O estádio de futebol como arena para a produção de diferentes territorialidades torcedoras: inclusões, exclusões, tensões e contradições presentes no novo Maracanã

• Autor(a) principal: Ferreira, Fernando da Costa
• Data de Publicação: 2017
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/13253
• topic: Maracanã; Stadium; Arena; Sports geography; Nomospace; Genospace; Maracanã; Estádio; Arena; Geografia dos esportes; Nomoespaço; Genoespaço; CNPQ::CIENCIAS EXATAS E DA TERRA::GEOCIENCIAS::GEOGRAFIA FISICA

This thesis aims to understand how the Maracanã, after its reform / reconstruction and the transfer of the administration to a private consortium, has been appropriated by the public and the different territorialities associated with it. Its re-inauguration in 2013 consolidated the process of transformation of the iconic Rio de Janeiro sports plaza, from a stadium designed to shelter the masses, endowed with a popular centrality and a soul of its own, in a neutral (at first) arena, similar to many others scattered around the planet, an apex of an architecture that aims to meet the fan-consumer to the detriment of the traditional fan of lesser purchasing power. Due to the proposal adopted to study the different forms of appropriation found in the stadium, attendance at fifty-one matches held in the period from February 2015 to November 2016 was highly relevant for obtaining the data presented. The initial understanding that there is no single way of supporting and that the public profile and behavior depends on a series of variables led to the analysis not only of on-the-spot observation in different sectors but also in the external area and in different situations. The adoption of a dialectical perspective aimed at articulating, whenever possible, theory to praxis since the Journalist Mário Filho Stadium represents an arena in which the tensions and contradictions found in urban space are produced, reproduced and represented, reflected in the different forms of appropriation currently occurring in our most important sports equipment, which must be understood as reflecting a broad social context. The stadium and its surroundings are the result of a permanent game of power marked by conflicts between three complementary oppositions: hegemonic actors vs hegemonized actors; verticalities vs horizontalities; nomospace vs genospace. The effort undertaken comprises a panel of the observations made at the stadium of everyday practices throughout the studied period. The present Maracanã emerges as an appropriate space for the middle classes, resulting from an incomplete and / or relative elitization process that accelerated the pre-existing deterritorialization of economically less fortunate supporters, without the intended replacement of the desired public profile by vertical forces. At the end of the period of observations, the space conceived by the hegemonic actors was not able to fully impose itself on the contents and traditions produced by the lively space of the stadium, which manages to maintain its organic character, constituting an object of study in constant transformation.