Candombe: aproximación sociológica afro centrista al Candombe uruguayo
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Matraga (Online) |
Texto Completo: | https://www.e-publicacoes.uerj.br/matraga/article/view/44449 |
Resumo: | This article refers to candombe, Uruguay’s national music, from an Afrocentric sociological perspective in which its folk and musical characteristics are omitted to address its artistic expression as a social phenomenon of cultural resistance created by African descendants during the Spanish colonization in Rio de la Plata. The work briefly analyzes the historical development of candombe from its origin as “music of blacks” until its current consideration as “Uruguayan national music”. It is presented a historical synopsis of the term candombe, as well as its differentiation of Candomble, the participatory organization that involves the accomplishment of this, its current relationship with Uruguayan society in terms of acceptance based on results obtained by multidisciplinary studies conducted by historians, musicologists, and anthropologists since the early twentieth century. The article highlights the origin of candombe from an internal perspective to the Afro community where its central role of resistance and conservation of cultural values of different African nations arrived at Rio de la Plata during the eighteenth century, regions where Argentina and Uruguay are located nowadays. |
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Candombe: aproximación sociológica afro centrista al Candombe uruguayoCandombe: an afrocentrist sociological approach to Uruguayan candombeCandombeResistênciaAfro-Uruguay.CandombeResistanceAfro-Uruguay.This article refers to candombe, Uruguay’s national music, from an Afrocentric sociological perspective in which its folk and musical characteristics are omitted to address its artistic expression as a social phenomenon of cultural resistance created by African descendants during the Spanish colonization in Rio de la Plata. The work briefly analyzes the historical development of candombe from its origin as “music of blacks” until its current consideration as “Uruguayan national music”. It is presented a historical synopsis of the term candombe, as well as its differentiation of Candomble, the participatory organization that involves the accomplishment of this, its current relationship with Uruguayan society in terms of acceptance based on results obtained by multidisciplinary studies conducted by historians, musicologists, and anthropologists since the early twentieth century. The article highlights the origin of candombe from an internal perspective to the Afro community where its central role of resistance and conservation of cultural values of different African nations arrived at Rio de la Plata during the eighteenth century, regions where Argentina and Uruguay are located nowadays.El artículo refiere al candombe, música nacional del Uruguay, desde una perspectiva sociológica afro céntrica donde se omiten sus características folclóricas y musicales para abordar dicha expresión artística como fenómeno social de resistencia cultural creado por los descendientes africanos durante la colonización española en el Río de la Plata. El ensayo analiza brevemente el desarrollo histórico del Candombe desde su origen como “música de los negros” hasta su actualidad considerada “música nacional uruguaya”. Se presenta una breve sinopsis histórica del término candombe, su diferenciación con el candomblé, la organización participativa que supone la ejecución de este, su relación actual con la sociedad uruguaya en términos de aceptación en base a los resultados obtenidos en estudios multidisciplinarios realizados por historiadores, musicólogos y antropólogos desde inicios del siglo XX. Ese trabajo destaca el origen del candombe desde una perspectiva interna a la comunidad afro donde se visualiza su rol central de resistencia y conservación de los valores culturales de las distintas naciones africanas llegadas al Río de la Plata durante el siglo XVIII, regiones donde hoy se localizan Argentina y Uruguay.Universidade do Estado do Rio de Janeiro2020-01-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionartigo de literaturaartigos de literaturaapplication/pdfhttps://www.e-publicacoes.uerj.br/matraga/article/view/4444910.12957/matraga.2019.44449Matraga - Revista do Programa de Pós-Graduação em Letras da UERJ; v. 26 n. 48 (2019): Literaturas Africanas e da Diáspora Africana; 536-551MATRAGA - Journal published