POPULAR CULTURE GOES TO THE MUSEUM: HÉLIO OITICICA’S TROPICALIA

Detalhes bibliográficos
Autor(a) principal: Hermann, Carla
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Textos escolhidos de cultura e arte populares (Online)
Texto Completo: https://www.e-publicacoes.uerj.br/tecap/article/view/12147
Resumo: Based on the idea of contemporary cultural manifestations as hybrid cultures, this article aims at understanding how a sense of brazilianity is structured being equally hybrid, and uses Hélio Oiticica’s work Tropicália (1967) for visual and aesthetic example. Interpreting popular culture as the result of the double movement of resisting and containing, and considering the changes suffered by the most traditional aspects of culture as well as the transformations resulting from them on the globalizing world and its technical and scientific environments, the legitimacy of the referred work of art as popular art is not approached. Instead, the installation is seen here as part of popular Brazilian culture, a manifestation able to reveal symbolic, political and cultural issues as well as illustrate a hybrid brazilianity under construction.
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spelling POPULAR CULTURE GOES TO THE MUSEUM: HÉLIO OITICICA’S TROPICALIAA CULTURA POPULAR VAI AO MUSEU: A TROPICÁLIA DE HÉLIO OITICICABRAZILIANITYHÉLIO OITICICAPOPULAR CULTUREHYBRID CULTURESTROPICÁLIA.BRASILIDADEHÉLIO OITICICACULTURA POPULARCULTURAS HÍBRIDASTROPICÁLIA.Based on the idea of contemporary cultural manifestations as hybrid cultures, this article aims at understanding how a sense of brazilianity is structured being equally hybrid, and uses Hélio Oiticica’s work Tropicália (1967) for visual and aesthetic example. Interpreting popular culture as the result of the double movement of resisting and containing, and considering the changes suffered by the most traditional aspects of culture as well as the transformations resulting from them on the globalizing world and its technical and scientific environments, the legitimacy of the referred work of art as popular art is not approached. Instead, the installation is seen here as part of popular Brazilian culture, a manifestation able to reveal symbolic, political and cultural issues as well as illustrate a hybrid brazilianity under construction.DOI: http://dx.doi.org/10.12957/tecap.2010.12147A partir da leitura das manifestações culturais contemporâneas enquanto culturas híbridas, o artigo pretende compreender como se estrutura a formação de um sentido de brasilidade igualmente híbrido e toma como seu exemplo estético-visual a instalação de 1967 do artista Hélio Oiticica, Tropicália. Interpretando a cultura popular como resultante do movimento duplo de conter e resistir, e considerando as mudanças sofridas pelos aspectos mais tradicionais da cultura, bem como as transformações operadas por eles frente às modificações do meio técnico-científico do mundo globalizante, não se procurou fazer distinções acerca da legitimidade da referida obra enquanto pertencente ou não à cultura popular. A instalação é aqui considerada parte integrante da cultura popular brasileira, capaz de revelar as mediações entre poderes simbólicos, políticos e culturais nela existentes, bem como ilustrar uma brasilidade híbrida em construção.Universidade do Estado do Rio de Janeiro2010-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.e-publicacoes.uerj.br/tecap/article/view/1214710.12957/tecap.2010.12147Textos Escolhidos de Cultura e Arte Populares; v. 7 n. 1 (2010): TECAP 7.11981-99351980-3281reponame:Textos escolhidos de cultura e arte populares (Online)instname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJporhttps://www.e-publicacoes.uerj.br/tecap/article/view/12147/9462Hermann, Carlainfo:eu-repo/semantics/openAccess2015-01-29T17:20:56Zoai:ojs.www.e-publicacoes.uerj.br:article/12147Revistahttps://www.e-publicacoes.uerj.br/index.php/tecapPUBhttps://www.e-publicacoes.uerj.br/index.php/tecap/oaippeuerj@eduerj.uerj.br || felipeferreirario@gmail.com1981-99351980-3281opendoar:2024-05-17T13:38:48.143289Textos escolhidos de cultura e arte populares (Online) - Universidade do Estado do Rio de Janeiro (UERJ)true
dc.title.none.fl_str_mv POPULAR CULTURE GOES TO THE MUSEUM: HÉLIO OITICICA’S TROPICALIA
A CULTURA POPULAR VAI AO MUSEU: A TROPICÁLIA DE HÉLIO OITICICA
title POPULAR CULTURE GOES TO THE MUSEUM: HÉLIO OITICICA’S TROPICALIA
spellingShingle POPULAR CULTURE GOES TO THE MUSEUM: HÉLIO OITICICA’S TROPICALIA
Hermann, Carla
BRAZILIANITY
HÉLIO OITICICA
POPULAR CULTURE
HYBRID CULTURES
TROPICÁLIA.
