O gótico nas novelas de Lúcio Cardoso
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/16990 |
Resumo: | This research aims to investigate the presence of typical narrative elements of Gothic literature — such as the return of the past, the locus horribilis and the monstrous character —in Lúcio Cardoso’s novellas. The thesis hypothesis is that the author made extensive use of typical procedures of Gothic in his fictional production. We intended, therefore, to identify and describe the presence of such elements in the Cardosianwork, many of which have already been recognized, but in an unsystematic way, by the Brazilian literary studies. As a secondary objective, we will undertake an investigation on how the Gothic was perceived, described and named by the journalistic critic of the twentieth century and by academic researchers, as well as an inquire on why there are few works on this poetics in Lúcio Cardoso. As a theoretical basis for the definition of the concept of Gothic, we will start from the works of David Punter (1996), Fred Botting (1996), David Stevens (2000) and Júlio França (2015). Likewise, the studies by the following Lúcio Cardoso scholars will be equally enlightening: Mario Carelli (1988), Fernando Monteiro de Barros (2004) and Cássia dos Santos (2008) |
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Pereira, Júlio César Françahttp://lattes.cnpq.br/8257781857185110Souza, Nabil Araújo dehttp://lattes.cnpq.br/0079823691140066Menon, Maurício Cesarhttp://lattes.cnpq.br/0277021640443026Zanini, Claudio Vesciahttp://lattes.cnpq.br/9472841676415837Cardoso, André Cabral de Almeidahttp://lattes.cnpq.br/5519234534029741http://lattes.cnpq.br/6039057171660414Sena, Marina Fariamarinafsena@gmail.com2021-12-08T17:02:44Z2021-05-28SENA, Marina Faria. O Gótico nas novelas de Lúcio Cardoso. 2021. 151 f. Tese (Doutorado em Letras) – Instituto de Letras, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2021.http://www.bdtd.uerj.br/handle/1/16990This research aims to investigate the presence of typical narrative elements of Gothic literature — such as the return of the past, the locus horribilis and the monstrous character —in Lúcio Cardoso’s novellas. The thesis hypothesis is that the author made extensive use of typical procedures of Gothic in his fictional production. We intended, therefore, to identify and describe the presence of such elements in the Cardosianwork, many of which have already been recognized, but in an unsystematic way, by the Brazilian literary studies. As a secondary objective, we will undertake an investigation on how the Gothic was perceived, described and named by the journalistic critic of the twentieth century and by academic researchers, as well as an inquire on why there are few works on this poetics in Lúcio Cardoso. As a theoretical basis for the definition of the concept of Gothic, we will start from the works of David Punter (1996), Fred Botting (1996), David Stevens (2000) and Júlio França (2015). Likewise, the studies by the following Lúcio Cardoso scholars will be equally enlightening: Mario Carelli (1988), Fernando Monteiro de Barros (2004) and Cássia dos Santos (2008)Esta pesquisa tem como objetivo investigar a presença de elementos narrativos característicos da literatura gótica — como o retorno do passado, o locushorribilis e a personagem monstruosa — na produção novelesca de Lúcio Cardoso. A hipótese de trabalho é de que o autor utilizouamplamente de procedimentos característicos do Gótico em suas obras ficcionais. Pretende-se, assim, identificar e descrever tais elementos presentes na obra cardosiana, muitos dos quais já foram reconhecidos, mas de modo assistemático, pelos estudos literários brasileiros. Como objetivo secundário, será empreendida uma investigação sobre como o Gótico foi percebido, descrito e nomeado pela crítica jornalística do Novecentos e pelos pesquisadores acadêmicos, e sobre o porquê de existirem escassos trabalhos sobre essa poética em Lúcio Cardoso. Como fundamento teórico para a definição do conceito de Gótico, partirei dos trabalhos de David Punter (1996), Fred Botting (1996), David Stevens (2000) e Júlio França (2015). Do mesmo modo, os seguintes estudiosos de Lúcio Cardoso serão igualmente esclarecedores: Mario Carelli (1988), Fernando Monteiro de Barros (2004) e Cássia dos Santos (2008)Submitted by Eliana CEH/B (liliprata2000@gmail.com) on 2021-12-08T17:02:44Z No. of bitstreams: 1 Tese - Marina Faria Sena - 2021 - Completa.pdf: 1291563 bytes, checksum: 9aeb911394ef11a9f0c5c7e91228c543 (MD5)Made available in DSpace on 2021-12-08T17:02:44Z (GMT). No. of bitstreams: 1 Tese - Marina Faria Sena - 2021 - Completa.pdf: 1291563 bytes, checksum: 9aeb911394ef11a9f0c5c7e91228c543 (MD5) Previous issue date: 2021-05-28Fundação Carlos Chagas Filho de Amparo à Pesquisa do Estado do Rio de Janeiro - FAPERJapplication/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em LetrasUERJBrasilCentro de Educação e Humanidades::Instituto de LetrasGothic literatureBrazilian literatureLiteratura góticaLiteratura brasileiraLúcio CardosoCardoso, Lúcio, 1912-1968 – Crítica e interpretaçãoFicção gótica (Gênero literário)LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIAO gótico nas novelas de Lúcio CardosoGothic in Lúcio Cardoso’s novellasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALTese - Marina Faria Sena - 2021 - Completa.pdfTese - Marina Faria Sena - 2021 - Completa.pdfapplication/pdf1291563http://www.bdtd.uerj.br/bitstream/1/16990/2/Tese+-+Marina+Faria+Sena+-+2021+-+Completa.pdf9aeb911394ef11a9f0c5c7e91228c543MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/16990/1/license.txte5502652da718045d7fcd832b79fca29MD511/169902024-02-27 16:15:47.484oai:www.bdtd.uerj.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-27T19:15:47Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.por.fl_str_mv |
