Cognição e Mediação Técnica: passagem analógico-digital da recepção de TV sob a ótica da Teoria Ator-rede

• Autor(a) principal: Azambuja, Patrícia Kely
• Data de Publicação: 2012
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/15096
• topic: Cognition; Television; Actor-network Theory; Reception; Televisão Aspectos sociais; Televisão Aspectos culturais; Televisão Inovações tecnológicas; Cognição; Comunicação de massa; Teoria Ator-rede; Recepcão; CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL

Some situations relating to communication practices draw attention, either by the technical possibilities that arise with each new tool created by the unchallenged influence for the human and social relations. In a time when the academic community is asked to consider a "new" television, this work proposes to enter into the field to see what's available: uses, formats and languages in transition. Therefore proposes an empirical analysis set in the space of media reception, and use as a methodological tool of the Symmetry Principle based on Actor-Network Theory. Following the idea of tracing connections from an ethnographic writing, the method proposes to discuss the social category least as analytical basis - set in advance and unrelated to the field of action - and as something more focused on continuous process. The social practices and media here are thought beyond human limits - or purely technical. The actor-network is established not as a fixed entity, but through flows from which the method will help to describe the propagation of associations. The discussion on the technical and content production has barely begun. Maybe so if you find living in the moment to transcend the field of normative concepts and speculations, in order to monitor instances as networks of actants media invented and re-invented every day, in the moments conditions of possibilities for practical use. It fell to the research in question closer look at these procedures and the relationship between changing technology, audiences, materiality, space, bodies, feelings and emotions, so that some understanding may be identified about what will characterize the television, at least temporarily.