Lattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4791349P5
dc.contributor.authorID.fl_str_mv CPF:07589992917
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4351390Y9
dc.contributor.author.fl_str_mv Paiva, Marília Luana Pinheiro de
contributor_str_mv Cordova, Maria Julieta Weber
Barros, Patrícia Marcondes de
Luiz, Danuta E. Cantóia
Benatte, Antonio Paulo
dc.subject.por.fl_str_mv identidade
Revista Bizz
Brock
redemocratização
topic identidade
Revista Bizz
Brock
redemocratização
identity
Bizz Magazine
Brock
redemocratization
CNPQ::CIENCIAS SOCIAIS APLICADAS
dc.subject.eng.fl_str_mv identity
Bizz Magazine
Brock
redemocratization
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS SOCIAIS APLICADAS
description The research sought to understand the discursive processes that permeated the identity of the Brazilian rock (1985-1990) from the lyrics of these songs on the "hit parade reader" of Bizz magazine. The research had as main source of study the Bizz magazine, which had its August 1985 time period until mid-2007, is considered a major journal for being a rock genre movement of the vehicle in the national and international level and the his long stay in business. Thus, we selected 6 songs for discourse analysis from the 66 copies of the magazine Bizz between the years 1985-1990, during which happens the re-democratization of Brazil, so choosing one every year. In this perspective, the central axis of the research was to try to understand what identity present in the Brazilian rock, taking into account the historical and social context in which these songs were inserted. He attempted to interpret and analyze historically the Brazilian musical context, realizing that the analyzed rock bands built an identity in relation to the political period in which they were inserted (1985-1990). The work addressed the beginning of rock in Brazil in the mid 1950s, with the movement of the Young Guard, through Tropicália, MPB, punk rock and rock in the 80s he was noticed then the spread of the Brazilian rock in the 1980s due to political openness and the democratization process. It was found that with the softened censorship, created a larger space for socialization and impact of rock with the advent of Rock in Rio. The songs analyzed in this research have recognized a cultural identity in relation to the immediate historical context. the authors Stuart Hall were used (2011), Zygmunt Bauman (2005) and Sandra Jatahy Pesavento (1995) to understand the identity of the bands, its conceptual aspects, and also used the authors Michael Maffesoli (2000) and Barbara Rosenwein (2011) to understand the concepts of tribes and communities that formed in the 1980s in the survey, we used the theoretical analysis of the French Discourse, which, according to Eni Orlandi (2005), refers to the practice of language as production of meanings and aims to understand the place of interpretation of the subject and its reality. The Discourse Analysis assists thus in reflection on the social practice, political, ideological and historical aspects, allowing then a thorough approach to the discursive processes. In this sense, the study addressed the letter of the songs as a source for understanding social and ideological sets that permeated the history of Brazil in the democratization period. It was understood, so that the bands studied here created their own cultural identity, through the letters of politicized music and his irreverent character to the 1980s.
publishDate 2016
dc.date.available.fl_str_mv 2016-06-02
2017-07-21T14:42:38Z
dc.date.issued.fl_str_mv 2016-03-28
dc.date.accessioned.fl_str_mv 2017-07-21T14:42:38Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv PAIVA, Marília Luana Pinheiro de. A identidade do Brock 1985-1990. 2016. 142 f. Dissertação (Mestrado em Sociedade, Direito e Cidadania) - UNIVERSIDADE ESTADUAL DE PONTA GROSSA, Ponta Grossa, 2016.
dc.identifier.uri.fl_str_mv http://tede2.uepg.br/jspui/handle/prefix/244
identifier_str_mv PAIVA, Marília Luana Pinheiro de. A identidade do Brock 1985-1990. 2016. 142 f. Dissertação (Mestrado em Sociedade, Direito e Cidadania) - UNIVERSIDADE ESTADUAL DE PONTA GROSSA, Ponta Grossa, 2016.
url http://tede2.uepg.br/jspui/handle/prefix/244
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UNIVERSIDADE ESTADUAL DE PONTA GROSSA
dc.publisher.program.fl_str_mv Programa de Pós Graduação em Ciências Sociais Aplicadas
dc.publisher.initials.fl_str_mv UEPG
dc.publisher.country.fl_str_mv BR
dc.publisher.department.fl_str_mv Sociedade, Direito e Cidadania
publisher.none.fl_str_mv UNIVERSIDADE ESTADUAL DE PONTA GROSSA
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UEPG
instname:Universidade Estadual de Ponta Grossa (UEPG)
instacron:UEPG
instname_str Universidade Estadual de Ponta Grossa (UEPG)
instacron_str UEPG
institution UEPG
reponame_str Biblioteca Digital de Teses e Dissertações da UEPG
collection Biblioteca Digital de Teses e Dissertações da UEPG
bitstream.url.fl_str_mv http://tede2.uepg.br/jspui/bitstream/prefix/244/1/Marilia%20Luana%20Paiva.pdf
bitstream.checksum.fl_str_mv b8cfdfb3621f2bf56aaf0e94e3647b1d
bitstream.checksumAlgorithm.fl_str_mv MD5
repository.name.fl_str_mv Biblioteca Digital de Teses e Dissertações da UEPG - Universidade Estadual de Ponta Grossa (UEPG)
repository.mail.fl_str_mv bicen@uepg.br||mv_fidelis@yahoo.com.br
_version_ 1809460447308414976