by the Graduate Program in Letters at Rio de Janeiro State University (UERJ); Vol. 26 No. 48 (2019): African and African Diaspora Literatures; 536-5512446-69051414-7165reponame:Matraga (Online)instname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJporhttps://www.e-publicacoes.uerj.br/matraga/article/view/44449/32127Cabral, Cristina R.info:eu-repo/semantics/openAccess2020-02-03T17:02:49Zoai:ojs.www.e-publicacoes.uerj.br:article/44449Revistahttps://www.e-publicacoes.uerj.br/index.php/matragaPUBhttps://www.e-publicacoes.uerj.br/index.php/matraga/oai||letrasmatraga@uerj.br2446-69051414-7165opendoar:2020-02-03T17:02:49Matraga (Online) - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.none.fl_str_mv |
Candombe: aproximación sociológica afro centrista al Candombe uruguayo Candombe: an afrocentrist sociological approach to Uruguayan candombe |
title |
Candombe: aproximación sociológica afro centrista al Candombe uruguayo |
spellingShingle |
Candombe: aproximación sociológica afro centrista al Candombe uruguayo Cabral, Cristina R. Candombe Resistência Afro-Uruguay. Candombe Resistance Afro-Uruguay. |
title_short |
Candombe: aproximación sociológica afro centrista al Candombe uruguayo |
title_full |
Candombe: aproximación sociológica afro centrista al Candombe uruguayo |
title_fullStr |
Candombe: aproximación sociológica afro centrista al Candombe uruguayo |
title_full_unstemmed |
Candombe: aproximación sociológica afro centrista al Candombe uruguayo |
title_sort |
Candombe: aproximación sociológica afro centrista al Candombe uruguayo |
author |
Cabral, Cristina R. |
author_facet |
Cabral, Cristina R. |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cabral, Cristina R. |
dc.subject.por.fl_str_mv |
Candombe Resistência Afro-Uruguay. Candombe Resistance Afro-Uruguay. |
topic |
Candombe Resistência Afro-Uruguay. Candombe Resistance Afro-Uruguay. |
description |
This article refers to candombe, Uruguay’s national music, from an Afrocentric sociological perspective in which its folk and musical characteristics are omitted to address its artistic expression as a social phenomenon of cultural resistance created by African descendants during the Spanish colonization in Rio de la Plata. The work briefly analyzes the historical development of candombe from its origin as “music of blacks” until its current consideration as “Uruguayan national music”. It is presented a historical synopsis of the term candombe, as well as its differentiation of Candomble, the participatory organization that involves the accomplishment of this, its current relationship with Uruguayan society in terms of acceptance based on results obtained by multidisciplinary studies conducted by historians, musicologists, and anthropologists since the early twentieth century. The article highlights the origin of candombe from an internal perspective to the Afro community where its central role of resistance and conservation of cultural values of different African nations arrived at Rio de la Plata during the eighteenth century, regions where Argentina and Uruguay are located nowadays. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-01-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion artigo de literatura artigos de literatura |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-publicacoes.uerj.br/matraga/article/view/44449 10.12957/matraga.2019.44449 |
url |
https://www.e-publicacoes.uerj.br/matraga/article/view/44449 |
identifier_str_mv |
10.12957/matraga.2019.44449 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-publicacoes.uerj.br/matraga/article/view/44449/32127 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
dc.source.none.fl_str_mv |
Matraga - Revista do Programa de Pós-Graduação em Letras da UERJ; v. 26 n. 48 (2019): Literaturas Africanas e da Diáspora Africana; 536-551 MATRAGA - Journal published by the Graduate Program in Letters at Rio de Janeiro State University (UERJ); Vol. 26 No. 48 (2019): African and African Diaspora Literatures; 536-551 2446-6905 1414-7165 reponame:Matraga (Online) instname:Universidade do Estado do Rio de Janeiro (UERJ) instacron:UERJ |
instname_str |
Universidade do Estado do Rio de Janeiro (UERJ) |
instacron_str |
UERJ |
institution |
UERJ |
reponame_str |
Matraga (Online) |
collection |
Matraga (Online) |
repository.name.fl_str_mv |
Matraga (Online) - Universidade do Estado do Rio de Janeiro (UERJ) |
repository.mail.fl_str_mv |
||letrasmatraga@uerj.br |
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1799318494308728832 |