Sob a máscara de Dioniso: a filosofia de Camus em O Estrangeiro e A Morte feliz.

• Autor(a) principal: Malafaia, Daniel Silva de
• Data de Publicação: 2009
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/12251
• topic: Camus; L étranger; La mort heureuse; Meursault; Zagreus; Dionysos; tragedy; Nietzsche; the birth of tragedy; dionysian; amor fati; love of destiny; love of the world; opening towards the world; tendre indifférence; eternal present; Camus; O estrangeiro; A morte feliz; Meursault; Zagreus; Dioniso; tragédia; Nietzsche; o nascimento da tragédia; dionisíaco; amor fati; amor ao destino; amor ao mundo; abertura ao mundo; terna indiferença; eterno presente; Dinísio (Divindade grega); Camus, Albert, 1930-1960 - Crítica e interpretação; Filosofia francesa; CNPQ::CIENCIAS HUMANAS::FILOSOFIA::HISTORIA DA FILOSOFIA

Just as Socrates represents the philosophy of Plato in his dialogues and Zarathustra embodies the concepts of the nietzschian philosophy, the Meursault of Albert Camus is an avatar for his philosophy. In the eternal present of Meursault, in the tendre indifférence of his love and opening towards the world and towards his destiny, the main concepts of the camusian philosophy are depicted. In the works of Camus, the tragedy of Meursault in L Étranger is originally in the tragedy of the Mersault in La Mort Heureuse, and moreover, in the tragedy of the crippled Zagreus: in the death of the crippled Zagreus in La Mort Heureuse and in the final tragedies of La Mort Heureuse and L Étranger, Camus referred to the myth of Dionysos Zagreus. In this dissertation, we shall indicate the origin of the philosophy of Camus in L Étranger and La Mort Heureuse; we shall indicate its origin in the myth of Dionysos Zagreus and, more precisely, in Nietzsche s interpretation of that myth. In the nietzschian concept of dionysian and in the related nietzschian concepts of amor fati and eternal recurrence, we have found the main influence in the genesis of the camusian concepts of eternal present, tendre indifférence, love of destiny, love of the world and opening towards the world, all embodied in the Meursault of L Étranger and in the Mersault of La Mort Heureuse. In the philosophy of Nietzsche, we have found Camus main influence for the creation of his philosophy in L Étranger and La Mort Heureuse.