Além dos limites: fantasmas da marginalidade em Almodóvar
Autor(a) principal: | |
---|---|
Data de Publicação: | 2020 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/16705 |
Resumo: | This research presents an analysis of the portrayal of deviance in Pedro Almodóvar’s movies, based upon the Sociology of Deviance by Goffman, Becker and Elias, reviewed through Yoshino’s covering theory. The purpose of the work is to review the movies produced by Almodóvar during the 80’s and 90’s, continuing the research project of my masters degree, in order to prove that features like “Matador” (1986), “Law of desire” (1987), “Women on the verge of a nervous breakdown” (1988), “Tie me up! Tie me down!” (1989); “High heels” (1991), “Kika” (1993), “The flower of my secret” (1995) and “Live flesh” (1997) register his commitment in the countercultural dynamics developed in Spain at the time. Almodóvar portrays deviants in his movies of the period, configuring what some critics name “aesthetics of bad taste”, in such a way that the films produced register the fight for democratic freedom after years of dictatorship. To think about Almodóvar’s cinematography from the point of view of the sociology of deviance is to reflect about the visibility of cultural minorities identities. The work of the director presents less formal innovations, as he uses classical narrative structures, even when mixing genres; but innovates when reveals deviance, from a day-by-day perspective, empowering the process of its assimilation. |
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Oliveira, Erick Felinto dehttp://lattes.cnpq.br/2018614878087334Freitas , Ricardo Ferreirahttp://lattes.cnpq.br/4330637331534162Neiva, Gabriel Chavarryhttp://lattes.cnpq.br/9635383813611759Guelman, Leonardo Caravanahttp://lattes.cnpq.br/4761661446275142Barbosa, Wallace de Deushttp://lattes.cnpq.br/7236366803550565http://lattes.cnpq.br/1806578702099590Piza, Rafael Nacif de Toledo2021-09-29T21:36:19Z2020-08-06PIZA, Rafael Nacif de Toledo. Além dos limites: fantasmas da marginalidade em Almodóvar. 2020. 300 f. Tese (Doutorado em Comunicação) – Faculdade de Comunicação Social, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2020.http://www.bdtd.uerj.br/handle/1/16705This research presents an analysis of the portrayal of deviance in Pedro Almodóvar’s movies, based upon the Sociology of Deviance by Goffman, Becker and Elias, reviewed through Yoshino’s covering theory. The purpose of the work is to review the movies produced by Almodóvar during the 80’s and 90’s, continuing the research project of my masters degree, in order to prove that features like “Matador” (1986), “Law of desire” (1987), “Women on the verge of a nervous breakdown” (1988), “Tie me up! Tie me down!” (1989); “High heels” (1991), “Kika” (1993), “The flower of my secret” (1995) and “Live flesh” (1997) register his commitment in the countercultural dynamics developed in Spain at the time. Almodóvar portrays deviants in his movies of the period, configuring what some critics name “aesthetics of bad taste”, in such a way that the films produced register the fight for democratic freedom after years of dictatorship. To think about Almodóvar’s cinematography from the point of view of the sociology of deviance is to reflect about the visibility of cultural minorities identities. The work of the director presents less formal innovations, as he uses classical narrative structures, even when mixing genres; but innovates when reveals deviance, from a day-by-day perspective, empowering the process of its assimilation.Esta tese