A pixação e o grafite podem ser artes de combate? Negociações e sociabilidades nas margens do tecido urbano

• Autor(a) principal: Costa, Wagner Maia da
• Data de Publicação: 2015
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/15566
• topic: Graffiti/pixação; Sociability; Margins; Conflicts and negotiations; Grafite/pixação; Sociabilidade; Margens; Conflitos e negociação; CNPQ::CIENCIAS HUMANAS::SOCIOLOGIA::SOCIOLOGIA URBANA

This study is a sociological view on the aesthetic manifestations: graffiti and pixação . In this work these manifestations are understood as places of fighting arts experiences in the margins of urban web (DAS.; POOLES, 2008). Aggravated by the discomfort caused by Reading the literature on these two events, which tendes to feed na opposition between those who were once considered manifestations of the same world, question the status given to graffiti, considered the new art form of the XXI century (SOUZA, 2013). In contract to these studies it is intended to, in this work, focuses as much graffiti, as pixação while demonstrations in the streets where their sociability, conflicts, negotiations are part of this environment and urder which actors and actresses tend to value as space freedom and creating your graffiti and pixações . The main theoretical concepts underlying this research are disembedding mecachanisms, through the symbolic chip and expert systems, and reseat called for risk and friendsship (GIDDENS, 1992). These concepts allow discuss the position that although it is increasing the number of spaces achieved by graffiti, such as galleries, museums, biennials, art houses, universities, among others, it still constitutes a manifestation of the margins of urban web (DAS.; POOLE, 2008). These art forms allow their actors and actresses are able to negotiate and traffic in the various boundaries between legal and ilegal (TELLES, 2010.; 2013). The study suggests three important points on the sociability of these manifestations. On the first point, it was found that it is premature to say that graffiti is the new artistic expression of the century, despite having won several spaces that not only its traditional setting: the street. That s because different techniques and styles are also under the label of crime, such as Bomb, Throw-up, Tag, Grapixo and Lambe-Lambe . A second suggestion is that there is space for negotiation in the margins of urban web and to this and, the actors and actresses are used assemblages of various machanisms for their own protection on the exploits. The last suggestion presented in this thesis is that graffiti and pixação can be fighting arts, especially with the participation of women in this process, but for this, the individuals who manufacture tend to separate the same combat art through the idea of paint in protst against label of draw , which according to their own graffiters and pixadores , would be a way to beautify the city, not just being an art of fighting injustice and oppression contained in society.