O gótico nas novelas de Lúcio Cardoso |
dc.title.alternative.eng.fl_str_mv |
Gothic in Lúcio Cardoso’s novellas |
title |
O gótico nas novelas de Lúcio Cardoso |
spellingShingle |
O gótico nas novelas de Lúcio Cardoso Sena, Marina Faria Gothic literature Brazilian literature Literatura gótica Literatura brasileira Lúcio Cardoso Cardoso, Lúcio, 1912-1968 – Crítica e interpretação Ficção gótica (Gênero literário) LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
title_short |
O gótico nas novelas de Lúcio Cardoso |
title_full |
O gótico nas novelas de Lúcio Cardoso |
title_fullStr |
O gótico nas novelas de Lúcio Cardoso |
title_full_unstemmed |
O gótico nas novelas de Lúcio Cardoso |
title_sort |
O gótico nas novelas de Lúcio Cardoso |
author |
Sena, Marina Faria |
author_facet |
Sena, Marina Faria marinafsena@gmail.com |
author_role |
author |
author2 |
marinafsena@gmail.com |
author2_role |
author |
dc.contributor.advisor1.fl_str_mv |
Pereira, Júlio César França |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8257781857185110 |
dc.contributor.referee1.fl_str_mv |
Souza, Nabil Araújo de |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/0079823691140066 |
dc.contributor.referee2.fl_str_mv |
Menon, Maurício Cesar |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/0277021640443026 |
dc.contributor.referee3.fl_str_mv |
Zanini, Claudio Vescia |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/9472841676415837 |
dc.contributor.referee4.fl_str_mv |
Cardoso, André Cabral de Almeida |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/5519234534029741 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6039057171660414 |
dc.contributor.author.fl_str_mv |
Sena, Marina Faria marinafsena@gmail.com |
contributor_str_mv |
Pereira, Júlio César França Souza, Nabil Araújo de Menon, Maurício Cesar Zanini, Claudio Vescia Cardoso, André Cabral de Almeida |
dc.subject.eng.fl_str_mv |
Gothic literature Brazilian literature |
topic |
Gothic literature Brazilian literature Literatura gótica Literatura brasileira Lúcio Cardoso Cardoso, Lúcio, 1912-1968 – Crítica e interpretação Ficção gótica (Gênero literário) LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
dc.subject.por.fl_str_mv |
Literatura gótica Literatura brasileira Lúcio Cardoso Cardoso, Lúcio, 1912-1968 – Crítica e interpretação Ficção gótica (Gênero literário) |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
description |
This research aims to investigate the presence of typical narrative elements of Gothic literature — such as the return of the past, the locus horribilis and the monstrous character —in Lúcio Cardoso’s novellas. The thesis hypothesis is that the author made extensive use of typical procedures of Gothic in his fictional production. We intended, therefore, to identify and describe the presence of such elements in the Cardosianwork, many of which have already been recognized, but in an unsystematic way, by the Brazilian literary studies. As a secondary objective, we will undertake an investigation on how the Gothic was perceived, described and named by the journalistic critic of the twentieth century and by academic researchers, as well as an inquire on why there are few works on this poetics in Lúcio Cardoso. As a theoretical basis for the definition of the concept of Gothic, we will start from the works of David Punter (1996), Fred Botting (1996), David Stevens (2000) and Júlio França (2015). Likewise, the studies by the following Lúcio Cardoso scholars will be equally enlightening: Mario Carelli (1988), Fernando Monteiro de Barros (2004) and Cássia dos Santos (2008) |
publishDate |
2021 |
dc.date.accessioned.fl_str_mv |
2021-12-08T17:02:44Z |
dc.date.issued.fl_str_mv |
2021-05-28 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SENA, Marina Faria. O Gótico nas novelas de Lúcio Cardoso. 2021. 151 f. Tese (Doutorado em Letras) – Instituto de Letras, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2021. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/16990 |
identifier_str_mv |
SENA, Marina Faria. O Gótico nas novelas de Lúcio Cardoso. 2021. 151 f. Tese (Doutorado em Letras) – Instituto de Letras, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2021. |
url |
http://www.bdtd.uerj.br/handle/1/16990 |
dc.language.iso.fl_str_mv |
por |
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por |
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openAccess |
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Universidade do Estado do Rio de Janeiro |
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Programa de Pós-Graduação em Letras |
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UERJ |
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Brasil |
dc.publisher.department.fl_str_mv |
Centro de Educação e Humanidades::Instituto de Letras |
publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
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