A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UERJ |
Texto Completo: | http://www.bdtd.uerj.br/handle/1/17516 |
Resumo: | Based on the experiences of audiovisual production in Rio de Janeiro, in recent decades, at the beginning of the 21st century, cinema is investigated in the West Zone as a scenario and circuit of production of cultural and artistic goods/services, a relational cinema, as contemporary propositions. Signs, systems of meanings and processes with cinema are located as a device and a circuit of sensitive, sensory and subtle perceptions that broaden the field between life, cinema and contemporary art. The works, the filmmakers and the processes are highlighted as a way of elaboration of a place of performance and production between affections and singularities. The intention is to show cinema as a power for encounters and proposals of perceptions with aesthetic, critical, expressive, expansive energies that stimulate the sensory thinker (BASBAUM, 2013) in us, by exchanges of affective and sensory energies. Works and authors as a force of expression, which elaborate relationships of visualities and sounds, form imaginaries and present subjectivities. It seeks to understand the action of signs and intersections, such as plastic, theoretical and historical data of the “Affective and Singular West Zone”. A relational cinema composed of interconnected actions of subjects who seek to resist economic difficulties and the centralized market from an imagination and positions. Creators of critical and cultural debate circles such as self-formation and training in operations of understanding the visible and the invisible that channel the way of organizing and structuring the world of senses and the contact we have with it. Cinema as a living stream of generation of strategic configurations, in processes of significance and meanings of a relational cinema observed between encounters and passages; it is investigated on how to do or be in the construction of imaginaries. Cinemão and CURTA ETESC stand out as a proposal for the production of deviation, such as surrounding landscapes and technical image, mediation and sensitive and subjective intervention. Part of the signification system; field and counterfield in film projects, which feed the radical imagination, as it was proposed by Castoriadis; invitations to sharing as social and historical aspects |
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Cruz, Jorge Luizhttp://lattes.cnpq.br/8779558447742599Cunha, Paulo Manuel Ferreira daLeroux, Lilianehttp://lattes.cnpq.br/3133557692090966Mendonça, Leandro José Luz Riodades dehttp://lattes.cnpq.br/5441010369253243Souza, Nívea Faria dehttp://lattes.cnpq.br/5199984564142988http://lattes.cnpq.br/4453577431271294Rodrigues, Carla Regina Vasconceloszonaoesteafetivasingular@gmail.com2022-04-07T18:54:45Z2021-12-10RODRIGUES, Carla Regina Vasconcelos. A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica. 2021. 354 f. Tese (Doutorado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2021.http://www.bdtd.uerj.br/handle/1/17516Based on the experiences of audiovisual production in Rio de Janeiro, in recent decades, at the beginning of the 21st century, cinema is investigated in the West Zone as a scenario and circuit of production of cultural and artistic goods/services, a relational cinema, as contemporary propositions. Signs, systems of meanings and processes with cinema are located as a device and a circuit of sensitive, sensory and subtle perceptions that broaden the field between life, cinema and contemporary art. The works, the filmmakers and the processes are highlighted as a way of elaboration of a place of performance and production