Articulação e codificação de sentidos no estrato imagético de histórias em quadrinhos japonesas

• Autor(a) principal: Fonseca, Rafael Schuabb Poll da
• Data de Publicação: 2013
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/6637
• topic: Enunciative basis discourse analysis; Comics; Verb-imagetic language; Imagetic stratum s discursive plans; Onomatopoeias; Análise do discurso; Histórias em quadrinhos Japão; Histórias em quadrinhos Brasil; Imagens, ilustrações, etc. como recursos de informação; Onomatopeias; Mimese; Análise do discurso de base enunciativa; Histórias em quadrinhos; Linguagem verbo-imagética; Planos discursivos do estrato imagético; CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA

This study aims at contributing to the researches about comics, more specifically those applied to the articulation and codification of meanings present in this genre. As relevant theoretic framework relevant to the enunciative basis discourse analysis, I apply in this research the concepts of global semantic, intersemiotic practices and competences, as shown in the books Gênese dos discursos (2008) and Análise de textos de comunicação (2011), written by Maingueneau, and retake the Foucault's reflection about the relationship between words and images, presented in Isto não é um cachimbo (2008). From the studies about comics I emphasize those performed by Will Eisner (2010) and Sonia Luyten (2000 and 2001), among other researchers mentioned throughout the dissertation. By these theoretic frameworks, this study proposes to investigate the materiality of the comics verb-imagetic discourse, considering as verbal referential the onomatopoeias and the mimesis contained in the selected corpus, the first issue of the first Brazilian edition of the manga Cavaleiros do Zodíaco (2000), and understand how the relationship between these elements and the discoursive plans from the imagetic stratum produces meanings to be decoded by readers. Through this analysis, I seek to highlight the need to consider the existence and the relevance of a imagetic competence in the act of reading comics, referring specifically to the decoding of the devices that produce meanings and are systematically employed in their imagetic stratum