apresenta uma análise das representações da marginalidade na obra cinematográfica de Pedro Almodóvar, com base na Sociologia do Desvio de Goffman, Becker e Elias, atualizada pela teoria de covering de Yoshino. A intenção do trabalho é problematizar a produção audiovisual de parte da carreira do diretor manchego, de forma a comprovar que os filmes “Matador” (1986), “A lei do desejo” (1987), “Mulheres à beira de um ataque de nervos” (1988), “Ata-me” (1989); “De salto alto” (1991), “Kika” (1993), “A flor do meu segredo” (1995) e “Carne Trêmula” (1997) documentam seu engajamento na dinâmica contracultural desenvolvida na Espanha da época. Almodóvar representa a marginalidade em seus filmes do período, configurando o que alguns críticos denominam como “estética do mau gosto”, de tal forma que as obras produzidas registram a luta pela liberdade democrática após anos de regime ditatorial. Pensar na cinematografia de Almodóvar a partir do ponto de vista da sociologia do desvio é refletir sobre as políticas de visibilidade de identidades culturais minoritárias. O trabalho do diretor apresenta menos inovações formais, pois parte de estruturas narrativas clássicas, mesmo quando mistura os gêneros; mas inova quando revela a marginalidade, cotidianiza-a, potencializando o processo de sua assimilação.Submitted by Bianca CEH/A (bianca.silveira@uerj.br) on 2021-09-29T21:36:19Z No. of bitstreams: 2 Tese - Rafael Nacif de Toledo Piza - 2020 - Completa.pdf: 1955916 bytes, checksum: 30082ef8552bb7eb8492a50bbd7b4163 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2021-09-29T21:36:19Z (GMT). No. of bitstreams: 2 Tese - Rafael Nacif de Toledo Piza - 2020 - Completa.pdf: 1955916 bytes, checksum: 30082ef8552bb7eb8492a50bbd7b4163 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2020-08-06application/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em ComunicaçãoUERJBrasilCentro de Educação e Humanidades::Faculdade de Comunicação Socialhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessSpanish cinemaDevianceCountercultureCinema espanholPedro AlmodóvarMarginalidadeContraculturaCIENCIAS SOCIAIS APLICADAS::COMUNICACAOAlém dos limites: fantasmas da marginalidade em Almodóvarinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALTese - Rafael Nacif de Toledo Piza - 2020 - Completa.pdfTese - Rafael Nacif de Toledo Piza - 2020 - Completa.pdfapplication/pdf1955916http://www.bdtd.uerj.br/bitstream/1/16705/5/Tese+-+Rafael+Nacif+de+Toledo+Piza+-+2020+-+Completa.pdf30082ef8552bb7eb8492a50bbd7b4163MD55CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://www.bdtd.uerj.br/bitstream/1/16705/2/license_url4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-80http://www.bdtd.uerj.br/bitstream/1/16705/3/license_textd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://www.bdtd.uerj.br/bitstream/1/16705/4/license_rdfd41d8cd98f00b204e9800998ecf8427eMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/16705/1/license.txte5502652da718045d7fcd832b79fca29MD511/167052024-02-26 16:49:05.97oai:www.bdtd.uerj.br:1/16705Tk9UQTogTElDRU7Dh0EgUkVERSBTSVJJVVMKRXN0YSBsaWNlbsOnYSBkZSBleGVtcGxvIMOpIGZvcm5lY2lkYSBhcGVuYXMgcGFyYSBmaW5zIGluZm9ybWF0aXZvcy4KCkxJQ0VOw4dBIERFIERJU1RSSUJVScOHw4NPIE7Dg08tRVhDTFVTSVZBCgpDb20gYSBhcHJlc2VudGHDp8OjbyBkZXN0YSBsaWNlbsOnYSwgdm9jw6ogKG8gYXV0b3IgKGVzKSBvdSBvIHRpdHVsYXIgZG9zIGRpcmVpdG9zIGRlIGF1dG9yKSBjb25jZWRlIMOgIFVuaXZlcnNpZGFkZSAKZG8gRXN0YWRvIGRvIFJpbyBkZSBKYW5laXJvIChVRVJKKSBvIGRpcmVpdG8gbsOjby1leGNsdXNpdm8gZGUgcmVwcm9kdXppciwgIHRyYWR1emlyIChjb25mb3JtZSBkZWZpbmlkbyBhYmFpeG8pLCBlL291IApkaXN0cmlidWlyIