Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/19410 |
Resumo: | The research aims to investigate how samba-enredo from Rio discursively apprehends, from 1980 to 2023, the procedural device of promise or normative expectation of the legal narrative. I start from the hypothesis that samba understands this phenomenon in temporalities and processivities that are different from those of legal discourse. While law is anchored on the pretension of containing social contradictions, from the discursive neutralization of conflicts and the launching of a kind of “normative solution” for the future, the creative process of carnival bases the very foundations of its narrative enunciation in the contradictions of the present. I do not intend to proceed to a dichotomous analysis, but rather to pay attention to the plural social materiality involved. Another important precaution concerns the effort of not subordinating art or taking it as a kind of escape from reality, or even as an instrument to the so-called legal analysis. In this sense, the introduction is dedicated to a methodological approach that covers both the precautions that guide the study in the approximation between law and art, and the aspects more directly linked to the organization of the research: problem, hypothesis, concepts, delimitations, sources, and structuring of the text. The first chapter focuses on the relations between law (in its expanded connotation), the disputes in the formulation of meanings about social phenomena, and the key element of contradiction. It is divided into two parts: (i) the apprehensions of the construction of legal meanings and social discourses from the perspective of dialectical historical materialism; (ii) the fundamentals and developments of the conception of contradiction, whether in its condition of presupposition of thought, in its understanding in Gramsci’s work, or in the relations between social contradiction and law. The second chapter deepens the debate on discourse, culture and samba-enredo. It goes through an investigation on the notion of discourse in Bakhtin and Volóchinov, the imbrications between culture and political action in Gramsci, the historical and social trajectory of samba schools (permeated by social contradictions), and an approximation between law and samba discourse. The third and fourth chapters start from the more direct contribution of the empirical material, which consists in the sources related to the carnival enunciation (such as samba lyrics and photographic, audiovisual, and phonographic records of carnivals), as well as in the so-called legal documents about related historical processes (such as justifications to bills, pronouncements of public agents, among others). The fifth and last chapter intends to recover the connections between the previous ones, by proposing to reflect on the relations between the discourses of samba-enredo and the law from a non-dichotomous perspective. This chapter proposes a dialogue with the multiple meanings of contradiction that were unveiled throughout the dissertation (and that even surpass the meaning outlined in the initial delimitation of the research hypothesis): (i) contradiction as the condition of creative process; (ii) apprehensions of contradiction by samba and legal discourse; (iii) contradiction in its relations with the problematic of social inequality and capitalist sociability. |
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Cunha, José Ricardo Ferreirahttp://lattes.cnpq.br/8599274656527722Mendes, Alexandre Fabianohttp://lattes.cnpq.br/8442468712755959Castro, Carla Appollinario dehttp://lattes.cnpq.br/3666357154549659Santos, Patricia Garcia doshttp://lattes.cnpq.br/0405804828713750Naback, Clarissa Pires de Almeidahttp://lattes.cnpq.br/7784334033508085Vargues, Guilherme Ferreirahttp://lattes.cnpq.br/6013111816930798http://lattes.cnpq.br/1876206005014598Coelho, Bruna da Penha de Mendonçabrunapmcoelho@gmail.com2023-04-18T14:06:47Z2023-03-29COELHO, Bruna da Penha de Mendonça. Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito. 2023. 194 f. Tese (Doutorado em Direito) - Faculdade de Direto, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2023.http://www.bdtd.uerj.br/handle/1/19410The research aims to investigate how samba-enredo from Rio discursively apprehends, from 1980 to 2023, the procedural device of promise or normative expectation of the legal narrative. I start from the hypothesis that samba understands this phenomenon in temporalities and processivities that are different from those of legal discourse. While law is anchored on the pretension of containing social contradictions, from the discursive neutralization of conflicts and the launching of a kind of “normative solution” for the future, the creative process of carnival bases the very foundations of its narrative enunciation in the contradictions of the present. I do not intend to proceed to a dichotomous analysis, but rather to pay attention to the plural social materiality involved. Another important precaution concerns the effort of not subordinating art or taking it as a kind of escape from reality, or