between affections and singularities. The intention is to show cinema as a power for encounters and proposals of perceptions with aesthetic, critical, expressive, expansive energies that stimulate the sensory thinker (BASBAUM, 2013) in us, by exchanges of affective and sensory energies. Works and authors as a force of expression, which elaborate relationships of visualities and sounds, form imaginaries and present subjectivities. It seeks to understand the action of signs and intersections, such as plastic, theoretical and historical data of the “Affective and Singular West Zone”. A relational cinema composed of interconnected actions of subjects who seek to resist economic difficulties and the centralized market from an imagination and positions. Creators of critical and cultural debate circles such as self-formation and training in operations of understanding the visible and the invisible that channel the way of organizing and structuring the world of senses and the contact we have with it. Cinema as a living stream of generation of strategic configurations, in processes of significance and meanings of a relational cinema observed between encounters and passages; it is investigated on how to do or be in the construction of imaginaries. Cinemão and CURTA ETESC stand out as a proposal for the production of deviation, such as surrounding landscapes and technical image, mediation and sensitive and subjective intervention. Part of the signification system; field and counterfield in film projects, which feed the radical imagination, as it was proposed by Castoriadis; invitations to sharing as social and historical aspectsCom base nas experiências de produção de audiovisual no Rio de Janeiro nas últimas décadas, início do século XXI, investiga-se o cinema na Zona Oeste como cenário e circuito de produção de bens/serviços culturais e artísticos, um cinema relacional, como propositivas contemporâneas. Localizam-se signos, sistemas de significações e processos com o cinema como dispositivo e circuito de percepções sensíveis, sensoriais e sutis que ampliam o campo entre vida, cinema e arte contemporânea. Ressaltam-se as obras, os cineastas e os processos como formas de elaboração de lugar de atuação e de produção entre afetos e singularidades. A intenção é mostrar o cinema como potência para encontros e propostas de percepções com olhares estéticos, críticos, expressivos, expansivos que estimulem o pensador-sensorial (BASBAUM, 2013) em nós, por trocas de energias afetivas e sensoriais. Obras e autores como força de expressão, que elaboram relações de visualidades e sonoridades, formam imaginários e apresentam subjetividades. Procura-se entender a ação dos signos e os entrecruzamentos, como dados plásticos, teóricos e históricos da “Zona Oeste Afetiva e Singular”. Um cinema relacional composto por ações interconectadas de sujeitos que buscam resistir às dificuldades econômicas e ao mercado centralizado a partir de uma imaginação e posicionamentos. Criadores de círculos de debates críticos e culturais como auto formação e formação em operações de compreensão do visível e do invisível que canalizam a forma de organizar e estruturar o mundo de sentidos e o contato que temos com ele. O cinema como como fluxo vivo de geração de configurações estratégicas, em processos de significâncias e sentidos de um cinema relacional observado entre encontros e passagens; investigados em como fazer ou ser na construção de imaginários. Destaca-se o CINEMÃO e o CURTA ETESC como propostas de produção de desvio, como paisagens envolventes e imagem técnica, mediação e intervenção sensível e subjetiva. Parte do sistema de significação; campo e contracampo em projetos de