CANNIBAL MUSA: GRACE JONES AND RACE AND GENDER DISPLACEMENT IN THE DISCO ERA (1977-1979)

Detalhes bibliográficos
Autor(a) principal: Rabelo, Danilo
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Textos escolhidos de cultura e arte populares (Online)
Texto Completo: https://www.e-publicacoes.uerj.br/tecap/article/view/12146
Resumo: Grace Jones: model, singer, actress, muse, diva, gay icon. In the context of the sexual revolution and hybrid cultures of big cities, Grace Jones, together with collaborators such as Jean-Paul Goude, Andy Warhol, Keith Haring, among others, has produced multimedia works that incorporate elements of the popular culture of the streets, of the art salons and of haute-couture, dislodging cultural borders and reassigning the archetypical figure of the Caribbean cannibal. Based on the cultural hybridism proposed by Edouard Glissant, this article explores the displacement of race and gender carried through by Jones in her trilogy of disco music albums and her performances which took place between 1977 and 1979.
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spelling CANNIBAL MUSA: GRACE JONES AND RACE AND GENDER DISPLACEMENT IN THE DISCO ERA (1977-1979)MUSA CANIBAL: GRACE JONES E O DESLOCAMENTO DE RAÇA E GÊNERO NA ERA DISCO (1977-1979)POSTCOLONIALISMCULTURAL HIBRIDISMRACEGENDERDISCO MUSICGRACE JONES.PÓS-COLONIALISMOHIBRIDISMO CULTURALRAÇAGÊNEROMÚSICA DISCOGRACE JONES.Grace Jones: model, singer, actress, muse, diva, gay icon. In the context of the sexual revolution and hybrid cultures of big cities, Grace Jones, together with collaborators such as Jean-Paul Goude, Andy Warhol, Keith Haring, among others, has produced multimedia works that incorporate elements of the popular culture of the streets, of the art salons and of haute-couture, dislodging cultural borders and reassigning the archetypical figure of the Caribbean cannibal. Based on the cultural hybridism proposed by Edouard Glissant, this article explores the displacement of race and gender carried through by Jones in her trilogy of disco music albums and her performances which took place between 1977 and 1979.DOI: http://dx.doi.org/10.12957/tecap.2010.12146Grace Jones: modelo, cantora, atriz, musa, diva, ícone gay. No contexto da revolução sexual e das culturas híbridas das grandes cidades, Grace Jones, associando-se a colaboradores como Jean-Paul Goude, Andy Warhol, Keith Haring, entre outros, produziu obra multimídia que incorpora elementos da cultura popular das ruas, dos salões de arte e da alta-costura, deslocando fronteiras culturais e ressignificando a figura arquetípica do canibal caribenho. Este artigo explora o deslocamento de raça e gênero realizado por Jones em sua trilogia de álbuns de disco music e suas performances entre 1977 e 1979 baseando-se no hibridismo cultural proposto por Édouard Glissant.Universidade do Estado do Rio de Janeiro2010-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.e-publicacoes.uerj.br/tecap/article/view/1214610.12957/tecap.2010.12146Textos Escolhidos de Cultura e Arte Populares; v. 7 n. 1 (2010): TECAP 7.11981-99351980-3281reponame:Textos escolhidos de cultura e arte populares (Online)instname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJporhttps://www.e-publicacoes.uerj.br/tecap/article/view/12146/9461Rabelo, Daniloinfo:eu-repo/semantics/openAccess2015-01-29T17:20:33Zoai:ojs.www.e-publicacoes.uerj.br:article/12146Revistahttps://www.e-publicacoes.uerj.br/index.php/tecapPUBhttps://www.e-publicacoes.uerj.br/index.php/tecap/oaippeuerj@eduerj.uerj.br || felipeferreirario@gmail.com1981-99351980-3281opendoar:2024-05-17T13:38:48.093888Textos escolhidos de cultura e arte populares (Online) - Universidade do Estado do Rio de Janeiro (UERJ)true
dc.title.none.fl_str_mv CANNIBAL MUSA: GRACE JONES AND RACE AND GENDER DISPLACEMENT IN THE DISCO ERA (1977-1979)
MUSA CANIBAL: GRACE JONES E O DESLOCAMENTO DE RAÇA E GÊNERO NA ERA DISCO (1977-1979)
title CANNIBAL MUSA: GRACE JONES AND RACE AND GENDER DISPLACEMENT IN THE DISCO ERA (1977-1979)
spellingShingle CANNIBAL MUSA: GRACE JONES AND RACE AND GENDER DISPLACEMENT IN THE DISCO ERA (1977-1979)
Rabelo, Danilo
POSTCOLONIALISM
CULTURAL HIBRIDISM
RACE
GENDER
DISCO MUSIC
GRACE JONES.
