A mulher é a tal: visões de compositores de marchinhas carnavalescas sobre as mulheres no Rio de Janeiro dos anos de 1930 e 1940

• Autor(a) principal: Ericeira, Ronald Clay dos Santos
• Data de Publicação: 2010
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/15125
• topic: Carnival music; Gender relationships; Marchinhas carnavalescas; Rio de Janeiro; Marchinha de carnaval História 1930-1940; Rio de Janeiro Carnaval História 1930-1940; Relações de gênero Aspectos sociais; CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL

This thesis weaves together the repertoire of carnival music and gender studies. Examining musical compositions of Lamartine Babo, João de de Barrio e Ari Barroso, we aim to identify social views on women in Rio de Janeiro during the years 1930 and 1940. We estimate discussions on gender relations are far from exhausted, especially when it proposes to launch a psychosocial look on this theme by analyzing the discuss of the carnival music. The work departs from the conception of the category woman as a common place and a synonym for female identity. We understand the concept of gender as a social construction with different meanings in the world. In this argument, we believe, that concomitantly to the process of production and circulation of various discourses on the social roles of men and women, the composers of carnival music inserted language carnival as another opportunity to address the issue of gender relations in the context socio-historical that we investigated. In these terms, we express the desire to insert the carnival music as a privileged place for understanding a portion of a Brazilian social thought regarding the status of being a man or woman in the country. We tried to uncover social views on women in letters of carnival music through bakhtinians reflections on psychology, which continually allowed us to establish a close relationship between the socio-historical context of Rio de Janeiro in the 1930s and 1940s and the social messages contained in the carnival music of that period.