even as an instrument to the so-called legal analysis. In this sense, the introduction is dedicated to a methodological approach that covers both the precautions that guide the study in the approximation between law and art, and the aspects more directly linked to the organization of the research: problem, hypothesis, concepts, delimitations, sources, and structuring of the text. The first chapter focuses on the relations between law (in its expanded connotation), the disputes in the formulation of meanings about social phenomena, and the key element of contradiction. It is divided into two parts: (i) the apprehensions of the construction of legal meanings and social discourses from the perspective of dialectical historical materialism; (ii) the fundamentals and developments of the conception of contradiction, whether in its condition of presupposition of thought, in its understanding in Gramsci’s work, or in the relations between social contradiction and law. The second chapter deepens the debate on discourse, culture and samba-enredo. It goes through an investigation on the notion of discourse in Bakhtin and Volóchinov, the imbrications between culture and political action in Gramsci, the historical and social trajectory of samba schools (permeated by social contradictions), and an approximation between law and samba discourse. The third and fourth chapters start from the more direct contribution of the empirical material, which consists in the sources related to the carnival enunciation (such as samba lyrics and photographic, audiovisual, and phonographic records of carnivals), as well as in the so-called legal documents about related historical processes (such as justifications to bills, pronouncements of public agents, among others). The fifth and last chapter intends to recover the connections between the previous ones, by proposing to reflect on the relations between the discourses of samba-enredo and the law from a non-dichotomous perspective. This chapter proposes a dialogue with the multiple meanings of contradiction that were unveiled throughout the dissertation (and that even surpass the meaning outlined in the initial delimitation of the research hypothesis): (i) contradiction as the condition of creative process; (ii) apprehensions of contradiction by samba and legal discourse; (iii) contradiction in its relations with the problematic of social inequality and capitalist sociability.A pesquisa se propõe a investigar de que forma(s) o samba-enredo carioca apreende, discursivamente, no recorte temporal de 1980 a 2023, o dispositivo procedimental de promessa ou expectativa normativa da narrativa jurídica. Parto da hipótese de que o samba compreende esse fenômeno em temporalidades e processualidades diversas das do discurso jurídico. Ao passo que o direito se ancora na pretensão de represamento das contradições sociais, a partir da neutralização discursiva dos conflitos e de lançamento de uma espécie de “solução normativa” para o futuro, o processo criativo carnavalesco alicerça as próprias bases de sua enunciação narrativa nas contradições do presente. Não pretendo proceder a uma análise dicotômica, mas, sim, atentar para a materialidade social plural envolvida. Outra precaução importante diz respeito ao esforço de não secundarizar a arte ou tomá-la como uma espécie de fuga da realidade, ou mesmo como um instrumental à assim chamada análise jurídica. Nessa linha, a introdução da tese se dedica a uma abordagem metodológica que abarca tanto as precauções que guiam o estudo na aproximação entre direito e arte, quanto os aspectos mais diretamente ligados à organização da pesquisa: problema, hipótese, conceitos, delimitações, fontes e estruturação do texto. O primeiro capítulo se debruça sobre as relações entre o direito (em sua conotação ampliada), as disputas na formulação de sentidos acerca dos fenômenos sociais e o elemento-chave da contradição. Divide-se, basicamente, em dois momentos: (i) as apreensões da construção de sentidos jurídicos e discursos sociais a partir da perspectiva do materialismo histórico dialético; (ii) os fundamentos e desdobramentos da concepção de contradição, seja em sua condição de pressuposto do pensamento, em sua compreensão na obra de Gramsci, e nas relações entre contradição social e direito. O segundo capítulo aprofunda o debate sobre discurso, cultura e samba-enredo. Passa por uma investigação sobre a noção de discurso em Bakhtin e Volóchinov, as imbricações entre cultura e ação política em Gramsci, a trajetória histórico-social das escolas de samba (permeada por contradições sociais), e uma aproximação entre discurso do direito e do samba. O terceiro e o quarto capítulos partem do aporte mais direto do material empírico, que consiste nas fontes atinentes à enunciação carnavalesca (como letras de samba e registros fotográficos, audiovisuais e fonográficos dos carnavais), bem como nos assim chamados documentos jurídicos sobre processos históricos correlatos (como justificativas a projetos de lei, pronunciamentos de agentes públicos, dentre outros). O quinto e último capítulo pretende recobrar as conexões entre