#Cartografiadogolpe / Fervo também é luta

• Autor(a) principal: Lopes, Daniel dos Santos
• Data de Publicação: 2018
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/7407
• topic: Cartography; Blow 2016; Network-Streets; Aesthetic-political tactics; Cartografias; Golpe 2016; Redes-Ruas; Memes; Táticas estético-políticas; Política na arte; Internet Aspectos políticos; Redes sociais on-line Aspectos políticos; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES

This dissertation consists of an interpretation effort of contemporary Brazil, having as analytical time the Media-Legal Coup of 2016. Of a free-associative character, the text will reflect the present moment of the Brazilian society in a meta-sensorial way from the point of view of who is shaded with the first woman president of Brazilian history. The idea of reflection here expresses the desire not to describe at the historical level a chain of political events, but to think speculatively about the course of the country since the dismissal of Dilma Rousseff, mapping the emergence (in networks and on the streets) of the extraordinary crisis that covers the country as a whole from events related to it. Intending how the use of popular tools and communication devices share a common dialog with the political process that culminated in the coup, I want to argue that the collapse of our national disintegration anticipates the possibility of a political invention, revealing the connection made between such episodes with the national crisis and the way in which they were absorbed by the popular imagination at the level of their contemporary practice. More precisely, given that they have become the subject of satirical expression on social networks, especially in the form of memes and viral on the internet, I intend to suggest that contemporary political division needs to be read in the commensurability between coup and what I call "boiling" (to encompass the popular reaction subtracted from traditional political rationality). Almost aphoristically, I will refer to some lines of interpretation that I deem critical in that they raise the possibility of seeing beyond traditional divisions, with their limits and possibilities previously known. In spite of the necessary opacity to the argument, in other words, I will imagine the common as the network of social bonding that unites in a connected way wills caused by new subjectivities and, therefore, another circuit of affections