Encounters at the margins: urban itineraries, body and desire in Marcelo Caetano’s filmography

Detalhes bibliográficos
Autor(a) principal: Ramalho, Fabio Allan Mendes
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Maracanan (Online)
Texto Completo: https://www.e-publicacoes.uerj.br/maracanan/article/view/47600
Resumo: In this article we aim to discuss how public spaces and liminal zones play a central role in Marcelo Caetano’s Bailão (2009), By your side (2011), and Electric body (2017). What is at stake in these films is the very possibility of experiencing urban locations as sites for affective encounters and erotic desire. Through an investment in relations and itineraries that take place in the margins, we trace a tension as well as a recurrent ambivalence towards the cities the characters inhabit. The cinematic form highlights the city as an imagined topography and also as a plane of perception composed of several modulations between disconnection and belonging, discipline and pleasure, proximity and exclusion.
id UERJ-19_0750fd2123fb647362852f584c1e441b
oai_identifier_str oai:ojs.www.e-publicacoes.uerj.br:article/47600
network_acronym_str UERJ-19
network_name_str Revista Maracanan (Online)
repository_id_str
spelling Encounters at the margins: urban itineraries, body and desire in Marcelo Caetano’s filmographyEncontros nas margens: percursos urbanos, corpo e desejo na filmografia de Marcelo CaetanoCidadeCorpoSexualidadeCinema BrasileiroMarcelo CaetanoCityBodySexualityBrazilian cinemaMarcelo Caetano.In this article we aim to discuss how public spaces and liminal zones play a central role in Marcelo Caetano’s Bailão (2009), By your side (2011), and Electric body (2017). What is at stake in these films is the very possibility of experiencing urban locations as sites for affective encounters and erotic desire. Through an investment in relations and itineraries that take place in the margins, we trace a tension as well as a recurrent ambivalence towards the cities the characters inhabit. The cinematic form highlights the city as an imagined topography and also as a plane of perception composed of several modulations between disconnection and belonging, discipline and pleasure, proximity and exclusion.Neste artigo, pretendemos discutir como os locais públicos e as zonas liminares desempenham um papel central nos filmes Bailão (2009), Na sua companhia (2011) e Corpo elétrico (2017), dirigidos por Marcelo Caetano. O que está em jogo nestas obras é a própria possibilidade de experienciar espaços urbanos como lugares de encontro afetivo e desejo erótico. Mediante um investimento em relações e itinerários à margem, traçamos uma tensão e também uma ambivalência recorrente em relação às cidades que os personagens habitam. A forma cinematográfica destaca a cidade como topografia imaginada e, ainda, como um plano de percepção composto por várias modulações entre desconexão e pertencimento, disciplina e prazer, proximidade e exclusãoUniversidade do Estado do Rio de Janeiro2020-05-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos paresapplication/pdfhttps://www.e-publicacoes.uerj.br/maracanan/article/view/4760010.12957/revmar.2020.47600Revista Maracanan; n. 24 (2020): A cidade e suas imagens; 501-5172359-00921807-989Xreponame:Revista Maracanan (Online)instname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJporhttps://www.e-publicacoes.uerj.br/maracanan/article/view/47600/33876Copyright (c) 2020 Revista Maracananinfo:eu-repo/semantics/openAccessRamalho, Fabio Allan Mendes2020-09-30T22:20:31Zoai:ojs.www.e-publicacoes.uerj.br:article/47600Revistahttp://www.e-publicacoes.uerj.br/index.php/maracananPUBhttps://www.e-publicacoes.uerj.br/index.php/maracanan/oairevista.maracanan@gmail.com||revista.maracanan@gmail.com2359-00921807-989Xopendoar:2020-09-30T22:20:31Revista Maracanan (Online) - Universidade do Estado do Rio de Janeiro (UERJ)false
dc.title.none.fl_str_mv Encounters at the margins: urban itineraries, body and desire in Marcelo Caetano’s filmography
Encontros nas margens: percursos urbanos, corpo e desejo na filmografia de Marcelo Caetano
title Encounters at the margins: urban itineraries, body and desire in Marcelo Caetano’s filmography
spellingShingle Encounters at the margins: urban itineraries, body and desire in Marcelo Caetano’s filmography
Ramalho, Fabio Allan Mendes
Cidade
Corpo
Sexualidade
Cinema Brasileiro
Marcelo Caetano
City
Body
Sexuality
Brazilian cinema
Marcelo Caetano.
title_short Encounters at the margins: urban itineraries, body and desire in Marcelo Caetano’s filmography
title_full Encounters at the margins: urban itineraries, body and desire in Marcelo Caetano’s filmography
title_fullStr Encounters at the margins: urban itineraries, body and desire in Marcelo Caetano’s filmography
title_full_unstemmed Encounters at the margins: urban itineraries, body and desire in Marcelo Caetano’s filmography
title_sort Encounters at the margins: urban itineraries, body and desire in Marcelo Caetano’s filmography
author Ramalho, Fabio Allan Mendes
author_facet Ramalho, Fabio Allan Mendes
author_role author
dc.contributor.author.fl_str_mv Ramalho, Fabio Allan Mendes
dc.subject.por.fl_str_mv Cidade
Corpo
Sexualidade
Cinema Brasileiro
Marcelo Caetano
City
Body
Sexuality
Brazilian cinema
Marcelo Caetano.
topic Cidade
Corpo
Sexualidade
Cinema Brasileiro
Marcelo Caetano
City
Body
Sexuality
Brazilian cinema
Marcelo Caetano.
description In this article we aim to discuss how public spaces and liminal zones play a central role in Marcelo Caetano’s Bailão (2009), By your side (2011), and Electric body (2017). What is at stake in these films is the very possibility of experiencing urban locations as sites for affective encounters and erotic desire. Through an investment in relations and itineraries that take place in the margins, we trace a tension as well as a recurrent ambivalence towards the cities the characters inhabit. The cinematic form highlights the city as an imagined topography and also as a plane of perception composed of several modulations between disconnection and belonging, discipline and pleasure, proximity and exclusion.
publishDate 2020
dc.date.none.fl_str_mv 2020-05-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-publicacoes.uerj.br/maracanan/article/view/47600
10.12957/revmar.2020.47600
url https://www.e-publicacoes.uerj.br/maracanan/article/view/47600
identifier_str_mv 10.12957/revmar.2020.47600
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-publicacoes.uerj.br/maracanan/article/view/47600/33876
dc.rights.driver.fl_str_mv Copyright (c) 2020 Revista Maracanan
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Revista Maracanan
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.source.none.fl_str_mv Revista Maracanan; n. 24 (2020): A cidade e suas imagens; 501-517
2359-0092
1807-989X
reponame:Revista Maracanan (Online)
instname:Universidade do Estado do Rio de Janeiro (UERJ)
instacron:UERJ
instname_str Universidade do Estado do Rio de Janeiro (UERJ)
instacron_str UERJ
institution UERJ
reponame_str Revista Maracanan (Online)
collection Revista Maracanan (Online)
repository.name.fl_str_mv Revista Maracanan (Online) - Universidade do Estado do Rio de Janeiro (UERJ)
repository.mail.fl_str_mv revista.maracanan@gmail.com||revista.maracanan@gmail.com
_version_ 1799317570388492288

Registros relacionados