os anteriores, por meio da proposta de refletir sobre as relações entre os discursos do samba-enredo e do direito a partir de uma perspectiva não dicotômica. Esse capítulo se propõe a dialogar com os múltiplos sentidos de contradição que se desvelaram ao longo da tese (e que suplantam, inclusive, o sentido traçado na delimitação inicial da hipótese de pesquisa): (i) contradição como condição do processo criativo artístico; (ii) apreensões de contradição pelo samba e pelo discurso jurídico; (iii) contradição em suas relações com a problemática da desigualdade social e da sociabilidade capitalista.Submitted by Laura CCS/C (laurassdo@outlook.com) on 2023-04-18T14:06:47Z No. of bitstreams: 1 Tese - Bruna da Penha de Mendonça Coelho - 2023 - Completa.pdf: 2425405 bytes, checksum: e32caab2551d7219257100131b3fe7ae (MD5)Made available in DSpace on 2023-04-18T14:06:47Z (GMT). No. of bitstreams: 1 Tese - Bruna da Penha de Mendonça Coelho - 2023 - Completa.pdf: 2425405 bytes, checksum: e32caab2551d7219257100131b3fe7ae (MD5) Previous issue date: 2023-03-29application/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em DireitoUERJBrasilCentro de Ciências Sociais::Faculdade de DireitoDiscourseContradictionLawDiscursoContradiçãoSamba-enredoDireitoCIENCIAS SOCIAIS APLICADAS::DIREITO::TEORIA DO DIREITOSamba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direitoSamba-enredo from Rio de Janeiro and other “things of ours”: The discursive perception of social contradictions by samba and lawinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALTese - Bruna da Penha de Mendonça Coelho - 2023 - Completa.pdfTese - Bruna da Penha de Mendonça Coelho - 2023 - Completa.pdfapplication/pdf2425405http://www.bdtd.uerj.br/bitstream/1/19410/2/Tese+-+Bruna+da+Penha+de+Mendon%C3%A7a+Coelho+-+2023+-+Completa.pdfe32caab2551d7219257100131b3fe7aeMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/19410/1/license.txte5502652da718045d7fcd832b79fca29MD511/194102024-02-27 13:52:45.919oai:www.bdtd.uerj.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-27T16:52:45Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.por.fl_str_mv |
Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito |
dc.title.alternative.eng.fl_str_mv |
Samba-enredo from Rio de Janeiro and other “things of ours”: The discursive perception of social contradictions by samba and law |
title |
Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito |
spellingShingle |
Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito Coelho, Bruna da Penha de Mendonça Discourse Contradiction Law Discurso Contradição Samba-enredo Direito CIENCIAS SOCIAIS APLICADAS::DIREITO::TEORIA DO DIREITO |
title_short |
Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito |
title_full |
Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito |
title_fullStr |
Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito |
title_full_unstemmed |
Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito |
title_sort |
Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito |
author |
Coelho, Bruna da Penha de Mendonça |
author_facet |
Coelho, Bruna da Penha de Mendonça brunapmcoelho@gmail.com |
author_role |
author |
author2 |
brunapmcoelho@gmail.com |
author2_role |
author |
dc.contributor.advisor1.fl_str_mv |
Cunha, José Ricardo Ferreira |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8599274656527722 |
dc.contributor.advisor-co1.fl_str_mv |
Mendes, Alexandre Fabiano |
dc.contributor.advisor-co1Lattes.fl_str_mv |
http://lattes.cnpq.br/8442468712755959 |
dc.contributor.referee1.fl_str_mv |
Castro, Carla Appollinario de |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/3666357154549659 |
dc.contributor.referee2.fl_str_mv |
Santos, Patricia Garcia dos |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/0405804828713750 |
dc.contributor.referee3.fl_str_mv |
Naback, Clarissa Pires de Almeida |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/7784334033508085 |
dc.contributor.referee4.fl_str_mv |
Vargues, Guilherme Ferreira |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/6013111816930798 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1876206005014598 |
dc.contributor.author.fl_str_mv |
Coelho, Bruna da Penha de Mendonça brunapmcoelho@gmail.com |
contributor_str_mv |
Cunha, José Ricardo Ferreira Mendes, Alexandre Fabiano Castro, Carla Appollinario de Santos, Patricia Garcia dos Naback, Clarissa Pires de Almeida Vargues, Guilherme Ferreira |
dc.subject.eng.fl_str_mv |
Discourse Contradiction Law |
topic |
Discourse Contradiction Law Discurso Contradição Samba-enredo Direito CIENCIAS SOCIAIS APLICADAS::DIREITO::TEORIA DO DIREITO |
dc.subject.por.fl_str_mv |
Discurso Contradição Samba-enredo Direito |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::DIREITO::TEORIA DO DIREITO |
description |
