Os tempos do projeto: Design como processo dinâmico

Detalhes bibliográficos
Autor(a) principal: Baraco, Marcio Rocha Pereira da Silva
Data de Publicação: 2021
Outros Autores: marciorps@gmail.com
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
Texto Completo: http://www.bdtd.uerj.br/handle/1/17043
Resumo: Understanding design usually follows the shapes of products, taken by themselves. An alternative way would follow the relations between design and other stakeholders, and also between design and society as a whole. In this analysis, intentionality becomes crucial for designing, which in turn suggests products obey voluntary actualization instead of necessary actualization. That is, the results of designing should not be considered as inevitable consequences of well-defined causes, but as possibilities of action, or potentiality. It is assumed that design enhances the potential of products, but this happens in two ways: either converging towards an optimum, or diverging to encompass more options. Convergence tends to make use of necessary causes, so as to get stability and predictability. Divergence focuses more on the values that drive the project, thus requiring meaningfulness rather than predictability. Therefore, these two strategies give rise to two ‘cognitive styles’ in design: static thinking and dynamic thinking. Analyzing forms in themselves tends to hide the changes they go through, which in turn produces static ways of thinking. Analyzing the intentionality of projects reveals shapes to be dependent on values that are always changing, which produces dynamic ways of thinking. From a static perspective, design seems to exist outside of time, creating shapes that are perfect of timeless. But from a dynamic perspective, design is always connected to the moment in time where it is made. Both ways of thinking can be complementary, but static thinking is often adopted thoughtlessly, as a kind of assumption. Therefore we propose to view design from a dynamic perspective, engaging with the changes that are part of the design process, taking time as a lens to better understand design.
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spelling Leite, João de Souzahttp://lattes.cnpq.br/5665511188595739Portugal, Daniel Bittencourthttp://lattes.cnpq.br/0196363528063237Santos, Felipe Kaizerhttp://lattes.cnpq.br/2422427122106953http://lattes.cnpq.br/9851920077967480Baraco, Marcio Rocha Pereira da Silvamarciorps@gmail.com2022-01-03T14:35:55Z2021-09-30BARACO, Marcio Rocha Pereira da Silva. Os tempos do projeto: Design como processo dinâmico. 2021. 140 f. Dissertação (Mestrado em Design) - Escola Superior de Desenho Industrial, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2021.http://www.bdtd.uerj.br/handle/1/17043Understanding design usually follows the shapes of products, taken by themselves. An alternative way would follow the relations between design and other stakeholders, and also between design and society as a whole. In this analysis, intentionality becomes crucial for designing, which in turn suggests products obey voluntary actualization instead of necessary actualization. That is, the results of designing should not be considered as inevitable consequences of well-defined causes, but as possibilities of action, or potentiality. It is assumed that design enhances the potential of products, but this happens in two ways: either converging towards an optimum, or diverging to encompass more options. Convergence tends to make use of necessary causes, so as to get stability and predictability. Divergence focuses more on the values that drive the project, thus requiring meaningfulness rather than predictability. Therefore, these two strategies give rise to two ‘cognitive styles’ in design: static thinking and dynamic thinking. Analyzing forms in themselves tends to hide the changes they go through, which in turn produces static ways of thinking. Analyzing the intentionality of projects reveals shapes to be dependent on values that are always changing, which produces dynamic ways of thinking. From a static perspective, design seems to exist outside of time, creating shapes that are perfect of timeless. But from a dynamic perspective, design is always connected to the moment in time where it is made. Both ways of thinking can be complementary, but static thinking is often adopted thoughtlessly, as a kind of assumption. Therefore we propose to view design from a dynamic perspective, engaging with the changes that are part of the design process, taking time as a lens to better understand design.Em geral o design é pensado a partir das formas, consideradas em si mesmas, mas alternativamente é possível partir das relações entre o design e outros agentes ou, numa escala mais ampla, entre o design e a sociedade. Essa análise revela a importância crucial da intencionalidade dos projetos, e portanto localiza o design dentro dos regimes de atualização por vontade, em oposição à atualização por necessidade. Ou seja, o resultado dos projetos não deve ser compreendido como uma série de consequências inevitáveis de causas bem definidas, mas como possibilidades de ação, ou potencialidades. Entende-se que o projeto visa aumentar o potencial dos produtos, porém isso pode ser pensado de duas maneiras: ou como convergência em direção a um ótimo, ou como divergência que aumenta a abrangência. A convergência tende a se apoiar em causas necessárias, que permitem mais estabilidade e previsibilidade. A divergência prioriza os valores que motivam o projeto, enfatizando a relevância mais que a previsibilidade. Assim, essas estratégias constituem dois modos de pensar no design, de um lado o pensamento estático, do outro o pensamento dinâmico. Considerando as formas em si mesmas, em separado, obscurecem-se as transformações sofridas por elas, e isso tende a produzir um pensamento estático. Considerando a intencionalidade dos projetos, revelam-se as relações das formas com valores em constante transformação, e portanto