BRASILIDADE
HÉLIO OITICICA
CULTURA POPULAR
CULTURAS HÍBRIDAS
TROPICÁLIA.
title_short POPULAR CULTURE GOES TO THE MUSEUM: HÉLIO OITICICA’S TROPICALIA
title_full POPULAR CULTURE GOES TO THE MUSEUM: HÉLIO OITICICA’S TROPICALIA
title_fullStr POPULAR CULTURE GOES TO THE MUSEUM: HÉLIO OITICICA’S TROPICALIA
title_full_unstemmed POPULAR CULTURE GOES TO THE MUSEUM: HÉLIO OITICICA’S TROPICALIA
title_sort POPULAR CULTURE GOES TO THE MUSEUM: HÉLIO OITICICA’S TROPICALIA
author Hermann, Carla
author_facet Hermann, Carla
author_role author
dc.contributor.author.fl_str_mv Hermann, Carla
dc.subject.por.fl_str_mv BRAZILIANITY
HÉLIO OITICICA
POPULAR CULTURE
HYBRID CULTURES
TROPICÁLIA.
BRASILIDADE
HÉLIO OITICICA
CULTURA POPULAR
CULTURAS HÍBRIDAS
TROPICÁLIA.
topic BRAZILIANITY
HÉLIO OITICICA
POPULAR CULTURE
HYBRID CULTURES
TROPICÁLIA.
BRASILIDADE
HÉLIO OITICICA
CULTURA POPULAR
CULTURAS HÍBRIDAS
TROPICÁLIA.
description Based on the idea of contemporary cultural manifestations as hybrid cultures, this article aims at understanding how a sense of brazilianity is structured being equally hybrid, and uses Hélio Oiticica’s work Tropicália (1967) for visual and aesthetic example. Interpreting popular culture as the result of the double movement of resisting and containing, and considering the changes suffered by the most traditional aspects of culture as well as the transformations resulting from them on the globalizing world and its technical and scientific environments, the legitimacy of the referred work of art as popular art is not approached. Instead, the installation is seen here as part of popular Brazilian culture, a manifestation able to reveal symbolic, political and cultural issues as well as illustrate a hybrid brazilianity under construction.
publishDate 2010
dc.date.none.fl_str_mv 2010-05-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-publicacoes.uerj.br/tecap/article/view/12147
10.12957/tecap.2010.12147
url https://www.e-publicacoes.uerj.br/tecap/article/view/12147
identifier_str_mv 10.12957/tecap.2010.12147
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-publicacoes.uerj.br/tecap/article/view/12147/9462
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.source.none.fl_str_mv Textos Escolhidos de Cultura e Arte Populares; v. 7 n. 1 (2010): TECAP 7.1
1981-9935
1980-3281
reponame:Textos escolhidos de cultura e arte populares (Online)
instname:Universidade do Estado do Rio de Janeiro (UERJ)
instacron:UERJ
instname_str Universidade do Estado do Rio de Janeiro (UERJ)
instacron_str UERJ
institution UERJ
reponame_str Textos escolhidos de cultura e arte populares (Online)
collection Textos escolhidos de cultura e arte populares (Online)
repository.name.fl_str_mv Textos escolhidos de cultura e arte populares (Online) - Universidade do Estado do Rio de Janeiro (UERJ)
repository.mail.fl_str_mv ppeuerj@eduerj.uerj.br || felipeferreirario@gmail.com
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