Yriádobá da Ira à Flor: influxos artaudianos via mitodologia em arte

• Autor(a) principal: Ribeiro, Adriana Rolin Lopes Oliveira
• Data de Publicação: 2019
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/16645
• topic: Myth of Oba; Mythology in art; Artaudian inflows; Scene suling; Images of the unconscious; Mito de Obá; Mitodologia em arte; Influxos artaudianos; Suleamento da cena; Imagens do inconsciente; Arte e mitologia; Mitologia africana na arte; Imagem corporal na arte; LINGUISTICA, LETRAS E ARTES::ARTES

The present work starts from a performative writing, having the Afro-Brazilian myth Obá as support, in its complexity between war and love. The research puts Obá's myth into fiction (LYRA, 2011) with my personal history, plotting shifting crossroads of creation in a perspective of descent to the “south” of the head (FABRINI, 2013). This plot of creation takes place through Mythology in Art, concept / practice developed by Prof. Dr. Luciana Lyra (2011; 2014; 2015). The mythological proposition translates into a path that the artist seeks to glimpse in order to perfect the pluralism of the images collected in his personal and artetnographic experiences in continuous friction. This f (r) fiction artist (LYRA, 2011) models, fictions, in direct brush with the plane of the real. Also in the theater proposed by Antonin Artaud (2006) with what I call Artaudian Influxes (2019), the body without room for organs and full of affections, destroys coercions and castrations, produces new symbolic possibilities, denuded. he reacts to the force of his fragility, for it disturbs the repose of the senses. This body follows the flow of its unconscious nature, creates free gestures, and personifies the archetype through the scene as a ceremony. It is a spasmodic body that relocates its internal energies and dances inside out, remaking its spiritual myths, dangerous and unintelligible