A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/18333 |
Resumo: | This work focuses on the investigation of the different uses of the grotesque that move from the ornamental arts to the literary art of Edgar Allan Poe, in addition to investigating the hypothesis raised by Wolfgang Kayser, who describes a passage from the short story “The mask of death red”, by Edgar Allan Poe, as the most complete and precise definition that a writer has ever devoted to the word “grotesque”. The present study also intends to support the hypothesis that Edgar Allan Poe's short stories are formed through a premeditated writing that aims to generate an effect that transcends the work and affects the reader, as well as the aesthetic category of the grotesque, which causes impressions of an emotional nature on the reader, with regard to the literary work, or on the viewer of a painting, theatrical play and even in reality, as the grotesque is present everywhere. In Edgar Allan Poe's short stories, the grotesque is established through dissonant aspects such as the comic and the horror that focus on human monstrosity and usually cause sensations of astonishment, fear and laughter. In this sense, the aspects of the grotesque that are tensioned between the comic and the horror can be observed in Edgar Allan Poe's “Hop-Frog”, through an internal transition of the phenomenon that goes from Bakhtin to Kayser. To succeed in this investigation, the present work had as its theoretical basis: Victor Hugo (1827), Wolfgang Kayser (1986) and Mikhail Bakhtin (1987). |
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Werkema, Andréa Sirihalhttp://lattes.cnpq.br/8821331052214802Portilho, Carla de Figueiredohttp://lattes.cnpq.br/7347815353953241Nogueira, Vanessa Cianconi Viannahttp://lattes.cnpq.br/5622089687976465http://lattes.cnpq.br/4143254737232513Abreu, Paula da Silva Peixoto depaulasilvaabreu@hotmail.com2022-09-05T16:18:22Z2022-07-04ABREU, Paula da Silva Peixoto. A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe. 2022. 93 f. Dissertação (Mestrado em Letras) – Instituto de Letras, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2022.http://www.bdtd.uerj.br/handle/1/18333This work focuses on the investigation of the different uses of the grotesque that move from the ornamental arts to the literary art of Edgar Allan Poe, in addition to investigating the hypothesis raised by Wolfgang Kayser, who describes a passage from the short story “The mask of death red”, by Edgar Allan Poe, as the most complete and precise definition that a writer has ever devoted to the word “grotesque”. The present study also intends to support the hypothesis that Edgar Allan Poe's short stories are formed through a premeditated writing that aims to generate an effect that transcends the work and affects the reader, as well as the aesthetic category of the grotesque, which causes impressions of an emotional nature on the reader, with regard to the literary work, or on the viewer of a painting, theatrical play and even in reality, as the grotesque is present everywhere. In Edgar Allan Poe's short stories, the grotesque is established through dissonant aspects such as the comic and the horror that focus on human monstrosity and usually cause sensations of astonishment, fear and laughter. In this sense, the aspects of the grotesque that are tensioned between the comic and the horror can be observed in Edgar Allan Poe's “Hop-Frog”, through an internal transition of the phenomenon that goes from Bakhtin to Kayser. To succeed in this investigation, the present work had as its theoretical basis: Victor Hugo (1827), Wolfgang Kayser (1986) and Mikhail Bakhtin (1987).Este trabalho se concentra na investigação dos diferentes usos do grotesco que transitam desde as artes ornamentais até a arte literária de Edgar Allan Poe, além de investigar a hipótese levantada por Wolfgang Kayser, que aponta a descrição de uma passagem do conto “O baile da morte vermelha”, de Edgar Allan Poe, como a definição mais completa e precisa que um escritor já consagrou à palavra “grotesco”. O presente estudo também pretende sustentar a hipótese de que os contos de Edgar Allan Poe se formam através de uma escrita premeditada e que tem como objetivo a geração de um efeito, que transcende a obra e afeta o leitor, assim como a categoria estética do grotesco, que causa impressões de natureza emocional no leitor, no que se refere à obra literária, ou no contemplador de uma pintura, peça teatral e até mesmo na realidade, pois o grotesco está presente em todo lugar. Nos contos de Edgar Allan Poe, o grotesco se estabelece através de aspectos dissonantes como o cômico e o horror que se debruçam na monstruosidade humana e costumam causar sensações de espanto, medo e riso. Nesse sentido, os aspectos do grotesco que se tensionam entre o cômico e o horror podem ser observados no conto “Hop-Frog”, de Edgar Allan Poe, através de uma transição interna do fenômeno que vai de Bakhtin a Kayser. Para obter êxito nesta investigação, o presente trabalho teve como base teórica: Victor Hugo (1827), Wolfgang Kayser (1986) e Mikhail Bakhtin (1987).Submitted by Eliane CEH/B (liliprata2000@gmail.com) on 2022-09-05T16:18:22Z No. of bitstreams: 1 Dissertação - Paula da Silva Peixoto de Abreu - 2022 - Completa.pdf: 1381232 bytes, checksum: 22f5f726bc3e28060a0512c33f35839a (MD5)Made available in DSpace on 2022-09-05T16:18:22Z (GMT). No. of bitstreams: 1 Dissertação - Paula da Silva Peixoto de Abreu - 2022 - Completa.pdf: 1381232 bytes, checksum: 22f5f726bc3e28060a0512c33f35839a (MD5) Previous issue date: 2022-07-04application/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em LetrasUERJBrasilCentro de Educação e Humanidades::Instituto de LetrasGrotesqueArtGrotescoArteEdgar Allan PoePoe, Edgar Allan, 1809–1849 – Crítica e interpretaçãoGrotesco na literaturaContoLINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIAA transição do grotesco das artes ornamentais à literatura de Edgar Allan PoeThe transition of the grotesque from ornamental arts to literature of Edgar Allan Poeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALDissertação - Paula da Silva Peixoto de Abreu - 2022 - Completa.pdfDissertação - Paula da Silva Peixoto de Abreu - 2022 - Completa.pdfapplication/pdf1381232http://www.bdtd.uerj.br/bitstream/1/18333/2/Disserta%C3%A7%C3%A3o+-+Paula+da+Silva+Peixoto+de+Abreu+-+2022+-+Completa.pdf22f5f726bc3e28060a0512c33f35839aMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/18333/1/license.txte5502652da718045d7fcd832b79fca29MD511/183332024-02-27 16:15:49.013oai:www.bdtd.uerj.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-27T19:15:49Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.por.fl_str_mv |