filmes, que alimentam a imaginação radical, como propõe Castoriadis; convites a compartilhamentos como aspectos sociais e históricosSubmitted by Eliana CEH/B (liliprata2000@gmail.com) on 2022-04-07T18:54:45Z No. of bitstreams: 1 Tese - Carla Regina Vasconcelos Rodrigues - 2021 - Completa.pdf: 6738538 bytes, checksum: 90c2879e8111d5b1f3401fb42c526f14 (MD5)Made available in DSpace on 2022-04-07T18:54:45Z (GMT). No. of bitstreams: 1 Tese - Carla Regina Vasconcelos Rodrigues - 2021 - Completa.pdf: 6738538 bytes, checksum: 90c2879e8111d5b1f3401fb42c526f14 (MD5) Previous issue date: 2021-12-10application/pdfporUniversidade do Estado do Rio de JaneiroPrograma de Pós-Graduação em ArtesUERJBrasilCentro de Educação e Humanidades::Instituto de ArtesContemporary artImaginaryPerceptionsRelationshipsArte contemporâneaCinemaImaginárioPercepçõesRelaçõesCinema – Rio de Janeiro (RJ) – Séc. XXIArte moderna – Rio de Janeiro (RJ) – Séc. XXIImaginaçãoSubúrbios – Rio de Janeiro (RJ)LINGUISTICA, LETRAS E ARTES::ARTES::CINEMAA Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnicaThe affective and singular West Zone: relational cinema as radical imagination and technical imageinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UERJinstname:Universidade do Estado do Rio de Janeiro (UERJ)instacron:UERJORIGINALTese - Carla Regina Vasconcelos Rodrigues - 2021 - Completa.pdfTese - Carla Regina Vasconcelos Rodrigues - 2021 - Completa.pdfapplication/pdf6738538http://www.bdtd.uerj.br/bitstream/1/17516/2/Tese+-+Carla+Regina+Vasconcelos+Rodrigues+-+2021+-+Completa.pdf90c2879e8111d5b1f3401fb42c526f14MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82123http://www.bdtd.uerj.br/bitstream/1/17516/1/license.txte5502652da718045d7fcd832b79fca29MD511/175162024-02-26 16:04:22.588oai:www.bdtd.uerj.br:1/17516Tk9UQTogTElDRU7Dh0EgUkVERSBTSVJJVVMKRXN0YSBsaWNlbsOnYSBkZSBleGVtcGxvIMOpIGZvcm5lY2lkYSBhcGVuYXMgcGFyYSBmaW5zIGluZm9ybWF0aXZvcy4KCkxJQ0VOw4dBIERFIERJU1RSSUJVScOHw4NPIE7Dg08tRVhDTFVTSVZBCgpDb20gYSBhcHJlc2VudGHDp8OjbyBkZXN0YSBsaWNlbsOnYSwgdm9jw6ogKG8gYXV0b3IgKGVzKSBvdSBvIHRpdHVsYXIgZG9zIGRpcmVpdG9zIGRlIGF1dG9yKSBjb25jZWRlIMOgIFVuaXZlcnNpZGFkZSAKZG8gRXN0YWRvIGRvIFJpbyBkZSBKYW5laXJvIChVRVJKKSBvIGRpcmVpdG8gbsOjby1leGNsdXNpdm8gZGUgcmVwcm9kdXppciwgIHRyYWR1emlyIChjb25mb3JtZSBkZWZpbmlkbyBhYmFpeG8pLCBlL291IApkaXN0cmlidWlyIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAoaW5jbHVpbmRvIG8gcmVzdW1vKSBwb3IgdG9kbyBvIG11bmRvIG5vIGZvcm1hdG8gaW1wcmVzc28gZSBlbGV0csO0bmljbyBlIAplbSBxdWFscXVlciBtZWlvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFVFUkogcG9kZSwgc2VtIGFsdGVyYXIgbyBjb250ZcO6ZG8sIHRyYW5zcG9yIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAKcGFyYSBxdWFscXVlciBtZWlvIG91IGZvcm1hdG8gcGFyYSBmaW5zIGRlIHByZXNlcnZhw6fDo28uCgpWb2PDqiB0YW1iw6ltIGNvbmNvcmRhIHF1ZSBhIFVFUkogcG9kZSBtYW50ZXIgbWFpcyBkZSB1bWEgY8OzcGlhIGEgc3VhIHRlc2Ugb3UgCmRpc3NlcnRhw6fDo28gcGFyYSBmaW5zIGRlIHNlZ3VyYW7Dp2EsIGJhY2stdXAgZSBwcmVzZXJ2YcOnw6NvLgoKVm9jw6ogZGVjbGFyYSBxdWUgYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIMOpIG9yaWdpbmFsIGUgcXVlIHZvY8OqIHRlbSBvIHBvZGVyIGRlIGNvbmNlZGVyIG9zIGRpcmVpdG9zIGNvbnRpZG9zIApuZXN0YSBsaWNlbsOnYS4gVm9jw6ogdGFtYsOpbSBkZWNsYXJhIHF1ZSBvIGRlcMOzc2l0byBkYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIG7Do28sIHF1ZSBzZWphIGRlIHNldSAKY29uaGVjaW1lbnRvLCBpbmZyaW5nZSBkaXJlaXRvcyBhdXRvcmFpcyBkZSBuaW5ndcOpbS4KCkNhc28gYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIGNvbnRlbmhhIG1hdGVyaWFsIHF1ZSB2b2PDqiBuw6NvIHBvc3N1aSBhIHRpdHVsYXJpZGFkZSBkb3MgZGlyZWl0b3MgYXV0b3JhaXMsIHZvY8OqIApkZWNsYXJhIHF1ZSBvYnRldmUgYSBwZXJtaXNzw6NvIGlycmVzdHJpdGEgZG8gZGV0ZW50b3IgZG9zIGRpcmVpdG9zIGF1dG9yYWlzIHBhcmEgY29uY2VkZXIgw6AgVUVSSiBvcyBkaXJlaXRvcyBhcHJlc2VudGFkb3MgbmVzdGEgbGljZW7Dp2EsIGUgcXVlIGVzc2UgbWF0ZXJpYWwgZGUgcHJvcHJpZWRhZGUgZGUgdGVyY2Vpcm9zIGVzdMOhIGNsYXJhbWVudGUgCmlkZW50aWZpY2FkbyBlIHJlY29uaGVjaWRvIG5vIHRleHRvIG91IG5vIGNvbnRlw7pkbyBkYSB0ZXNlIG91IGRpc3NlcnRhw6fDo28gb3JhIGRlcG9zaXRhZGEuCgpDQVNPIEEgVEVTRSBPVSBESVNTRVJUQcOHw4NPIE9SQSBERVBPU0lUQURBIFRFTkhBIFNJRE8gUkVTVUxUQURPIERFIFVNIFBBVFJPQ8ONTklPIE9VIApBUE9JTyBERSBVTUEgQUfDik5DSUEgREUgRk9NRU5UTyBPVSBPVVRSTyBPUkdBTklTTU8gUVVFIE7Dg08gU0VKQSBFU1RBClVOSVZFUlNJREFERSwgVk9Dw4ogREVDTEFSQSBRVUUgUkVTUEVJVE9VIFRPRE9TIEUgUVVBSVNRVUVSIERJUkVJVE9TIERFIFJFVklTw4NPIENPTU8gClRBTULDiU0gQVMgREVNQUlTIE9CUklHQcOHw5VFUyBFWElHSURBUyBQT1IgQ09OVFJBVE8gT1UgQUNPUkRPLgoKQSBVbml2ZXJzaWRhZGUgZG8gRXN0YWRvIGRvIFJpbyBkZSBKYW5laXJvIChVRVJKKSBzZSBjb21wcm9tZXRlIGEgaWRlbnRpZmljYXIgY2xhcmFtZW50ZSBvIHNldSBub21lIChzKSBvdSBvKHMpIG5vbWUocykgZG8ocykgCmRldGVudG9yKGVzKSBkb3MgZGlyZWl0b3MgYXV0b3JhaXMgZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvLCBlIG7Do28gZmFyw6EgcXVhbHF1ZXIgYWx0ZXJhw6fDo28sIGFsw6ltIGRhcXVlbGFzIApjb25jZWRpZGFzIHBvciBlc3RhIGxpY2Vuw6dhLgo=Biblioteca Digital de Teses e Dissertaçõeshttp://www.bdtd.uerj.br/PUBhttps://www.bdtd.uerj.br:8443/oai/requestbdtd.suporte@uerj.bropendoar:29032024-02-26T19:04:22Biblioteca Digital de Teses e Dissertações da UERJ - Universidade do Estado do Rio de Janeiro (UERJ)false |
dc.title.por.fl_str_mv |
A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica |
dc.title.alternative.eng.fl_str_mv |
The affective and singular West Zone: relational cinema as radical imagination and technical image |
title |
A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica |
spellingShingle |
A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica Rodrigues, Carla Regina Vasconcelos Contemporary art Imaginary Perceptions Relationships Arte contemporânea Cinema Imaginário Percepções Relações Cinema – Rio de Janeiro (RJ) – Séc. XXI Arte moderna – Rio de Janeiro (RJ) – Séc. XXI Imaginação Subúrbios – Rio de Janeiro (RJ) LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
title_short |
A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica |
title_full |
A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica |
title_fullStr |
A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica |
title_full_unstemmed |
A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica |
title_sort |
A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica |
author |
Rodrigues, Carla Regina Vasconcelos |
author_facet |
Rodrigues, Carla Regina Vasconcelos zonaoesteafetivasingular@gmail.com |
author_role |
author |
author2 |
zonaoesteafetivasingular@gmail.com |
author2_role |
author |
dc.contributor.advisor1.fl_str_mv |
Cruz, Jorge Luiz |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8779558447742599 |
dc.contributor.referee1.fl_str_mv |
Cunha, Paulo Manuel Ferreira da |
dc.contributor.referee2.fl_str_mv |
Leroux, Liliane |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/3133557692090966 |
dc.contributor.referee3.fl_str_mv |
Mendonça, Leandro José Luz Riodades de |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/5441010369253243 |
dc.contributor.referee4.fl_str_mv |
Souza, Nívea Faria de |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/5199984564142988 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4453577431271294 |
dc.contributor.author.fl_str_mv |
Rodrigues, Carla Regina Vasconcelos zonaoesteafetivasingular@gmail.com |
contributor_str_mv |
Cruz, Jorge Luiz Cunha, Paulo Manuel Ferreira da Leroux, Liliane Mendonça, Leandro José Luz Riodades de Souza, Nívea Faria de |
dc.subject.eng.fl_str_mv |
Contemporary art Imaginary Perceptions Relationships |
topic |
