Literatura e vida literária em Caio Fernando Abreu: a escrita do ir - remediável

• Autor(a) principal: Baena, Cristiane Torres
• Data de Publicação: 2008
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/6498
• topic: Caio Fernando Abreu, 1948-1996; Literary life; Biography; Authorial figure; Caio Fernando Abreu; Vida literária; Biografia; Figura autoral; Autoficcionalização; Abreu, Caio Fernando, 1948-1996 - Crítica e interpretação; Escritores brasileiros - Vida intelectual; Identidade (Psicologia) na literatura; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA

Observing the political-cultural panorama of Brazil at the end of the XX th century, meanly the years 70, 80 and 90, I have traced the scene where Caio Fernando Abreu is inserted, as well as his intellectual influences and the construction/repercussion of his biography in and by writing in order to understand his literary ways. I have made use of researches in newspapers and letters, as well as his printed books and texts. Firstly I have mapped historical-national scene and the bibliographical references concerning this work. After that I have worked on the intellectual influences, as well as the debate concerning the pretense communication of privacy in his texts. Although Caio Fernando is considered as a writer of the proximity , I have tried show how leads to corroborating the authorial subject; identity analysing, in such a way, his biographical space . Correspondences, diaries and interviews as well as his friends testimonies and articles regarding the writer are in this work considered as means of constructing this authorial subject. I investigate, therefore, if Caio Fernando shows his intimacy questioning the allowed privacy , establishing conditions, at last, to construct more than a personal-contextual biography, tracing the tenuous line that allows, not mere classifications but above all, to understand what! (a constant expression in Caio Fernando Abreu´s texts, used here as a good-humoured homage to demonstrate the opening to the imponderable possibilities)