A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe |
dc.title.alternative.eng.fl_str_mv |
The transition of the grotesque from ornamental arts to literature of Edgar Allan Poe |
title |
A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe |
spellingShingle |
A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe Abreu, Paula da Silva Peixoto de Grotesque Art Grotesco Arte Edgar Allan Poe Poe, Edgar Allan, 1809–1849 – Crítica e interpretação Grotesco na literatura Conto LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
title_short |
A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe |
title_full |
A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe |
title_fullStr |
A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe |
title_full_unstemmed |
A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe |
title_sort |
A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe |
author |
Abreu, Paula da Silva Peixoto de |
author_facet |
Abreu, Paula da Silva Peixoto de paulasilvaabreu@hotmail.com |
author_role |
author |
author2 |
paulasilvaabreu@hotmail.com |
author2_role |
author |
dc.contributor.advisor1.fl_str_mv |
Werkema, Andréa Sirihal |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8821331052214802 |
dc.contributor.referee1.fl_str_mv |
Portilho, Carla de Figueiredo |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/7347815353953241 |
dc.contributor.referee2.fl_str_mv |
Nogueira, Vanessa Cianconi Vianna |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/5622089687976465 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4143254737232513 |
dc.contributor.author.fl_str_mv |
Abreu, Paula da Silva Peixoto de paulasilvaabreu@hotmail.com |
contributor_str_mv |
Werkema, Andréa Sirihal Portilho, Carla de Figueiredo Nogueira, Vanessa Cianconi Vianna |
dc.subject.eng.fl_str_mv |
Grotesque Art |
topic |
Grotesque Art Grotesco Arte Edgar Allan Poe Poe, Edgar Allan, 1809–1849 – Crítica e interpretação Grotesco na literatura Conto LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
dc.subject.por.fl_str_mv |
Grotesco Arte Edgar Allan Poe Poe, Edgar Allan, 1809–1849 – Crítica e interpretação Grotesco na literatura Conto |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
description |
This work focuses on the investigation of the different uses of the grotesque that move from the ornamental arts to the literary art of Edgar Allan Poe, in addition to investigating the hypothesis raised by Wolfgang Kayser, who describes a passage from the short story “The mask of death red”, by Edgar Allan Poe, as the most complete and precise definition that a writer has ever devoted to the word “grotesque”. The present study also intends to support the hypothesis that Edgar Allan Poe's short stories are formed through a premeditated writing that aims to generate an effect that transcends the work and affects the reader, as well as the aesthetic category of the grotesque, which causes impressions of an emotional nature on the reader, with regard to the literary work, or on the viewer of a painting, theatrical play and even in reality, as the grotesque is present everywhere. In Edgar Allan Poe's short stories, the grotesque is established through dissonant aspects such as the comic and the horror that focus on human monstrosity and usually cause sensations of astonishment, fear and laughter. In this sense, the aspects of the grotesque that are tensioned between the comic and the horror can be observed in Edgar Allan Poe's “Hop-Frog”, through an internal transition of the phenomenon that goes from Bakhtin to Kayser. To succeed in this investigation, the present work had as its theoretical basis: Victor Hugo (1827), Wolfgang Kayser (1986) and Mikhail Bakhtin (1987). |
publishDate |
2022 |
dc.date.accessioned.fl_str_mv |
2022-09-05T16:18:22Z |
dc.date.issued.fl_str_mv |
2022-07-04 |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
ABREU, Paula da Silva Peixoto. A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe. 2022. 93 f. Dissertação (Mestrado em Letras) – Instituto de Letras, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2022. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/18333 |
identifier_str_mv |
ABREU, Paula da Silva Peixoto. A transição do grotesco das artes ornamentais à literatura de Edgar Allan Poe. 2022. 93 f. Dissertação (Mestrado em Letras) – Instituto de Letras, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2022. |
url |
http://www.bdtd.uerj.br/handle/1/18333 |
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Universidade do Estado do Rio de Janeiro |
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Programa de Pós-Graduação em Letras |
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UERJ |
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Brasil |
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Centro de Educação e Humanidades::Instituto de Letras |
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Universidade do Estado do Rio de Janeiro |
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