Contemporary art Imaginary Perceptions Relationships Arte contemporânea Cinema Imaginário Percepções Relações Cinema – Rio de Janeiro (RJ) – Séc. XXI Arte moderna – Rio de Janeiro (RJ) – Séc. XXI Imaginação Subúrbios – Rio de Janeiro (RJ) LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
dc.subject.por.fl_str_mv |
Arte contemporânea Cinema Imaginário Percepções Relações Cinema – Rio de Janeiro (RJ) – Séc. XXI Arte moderna – Rio de Janeiro (RJ) – Séc. XXI Imaginação Subúrbios – Rio de Janeiro (RJ) |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
description |
Based on the experiences of audiovisual production in Rio de Janeiro, in recent decades, at the beginning of the 21st century, cinema is investigated in the West Zone as a scenario and circuit of production of cultural and artistic goods/services, a relational cinema, as contemporary propositions. Signs, systems of meanings and processes with cinema are located as a device and a circuit of sensitive, sensory and subtle perceptions that broaden the field between life, cinema and contemporary art. The works, the filmmakers and the processes are highlighted as a way of elaboration of a place of performance and production between affections and singularities. The intention is to show cinema as a power for encounters and proposals of perceptions with aesthetic, critical, expressive, expansive energies that stimulate the sensory thinker (BASBAUM, 2013) in us, by exchanges of affective and sensory energies. Works and authors as a force of expression, which elaborate relationships of visualities and sounds, form imaginaries and present subjectivities. It seeks to understand the action of signs and intersections, such as plastic, theoretical and historical data of the “Affective and Singular West Zone”. A relational cinema composed of interconnected actions of subjects who seek to resist economic difficulties and the centralized market from an imagination and positions. Creators of critical and cultural debate circles such as self-formation and training in operations of understanding the visible and the invisible that channel the way of organizing and structuring the world of senses and the contact we have with it. Cinema as a living stream of generation of strategic configurations, in processes of significance and meanings of a relational cinema observed between encounters and passages; it is investigated on how to do or be in the construction of imaginaries. Cinemão and CURTA ETESC stand out as a proposal for the production of deviation, such as surrounding landscapes and technical image, mediation and sensitive and subjective intervention. Part of the signification system; field and counterfield in film projects, which feed the radical imagination, as it was proposed by Castoriadis; invitations to sharing as social and historical aspects |
publishDate |
2021 |
dc.date.issued.fl_str_mv |
2021-12-10 |
dc.date.accessioned.fl_str_mv |
2022-04-07T18:54:45Z |
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dc.identifier.citation.fl_str_mv |
RODRIGUES, Carla Regina Vasconcelos. A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica. 2021. 354 f. Tese (Doutorado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2021. |
dc.identifier.uri.fl_str_mv |
http://www.bdtd.uerj.br/handle/1/17516 |
identifier_str_mv |
RODRIGUES, Carla Regina Vasconcelos. A Zona Oeste afetiva e singular: o cinema relacional como imaginação radical e imagem técnica. 2021. 354 f. Tese (Doutorado em Artes) – Instituto de Artes, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, 2021. |
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http://www.bdtd.uerj.br/handle/1/17516 |
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Universidade do Estado do Rio de Janeiro |
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