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAoaW5jbHVpbmRvIG8gcmVzdW1vKSBwb3IgdG9kbyBvIG11bmRvIG5vIGZvcm1hdG8gaW1wcmVzc28gZSBlbGV0csO0bmljbyBlIAplbSBxdWFscXVlciBtZWlvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFVFUkogcG9kZSwgc2VtIGFsdGVyYXIgbyBjb250ZcO6ZG8sIHRyYW5zcG9yIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAKcGFyYSBxdWFscXVlciBtZWlvIG91IGZvcm1hdG8gcGFyYSBmaW5zIGRlIHByZXNlcnZhw6fDo28uCgpWb2PDqiB0YW1iw6ltIGNvbmNvcmRhIHF1ZSBhIFVFUkogcG9kZSBtYW50ZXIgbWFpcyBkZSB1bWEgY8OzcGlhIGEgc3VhIHRlc2Ugb3UgCmRpc3NlcnRhw6fDo28gcGFyYSBmaW5zIGRlIHNlZ3VyYW7Dp2EsIGJhY2stdXAgZSBwcmVzZXJ2YcOnw6NvLgoKVm9jw6ogZGVjbGFyYSBxdWUgYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIMOpIG9yaWdpbmFsIGUgcXVlIHZvY8OqIHRlbSBvIHBvZGVyIGRlIGNvbmNlZGVyIG9zIGRpcmVpdG9zIGNvbnRpZG9zIApuZXN0YSBsaWNlbsOnYS4gVm9jw6ogdGFtYsOpbSBkZWNsYXJhIHF1ZSBvIGRlcMOzc2l0byBkYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIG7Do28sIHF1ZSBzZWphIGRlIHNldSAKY29uaGVjaW1lbnRvLCBpbmZyaW5nZSBkaXJlaXRvcyBhdXRvcmFpcyBkZSBuaW5ndcOpbS4KCkNhc28gYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIGNvbnRlbmhhIG1hdGVyaWFsIHF1ZSB2b2PDqiBuw6NvIHBvc3N1aSBhIHRpdHVsYXJpZGFkZSBkb3MgZGlyZWl0b3MgYXV0b3JhaXMsIHZvY8OqIApkZWNsYXJhIHF1ZSBvYnRldmUgYSBwZXJtaXNzw6NvIGlycmVzdHJpdGEgZG8gZGV0ZW50b3IgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIHBhcmEgY29uY2VkZXIgw6AgVUVSSiBvcyBkaXJlaXRvcyBhcHJlc2VudGFkb3MgbmVzdGEgbGljZW7Dp2EsIGUgcXVlIGVzc2UgbWF0ZXJpYWwgZGUgcHJvcHJpZWRhZGUgZGUgdGVyY2Vpcm9zIGVzdMOhIGNsYXJhbWVudGUgCmlkZW50aWZpY2FkbyBlIHJlY29uaGVjaWRvIG5vIHRleHRvIG91IG5vIGNvbnRlw7pkbyBkYSB0ZXNlIG91IGRpc3NlcnRhw6fDo28gb3JhIGRlcG9zaXRhZGEuCgpDQVNPIEEgVEVTRSBPVSBESVNTRVJUQcOHw4NPIE9SQSBERVBPU0lUQURBIFRFTkhBIFNJRE8gUkVTVUxUQURPIERFIFVNIFBBVFJPQ8ONTklPIE9VIApBUE9JTyBERSBVTUEgQUfDik5DSUEgREUgRk9NRU5UTyBPVSBPVVRSTyBPUkdBTklTTU8gUVVFIE7Dg08gU0VKQSBFU1RBClVOSVZFUlNJREFERSwgVk9Dw4ogREVDTEFSQSBRVUUgUkVTUEVJVE9VIFRPRE9TIEUgUVVBSVNRVUVSIERJUkVJVE9TIERFIFJFVklTw4NPIENPTU8gClRBTULDiU0gQVMgREVNQUlTIE9CUklHQcOHw5VFUyBFWElHSURBUyBQT1IgQ09OVFJBVE8gT1UgQUNPUkRPLgoKQSBVbml2ZXJzaWRhZGUgZG8gRXN0YWRvIGRvIFJpbyBkZSBKYW5laXJvIChVRVJKKSBzZSBjb21wcm9tZXRlIGEgaWRlbnRpZmljYXIgY2xhcmFtZW50ZSBvIHNldSBub21lIChzKSBvdSBvKHMpIG5vbWUocykgZG8ocykgCmRldGVudG9yKGVzKSBkb3MgZGlyZWl0b3MgYXV0b3JhaXMgZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvLCBlIG7Do28gZmFyw6EgcXVhbHF1ZXIgYWx0ZXJhw6fDo28sIGFsw6ltIGRhcXVlbGFzIApjb25jZWRpZGFzIHBvciBlc3RhIGxpY2Vuw6dhLgo=Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-26T19:49:05Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.por.fl_str_mv |
Além dos limites: fantasmas da marginalidade em Almodóvar |
title |
Além dos limites: fantasmas da marginalidade em Almodóvar |
spellingShingle |
Além dos limites: fantasmas da marginalidade em Almodóvar Piza, Rafael Nacif de Toledo Spanish cinema Deviance Counterculture Cinema espanhol Pedro Almodóvar Marginalidade Contracultura CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
Além dos limites: fantasmas da marginalidade em Almodóvar |
title_full |
Além dos limites: fantasmas da marginalidade em Almodóvar |
title_fullStr |
Além dos limites: fantasmas da marginalidade em Almodóvar |
title_full_unstemmed |
Além dos limites: fantasmas da marginalidade em Almodóvar |
title_sort |
Além dos limites: fantasmas da marginalidade em Almodóvar |
author |
Piza, Rafael Nacif de Toledo |
author_facet |
Piza, Rafael Nacif de Toledo |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Oliveira, Erick Felinto de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2018614878087334 |
dc.contributor.advisor-co1.fl_str_mv |
Freitas , Ricardo Ferreira |
