What body is that? The city and the real in the short story “A unha encravada e o esmalte” (2016), by Allan da Rosa

Detalhes bibliográficos
Autor(a) principal: Santini, Juliana
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Matraga (Online)
Texto Completo: https://www.e-publicacoes.uerj.br/matraga/article/view/59528
Resumo: This article discusses the forms of realism in contemporary Brazilian fiction and proposes an analysis of the short story “A unha encravada e o esmalte”, by Allan da Rosa, observing how the fragmentation of the human body acts in the representation of the city and its inequalities taking into consideration the marches that took place throughout Brazil in June 2013. The analysis starts from the hypothesis that the short story assumes, in the terms proposed by Tania Pellegrini (2018), a realistic posture sustained in a critical position that promotes an “in-depth representation” from the social constitution, making uses of aesthetic resources based not in the narration of facts or in the description of spaces, but in capturing the way in which each human body relates to space and other bodies. In this regard, the analysis carried out here highlights the deformation of the human body as a central instrument in the composition of the narrative, projecting itself on the representation of the city and on the social structures that comprise it as a fragmented and unequal body.
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spelling What body is that? The city and the real in the short story “A unha encravada e o esmalte” (2016), by Allan da RosaQue corpo é esse? A cidade e o real no conto “A unha encravada e o esmalte” (2016), de Allan da RosaRepresentationRealismContemporary fictionAllan da Rosa.RepresentaçãoRealismoFicção contemporâneaAllan da Rosa.This article discusses the forms of realism in contemporary Brazilian fiction and proposes an analysis of the short story “A unha encravada e o esmalte”, by Allan da Rosa, observing how the fragmentation of the human body acts in the representation of the city and its inequalities taking into consideration the marches that took place throughout Brazil in June 2013. The analysis starts from the hypothesis that the short story assumes, in the terms proposed by Tania Pellegrini (2018), a realistic posture sustained in a critical position that promotes an “in-depth representation” from the social constitution, making uses of aesthetic resources based not in the narration of facts or in the description of spaces, but in capturing the way in which each human body relates to space and other bodies. In this regard, the analysis carried out here highlights the deformation of the human body as a central instrument in the composition of the narrative, projecting itself on the representation of the city and on the social structures that comprise it as a fragmented and unequal body.Tendo como ponto de partida a discussão das formas de realização do realismo na ficção brasileira contemporânea, a reflexão aqui apresentada propõe uma análise do conto “A unha encravada e o esmalte”, de Allan da Rosa, de modo a observar como a fragmentação do corpo atua na representação da cidade e de suas desigualdades, tendo como cenário as passeatas que se realizaram em todo o Brasil, em junho de 2013. A leitura parte da hipótese de que o conto assume, nos termos propostos por Tania Pellegrini (2018), uma postura realista sustentada em um posicionamento crítico que promove uma “representação em profundidade” da constituição social, fazendo uso de recursos estéticos pautados não na narração de fatos ou na descrição de espaços, mas na captura do modo como cada corpo se relaciona com o espaço e com outros corpos. Sob esse aspecto, a análise aqui realizada coloca em evidência a deformação do corpo como instrumento central na composição da narrativa, projetando-se na representação da cidade e das estruturas sociais que a compõem como corpo fragmentado e desigual.Universidade do Estado do Rio de Janeiro2021-10-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionartigo de literaturaartigos de literaturaapplication/pdfhttps://www.e-publicacoes.uerj.br/matraga/article/view/5952810.12957/matraga.2021.59528Matraga - Revista do Programa de Pós-Graduação em Letras da UERJ; v. 28 n. 54 (2021): A literatura do real; 580-592MATRAGA - Journal published by the Graduate Program in Letters at Rio de Janeiro State University (UERJ); Vol. 28 No. 54 (2021): The literature of the real; 580-5922446-69051414-7165reponame:Matraga (Online)instname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJporhttps://www.e-publicacoes.uerj.br/matraga/article/view/59528/39535Santini, Julianainfo:eu-repo/semantics/openAccess2022-02-07T16:38:31Zoai:ojs.www.e-publicacoes.uerj.br:article/59528Revistahttps://www.e-publicacoes.uerj.br/index.php/matragaPUBhttps://www.e-publicacoes.uerj.br/index.php/matraga/oai||letrasmatraga@uerj.br2446-69051414-7165opendoar:2022-02-07T16:38:31Matraga (Online) - Universidade do Estado do Rio de Janeiro (UERJ)false
dc.title.none.fl_str_mv What body is that? The city and the real in the short story “A unha encravada e o esmalte” (2016), by Allan da Rosa
Que corpo é esse? A cidade e o real no conto “A unha encravada e o esmalte” (2016), de Allan da Rosa
title What body is that? The city and the real in the short story “A unha encravada e o esmalte” (2016), by Allan da Rosa
spellingShingle What body is that? The city and the real in the short story “A unha encravada e o esmalte” (2016), by Allan da Rosa
Santini, Juliana
Representation
Realism
Contemporary fiction
Allan da Rosa.