The research aims to investigate how samba-enredo from Rio discursively apprehends, from 1980 to 2023, the procedural device of promise or normative expectation of the legal narrative. I start from the hypothesis that samba understands this phenomenon in temporalities and processivities that are different from those of legal discourse. While law is anchored on the pretension of containing social contradictions, from the discursive neutralization of conflicts and the launching of a kind of “normative solution” for the future, the creative process of carnival bases the very foundations of its narrative enunciation in the contradictions of the present. I do not intend to proceed to a dichotomous analysis, but rather to pay attention to the plural social materiality involved. Another important precaution concerns the effort of not subordinating art or taking it as a kind of escape from reality, or even as an instrument to the so-called legal analysis. In this sense, the introduction is dedicated to a methodological approach that covers both the precautions that guide the study in the approximation between law and art, and the aspects more directly linked to the organization of the research: problem, hypothesis, concepts, delimitations, sources, and structuring of the text. The first chapter focuses on the relations between law (in its expanded connotation), the disputes in the formulation of meanings about social phenomena, and the key element of contradiction. It is divided into two parts: (i) the apprehensions of the construction of legal meanings and social discourses from the perspective of dialectical historical materialism; (ii) the fundamentals and developments of the conception of contradiction, whether in its condition of presupposition of thought, in its understanding in Gramsci’s work, or in the relations between social contradiction and law. The second chapter deepens the debate on discourse, culture and samba-enredo. It goes through an investigation on the notion of discourse in Bakhtin and Volóchinov, the imbrications between culture and political action in Gramsci, the historical and social trajectory of samba schools (permeated by social contradictions), and an approximation between law and samba discourse. The third and fourth chapters start from the more direct contribution of the empirical material, which consists in the sources related to the carnival enunciation (such as samba lyrics and photographic, audiovisual, and phonographic records of carnivals), as well as in the so-called legal documents about related historical processes (such as justifications to bills, pronouncements of public agents, among others). The fifth and last chapter intends to recover the connections between the previous ones, by proposing to reflect on the relations between the discourses of samba-enredo and the law from a non-dichotomous perspective. This chapter proposes a dialogue with the multiple meanings of contradiction that were unveiled throughout the dissertation (and that even surpass the meaning outlined in the initial delimitation of the research hypothesis): (i) contradiction as the condition of creative process; (ii) apprehensions of contradiction by samba and legal discourse; (iii) contradiction in its relations with the problematic of social inequality and capitalist sociability. |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-04-18T14:06:47Z |
dc.date.issued.fl_str_mv |
2023-03-29 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
COELHO, Bruna da Penha de Mendonça. Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito. 2023. 194 f. Tese (Doutorado em Direito) - Faculdade de Direto, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2023. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/19410 |
identifier_str_mv |
COELHO, Bruna da Penha de Mendonça. Samba-enredo carioca e outras “coisas nossas”: A percepção discursiva das contradições sociais pelo samba e pelo direito. 2023. 194 f. Tese (Doutorado em Direito) - Faculdade de Direto, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2023. |
url |
http://www.bdtd.uerj.br/handle/1/19410 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação em Direito |
dc.publisher.initials.fl_str_mv |
UERJ |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Centro de Ciências Sociais::Faculdade de Direito |
publisher.none.fl_str_mv |
Universidade do Estado do Rio de Janeiro |
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reponame:Biblioteca Digital de Teses e Dissertações da UERJ instname:Universidade do Estado do Rio de Janeiro (UERJ) instacron:UERJ |
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Universidade do Estado do Rio de Janeiro (UERJ) |
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UERJ |
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UERJ |
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Biblioteca Digital de Teses e Dissertações da UERJ |
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Biblioteca Digital de Teses e Dissertações da UERJ |
bitstream.url.fl_str_mv |
http://www.bdtd.uerj.br/bitstream/1/19410/2/Tese+-+Bruna+da+Penha+de+Mendon%C3%A7a+Coelho+-+2023+-+Completa.pdf http://www.bdtd.uerj.br/bitstream/1/19410/1/license.txt |
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MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ) |
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bdtd.suporte@uerj.br |
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