isso tende a produzir um pensamento dinâmico. A partir do pensamento estático, o projeto é compreendido como se estivesse fora do tempo, criando formas perfeitas ou atemporais, ao passo que o pensamento dinâmico localiza o projeto dentro do momento em que ele é realizado. Os dois pensamentos podem ser complementares, porém o pensamento estático é muitas vezes adotado irrefletidamente, como um pressuposto. Propõe-se então uma reinterpretação do design a partir de uma perspectiva dinâmica, que se engaja com as mudanças intrínsecas ao processo de projeto, utilizando o tempo como um instrumento conceitual para compreender o projeto.Submitted by Marianna CTC/G (marianna.uerj@gmail.com) on 2022-01-03T14:35:55Z No. of bitstreams: 1 Dissertação - Marcio Rocha Pereira da Silva Baraco - 2021 - Completa.pdf: 2431158 bytes, checksum: c61df7a68f2faba08725305083709bed (MD5)Made available in DSpace on 2022-01-03T14:35:55Z (GMT). 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dc.title.por.fl_str_mv Os tempos do projeto: Design como processo dinâmico
dc.title.alternative.eng.fl_str_mv The time of projects: Designing as a dynamic process
title Os tempos do projeto: Design como processo dinâmico
spellingShingle Os tempos do projeto: Design como processo dinâmico
Baraco, Marcio Rocha Pereira da Silva
Product design
Design - Methodology
Cognition
Thought
Projeto de produto
Design - Metodologia
Cognição
Pensamento
CIENCIAS SOCIAIS APLICADAS::DESENHO INDUSTRIAL
title_short Os tempos do projeto: Design como processo dinâmico
title_full Os tempos do projeto: Design como processo dinâmico
title_fullStr Os tempos do projeto: Design como processo dinâmico
title_full_unstemmed Os tempos do projeto: Design como processo dinâmico
title_sort Os tempos do projeto: Design como processo dinâmico
author Baraco, Marcio Rocha Pereira da Silva
author_facet Baraco, Marcio Rocha Pereira da Silva
marciorps@gmail.com
author_role author
author2 marciorps@gmail.com
author2_role author
dc.contributor.advisor1.fl_str_mv Leite, João de Souza
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/5665511188595739
dc.contributor.referee1.fl_str_mv Portugal, Daniel Bittencourt
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/0196363528063237
dc.contributor.referee2.fl_str_mv Santos, Felipe Kaizer
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/2422427122106953
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9851920077967480
dc.contributor.author.fl_str_mv Baraco, Marcio Rocha Pereira da Silva
marciorps@gmail.com
contributor_str_mv Leite, João de Souza
Portugal, Daniel Bittencourt
Santos, Felipe Kaizer
dc.subject.eng.fl_str_mv Product design
Design - Methodology
Cognition
Thought
topic Product design
Design - Methodology
Cognition
Thought
Projeto de produto
Design - Metodologia
Cognição
Pensamento
CIENCIAS SOCIAIS APLICADAS::DESENHO INDUSTRIAL
dc.subject.por.fl_str_mv Projeto de produto
Design - Metodologia
Cognição
Pensamento
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS::DESENHO INDUSTRIAL
description Understanding design usually follows the shapes of products, taken by themselves. An alternative way would follow the relations between design and other stakeholders, and also between design and society as a whole. In this analysis, intentionality becomes crucial for designing, which in turn suggests products obey voluntary actualization instead of necessary actualization. That is, the results of designing should not be considered as inevitable consequences of well-defined causes, but as possibilities of action, or potentiality. It is assumed that design enhances the potential of products, but this happens in two ways: either converging towards an optimum, or diverging to encompass more options. Convergence tends to make use of necessary causes, so as to get stability and predictability. Divergence focuses more on the values that drive the project, thus requiring meaningfulness rather than predictability. Therefore, these two strategies give rise to two ‘cognitive styles’ in design: static thinking and dynamic thinking. Analyzing forms in themselves tends to hide the changes they go through, which in turn produces static ways of thinking. Analyzing the intentionality of projects reveals shapes to be dependent on values that are always changing, which produces dynamic ways of thinking. From a static perspective, design seems to exist outside of time, creating shapes that are perfect of timeless. But from a dynamic perspective, design is always connected to the moment in time where it is made. Both ways of thinking can be complementary, but static thinking is often adopted thoughtlessly, as a kind of assumption. Therefore we propose to view design from a dynamic perspective, engaging with the changes that are part of the design process, taking time as a lens to better understand design.
publishDate 2021
dc.date.issued.fl_str_mv 2021-09-30
dc.date.accessioned.fl_str_mv 2022-01-03T14:35:55Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv BARACO, Marcio Rocha Pereira da Silva. Os tempos do projeto: Design como processo dinâmico. 2021. 140 f. Dissertação (Mestrado em Design) - Escola Superior de Desenho Industrial, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2021.
dc.identifier.uri.fl_str_mv http://www.bdtd.uerj.br/handle/1/17043
identifier_str_mv BARACO, Marcio Rocha Pereira da Silva. Os tempos do projeto: Design como processo dinâmico. 2021. 140 f. Dissertação (Mestrado em Design) - Escola Superior de Desenho Industrial, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2021.
url http://www.bdtd.uerj.br/handle/1/17043
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Design
dc.publisher.initials.fl_str_mv UERJ
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Centro de Tecnologia e Ciências::Escola Superior de Desenho Industrial
publisher.none.fl_str_mv Universidade do Estado do Rio de Janeiro
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações da UERJ
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