Dom Casmurro à luz das telas: ensaios sobre recriações audiovisuais do romance machadiano

• Autor(a) principal: Santos, Bárbara da Silva
• Data de Publicação: 2020
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/16545
• topic: Comparative literature; Translation; Criticism; Dom Casmurro; Literatura comparada; Audiovisual; Tradução; Crítica; Assis, Machado de, 1839–1908 – Crítica e interpretação; Assis, Machado de, 1839–1908. Dom Casmurro; Adaptações para o cinema; Cinema e literatura; Adaptações para a televisão; Televisão e literatura; LINGUISTICA, LETRAS E ARTES::LETRAS

The present doctoral thesis, inserted in the field of Comparative Literature, proposes to carry out a study on translation – understood here as recreation –, being guided by reflections of several theorists about literature, audiovisual and, above all, about the axis where these artistic manifestations intersect. Through this prism, it seeks to shed light on three audiovisual works originated from the novel Dom Casmurro (1899), by Machado de Assis. The films Capitú (1968), by Paulo César Saraceni, Dom (2003), by Moacyr Góes, and the television show Capitu (2008), by Luiz Fernando Carvalho, are approached through three different reflections that aim to analyze them in their particularities and encompass various themes raised by these pieces. Furthermore, being aware of the different media in which they are inserted – cinema and television –, this study proposes a reading that outlines the possibilities that each creative environment presents, as well as the similarities and discrepancies between them