The path through the poetics between Heidegger and Hölderlin: : the abismal essence of poetizing

• Autor(a) principal: Teixeira, Lisandra Caroline de Araújo Lima
• Data de Publicação: 2021
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Trilhas Filosóficas (Online)
• Texto Completo: https://periodicos.apps.uern.br/index.php/RTF/article/view/3535
• topic: Poesia; Sagrado; Caos; Naturea; Physis; Abismo; Poetry; Sacred; Chaos; Nature; Physis; Abyss

The article is based on thinking about Heidegger's analysis of the poet and his essence, thus departing from Hölderlin's poetics. The aim is, then, to meditate on the poet's own meaning and the poet's role in listening to and naming the sacred that comes to the word. The poet's relationship with the sacred is the care of welcoming. The poet is the intermediary between the gods, who bring the beckons of the sacred, and men. These need the poet's song in remembering their own homeland that has been forgotten. Nature is, in Hölderlin's poetry, the omnipresent sacred that permeates everything and makes creation possible. The poets sense the coming who has gone away and, because he belongs to him, the correspondent. He welcomes the sacred in the word and names its inaugural. This sense, in Hölderlin's poet, takes us back to the Greek sense of physis, the growth of what sprouts by itself. Physis gives clarity to everything that breaks through, it is in everything that makes itself present, it is clearing (Lichtung). As nature is sacred chaos, chaos is an abyss, open in which everything is swallowed. The abysmal is, thus, the groundless of the real, of the freedom...