Representação
Realismo
Ficção contemporânea
Allan da Rosa.
title_short What body is that? The city and the real in the short story “A unha encravada e o esmalte” (2016), by Allan da Rosa
title_full What body is that? The city and the real in the short story “A unha encravada e o esmalte” (2016), by Allan da Rosa
title_fullStr What body is that? The city and the real in the short story “A unha encravada e o esmalte” (2016), by Allan da Rosa
title_full_unstemmed What body is that? The city and the real in the short story “A unha encravada e o esmalte” (2016), by Allan da Rosa
title_sort What body is that? The city and the real in the short story “A unha encravada e o esmalte” (2016), by Allan da Rosa
author Santini, Juliana
author_facet Santini, Juliana
author_role author
dc.contributor.author.fl_str_mv Santini, Juliana
dc.subject.por.fl_str_mv Representation
Realism
Contemporary fiction
Allan da Rosa.
Representação
Realismo
Ficção contemporânea
Allan da Rosa.
topic Representation
Realism
Contemporary fiction
Allan da Rosa.
Representação
Realismo
Ficção contemporânea
Allan da Rosa.
description This article discusses the forms of realism in contemporary Brazilian fiction and proposes an analysis of the short story “A unha encravada e o esmalte”, by Allan da Rosa, observing how the fragmentation of the human body acts in the representation of the city and its inequalities taking into consideration the marches that took place throughout Brazil in June 2013. The analysis starts from the hypothesis that the short story assumes, in the terms proposed by Tania Pellegrini (2018), a realistic posture sustained in a critical position that promotes an “in-depth representation” from the social constitution, making uses of aesthetic resources based not in the narration of facts or in the description of spaces, but in capturing the way in which each human body relates to space and other bodies. In this regard, the analysis carried out here highlights the deformation of the human body as a central instrument in the composition of the narrative, projecting itself on the representation of the city and on the social structures that comprise it as a fragmented and unequal body.
publishDate 2021
dc.date.none.fl_str_mv 2021-10-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
artigo de literatura
artigos de literatura
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-publicacoes.uerj.br/matraga/article/view/59528
10.12957/matraga.2021.59528
url https://www.e-publicacoes.uerj.br/matraga/article/view/59528
identifier_str_mv 10.12957/matraga.2021.59528
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-publicacoes.uerj.br/matraga/article/view/59528/39535
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.source.none.fl_str_mv Matraga - Revista do Programa de Pós-Graduação em Letras da UERJ; v. 28 n. 54 (2021): A literatura do real; 580-592
MATRAGA - Journal published by the Graduate Program in Letters at Rio de Janeiro State University (UERJ); Vol. 28 No. 54 (2021): The literature of the real; 580-592
2446-6905
1414-7165
reponame:Matraga (Online)
instname:Universidade do Estado do Rio de Janeiro (UERJ)
instacron:UERJ
instname_str Universidade do Estado do Rio de Janeiro (UERJ)
instacron_str UERJ
institution UERJ
reponame_str Matraga (Online)
collection Matraga (Online)
repository.name.fl_str_mv Matraga (Online) - Universidade do Estado do Rio de Janeiro (UERJ)
repository.mail.fl_str_mv ||letrasmatraga@uerj.br
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