dc.contributor.advisor-co1Lattes.fl_str_mv |
http://lattes.cnpq.br/4330637331534162 |
dc.contributor.referee1.fl_str_mv |
Neiva, Gabriel Chavarry |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/9635383813611759 |
dc.contributor.referee2.fl_str_mv |
Guelman, Leonardo Caravana |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/4761661446275142 |
dc.contributor.referee3.fl_str_mv |
Barbosa, Wallace de Deus |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/7236366803550565 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1806578702099590 |
dc.contributor.author.fl_str_mv |
Piza, Rafael Nacif de Toledo |
contributor_str_mv |
Oliveira, Erick Felinto de Freitas , Ricardo Ferreira Neiva, Gabriel Chavarry Guelman, Leonardo Caravana Barbosa, Wallace de Deus |
dc.subject.eng.fl_str_mv |
Spanish cinema Deviance Counterculture |
topic |
Spanish cinema Deviance Counterculture Cinema espanhol Pedro Almodóvar Marginalidade Contracultura CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.por.fl_str_mv |
Cinema espanhol Pedro Almodóvar Marginalidade Contracultura |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
This research presents an analysis of the portrayal of deviance in Pedro Almodóvar’s movies, based upon the Sociology of Deviance by Goffman, Becker and Elias, reviewed through Yoshino’s covering theory. The purpose of the work is to review the movies produced by Almodóvar during the 80’s and 90’s, continuing the research project of my masters degree, in order to prove that features like “Matador” (1986), “Law of desire” (1987), “Women on the verge of a nervous breakdown” (1988), “Tie me up! Tie me down!” (1989); “High heels” (1991), “Kika” (1993), “The flower of my secret” (1995) and “Live flesh” (1997) register his commitment in the countercultural dynamics developed in Spain at the time. Almodóvar portrays deviants in his movies of the period, configuring what some critics name “aesthetics of bad taste”, in such a way that the films produced register the fight for democratic freedom after years of dictatorship. To think about Almodóvar’s cinematography from the point of view of the sociology of deviance is to reflect about the visibility of cultural minorities identities. The work of the director presents less formal innovations, as he uses classical narrative structures, even when mixing genres; but innovates when reveals deviance, from a day-by-day perspective, empowering the process of its assimilation. |
publishDate |
2020 |
dc.date.issued.fl_str_mv |
2020-08-06 |
dc.date.accessioned.fl_str_mv |
2021-09-29T21:36:19Z |
dc.type.status.fl_str_mv |
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dc.identifier.citation.fl_str_mv |
PIZA, Rafael Nacif de Toledo. Além dos limites: fantasmas da marginalidade em Almodóvar. 2020. 300 f. Tese (Doutorado em Comunicação) – Faculdade de Comunicação Social, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2020. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/16705 |
identifier_str_mv |
PIZA, Rafael Nacif de Toledo. Além dos limites: fantasmas da marginalidade em Almodóvar. 2020. 300 f. Tese (Doutorado em Comunicação) – Faculdade de Comunicação Social, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2020. |
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http://www.bdtd.uerj.br/handle/1/16705 |
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por |
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por |
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Universidade do Estado do Rio de Janeiro |
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