Criação: instinto de morte e futuro

• Autor(a) principal: Teixeira, Diogo
• Data de Publicação: 2022
• Outros Autores: [e-mail]
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/19193
• topic: Creation; Time; Death; Unconscious; Repetition; New; Sadism; Masochism; Criação; Tempo; Morte; Inconsciente; Repetição; Novo; Sadismo; Masoquismo; CIENCIAS HUMANAS::FILOSOFIA; CIENCIAS HUMANAS::FILOSOFIA::HISTORIA DA FILOSOFIA

This dissertation starts from the premise that every creative act is, at its limit, the constitution of space-time blocks, a statement explained by Gilles Deleuze in the text “The act of creation” from 1987. ,We traced the Deleuzian production on the relationship between time and creation, a landmark initiated by the syntheses of repetition, specifically, on the relationship between the new and the future (third synthesis of time). The objective of the dissertation is to affirm that all creation of the new is a temporal element, associated with the future and death (Tânatos), together with life. Regarding the creation of the new in the face of the future, we touch on the relationship of a new transcendental principle, Thanatos (death), as the annulment of the ego's form (I) and the explanation of the difference, in the extension. For the development of the work, we used interlocutors from the field of psychoanalysis (Sigmund Freud and Jacques Lacan), as well as from philosophy (David Hume, Henri Bergson, Pierre Klossowski and Friedrich Nietzsche), in the proposal of time, illustrated by the figure of circles until the decentering of the even envisioned in the future. First, we will present the conceptualization of the fields (science, art and philosophy) in relation to the present time in “What is philosophy?”, by Gilles Deleuze. Subsequently, we present the three pillars present in Deleuze's constitution on time: the founding (the present), the foundation (the past) and the insufficiency of the future. In the second moment, we will associate the two principles of the unconscious psyche that operated in the human being, pleasure and death, present in the production of Freudian psychoanalysis, to sadism and masochism. Finally, at the moment of conclusion of the dissertation, we will present, in the relation of the third synthesis of time, the future as the mechanism of the Nietzschean eternal return - moment of elimination of the identical in the production of the new, and death as the demonstration of the difference in the regime of space.