As Bacantes de Eurípides: um olhar mítico-social de barbárie e civilização

• Autor(a) principal: Sanchez, Tatiana Bernacci
• Data de Publicação: 2012
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/6494
• topic: Bacchae; Greek Tragedy; Dionysos; Civilization; Barbarism; Euripides. As bacantes; Eurípides Crítica e interpretação; Teatro grego (Tragédia) História e crítica; Deuses gregos; Diálogos gregos; Análise crítica do discurso; As bacantes; Eurípides; Tragédia Grega; Dioniso; Civilização; Barbárie; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA

Euripides Greek tragedy Bacchae, highly praised for its relevance not only literary and theatrical, but specifically historical and political is analyzed throughout this thesis with a mythic-social idiosyncrasy, by perceiving the inter-established dialogs between the aspect of the poet's own cultural mythic past and his living epoch. Thus, presented is a research about Greek s tragedy historical moment, its intrinsic political value and theoretical discussions upon its characteristics, origins, its three most important play writers and its reception, as well as a specific examination over Euripides and his legacy. In the selected work of art we have mainly observed the relationship between the characters of Dionysos and Pentheus, as debate gauges around what is considered to be civilized, wild or barbaric. In this regard, we uphold, through the position of culture traditionally occupied by Apolo, in traditional as well opposition to Dionysos, different considerations about civilized, wild and barbaric, as well as the indissoluble connection between barbarism and civilization, concepts that can be delimited according to ruling political values. Such inseparable connection consists in the coexistence of barbaric and civilized elements, both in Dionysos as in Apolo, taken after archetypal parameters within a society