PÓS-COLONIALISMO
HIBRIDISMO CULTURAL
RAÇA
GÊNERO
MÚSICA DISCO
GRACE JONES.
title_short CANNIBAL MUSA: GRACE JONES AND RACE AND GENDER DISPLACEMENT IN THE DISCO ERA (1977-1979)
title_full CANNIBAL MUSA: GRACE JONES AND RACE AND GENDER DISPLACEMENT IN THE DISCO ERA (1977-1979)
title_fullStr CANNIBAL MUSA: GRACE JONES AND RACE AND GENDER DISPLACEMENT IN THE DISCO ERA (1977-1979)
title_full_unstemmed CANNIBAL MUSA: GRACE JONES AND RACE AND GENDER DISPLACEMENT IN THE DISCO ERA (1977-1979)
title_sort CANNIBAL MUSA: GRACE JONES AND RACE AND GENDER DISPLACEMENT IN THE DISCO ERA (1977-1979)
author Rabelo, Danilo
author_facet Rabelo, Danilo
author_role author
dc.contributor.author.fl_str_mv Rabelo, Danilo
dc.subject.por.fl_str_mv POSTCOLONIALISM
CULTURAL HIBRIDISM
RACE
GENDER
DISCO MUSIC
GRACE JONES.
PÓS-COLONIALISMO
HIBRIDISMO CULTURAL
RAÇA
GÊNERO
MÚSICA DISCO
GRACE JONES.
topic POSTCOLONIALISM
CULTURAL HIBRIDISM
RACE
GENDER
DISCO MUSIC
GRACE JONES.
PÓS-COLONIALISMO
HIBRIDISMO CULTURAL
RAÇA
GÊNERO
MÚSICA DISCO
GRACE JONES.
description Grace Jones: model, singer, actress, muse, diva, gay icon. In the context of the sexual revolution and hybrid cultures of big cities, Grace Jones, together with collaborators such as Jean-Paul Goude, Andy Warhol, Keith Haring, among others, has produced multimedia works that incorporate elements of the popular culture of the streets, of the art salons and of haute-couture, dislodging cultural borders and reassigning the archetypical figure of the Caribbean cannibal. Based on the cultural hybridism proposed by Edouard Glissant, this article explores the displacement of race and gender carried through by Jones in her trilogy of disco music albums and her performances which took place between 1977 and 1979.
publishDate 2010
dc.date.none.fl_str_mv 2010-05-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-publicacoes.uerj.br/tecap/article/view/12146
10.12957/tecap.2010.12146
url https://www.e-publicacoes.uerj.br/tecap/article/view/12146
identifier_str_mv 10.12957/tecap.2010.12146
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-publicacoes.uerj.br/tecap/article/view/12146/9461
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.source.none.fl_str_mv Textos Escolhidos de Cultura e Arte Populares; v. 7 n. 1 (2010): TECAP 7.1
1981-9935
1980-3281
reponame:Textos escolhidos de cultura e arte populares (Online)
instname:Universidade do Estado do Rio de Janeiro (UERJ)
instacron:UERJ
instname_str Universidade do Estado do Rio de Janeiro (UERJ)
instacron_str UERJ
institution UERJ
reponame_str Textos escolhidos de cultura e arte populares (Online)
collection Textos escolhidos de cultura e arte populares (Online)
repository.name.fl_str_mv Textos escolhidos de cultura e arte populares (Online) - Universidade do Estado do Rio de Janeiro (UERJ)
repository.mail.fl_str_mv ppeuerj@eduerj.uerj.br || felipeferreirario@gmail.com
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