Walter Benjamin and photography by Franz Kafka: aesthetic-biographic confluences

Detalhes bibliográficos
Autor(a) principal: Correia, José Ailton Carlos Lima
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Muiraquitã (Online)
Texto Completo: https://periodicos.ufac.br/index.php/mui/article/view/5769
Resumo: The essay The Little History of Photography by Walter Benjamin inscribes the unique account of photography by Franz Kafka as a child. Therefore, the objective of this article is to capture important mobilizations of other discourses circulating behind the opacity of the interdiscourse of this image, which reveal striking features of the ideology of the time; above all, through the reconstruction of memory through forgetting. The hypothesis is proposed that Kafka's photography evidences the theoretical framework of Benjamin's thought and its identity convergence with the author of Prague – the exemplary failure – who was chosen by Benjamin as the new modern narrator. As a method, we adopt the Discourse Analysis (AD) of the French Matrix, from Michel Pêcheux and the notes of Eni P. Orlandi in dialogue with Roland Barthes and his concepts of Studium and Punctum in his book The camera lucida, as well as Benjamin's own critical analysis of photography.  
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spelling Walter Benjamin and photography by Franz Kafka: aesthetic-biographic confluencesWalter Benjamin e a fotografia de Franz Kafka: confluências estético-biográficasBenjamin; Photography; Kafka; Memory; Critical discourse.Benjamin; Fotografia; Kafka; Memória; Discursividade crítica. The essay The Little History of Photography by Walter Benjamin inscribes the unique account of photography by Franz Kafka as a child. Therefore, the objective of this article is to capture important mobilizations of other discourses circulating behind the opacity of the interdiscourse of this image, which reveal striking features of the ideology of the time; above all, through the reconstruction of memory through forgetting. The hypothesis is proposed that Kafka's photography evidences the theoretical framework of Benjamin's thought and its identity convergence with the author of Prague – the exemplary failure – who was chosen by Benjamin as the new modern narrator. As a method, we adopt the Discourse Analysis (AD) of the French Matrix, from Michel Pêcheux and the notes of Eni P. Orlandi in dialogue with Roland Barthes and his concepts of Studium and Punctum in his book The camera lucida, as well as Benjamin's own critical analysis of photography.  O ensaio A pequena história da fotografia de Walter Benjamin inscreve o singular relato da fotografia de Franz Kafka quando criança. Logo, o objetivo desse artigo é capturar mobilizações importantes de outros discursos circulantes por trás da opacidade do interdiscurso dessa imagem, os quais revelam traços marcantes da ideologia da época; sobretudo, pela reconstrução da memória pelo esquecimento. Propõe-se a hipótese que a fotografia de Kafka evidencia o arcabouço teórico do pensamento benjaminiano e sua convergência identitária com o autor de Praga – o fracasso exemplar –, o qual foi eleito por Benjamin como o novo narrador moderno. Como método, adotou-se a Análise do Discurso (AD) da matriz francesa, a partir de Michel Pêcheux e os apontamentos de Eni P. Orlandi em diálogo com Roland Barthes e os seus conceitos de Studium e Punctum em seu livro A câmara clara, assim como as análises críticas do próprio Benjamin sobre a fotografia. Nepan Editora2022-07-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufac.br/index.php/mui/article/view/576910.29327/210932.10.1-10Muiraquitã: Revista de Letras e Humanidades; v. 10 n. 1 (2022): Muiraquitã: Revista de Letras e Humanidades 2525-59241807-185610.29327/10.29327/210932.10.1reponame:Muiraquitã (Online)instname:Universidade Federal do Acre (UFAC)instacron:UFACporhttps://periodicos.ufac.br/index.php/mui/article/view/5769/3705Correia, José Ailton Carlos Lima info:eu-repo/semantics/openAccess2022-08-10T02:10:42Zoai:ojs.pkp.sfu.ca:article/5769Revistahttps://periodicos.ufac.br/revista/index.php/mui/indexPUBhttps://periodicos.ufac.br/revista/index.php/mui/oaimuiraquita.ppgli@ufac.br2525-59241807-1856opendoar:2022-08-10T02:10:42Muiraquitã (Online) - Universidade Federal do Acre (UFAC)false
dc.title.none.fl_str_mv Walter Benjamin and photography by Franz Kafka: aesthetic-biographic confluences
Walter Benjamin e a fotografia de Franz Kafka: confluências estético-biográficas
title Walter Benjamin and photography by Franz Kafka: aesthetic-biographic confluences
spellingShingle Walter Benjamin and photography by Franz Kafka: aesthetic-biographic confluences
Correia, José Ailton Carlos Lima
Benjamin; Photography; Kafka; Memory; Critical discourse.
Benjamin; Fotografia; Kafka; Memória; Discursividade crítica.
title_short Walter Benjamin and photography by Franz Kafka: aesthetic-biographic confluences
title_full Walter Benjamin and photography by Franz Kafka: aesthetic-biographic confluences
title_fullStr Walter Benjamin and photography by Franz Kafka: aesthetic-biographic confluences
title_full_unstemmed Walter Benjamin and photography by Franz Kafka: aesthetic-biographic confluences
title_sort Walter Benjamin and photography by Franz Kafka: aesthetic-biographic confluences
author Correia, José Ailton Carlos Lima
author_facet Correia, José Ailton Carlos Lima
author_role author
dc.contributor.author.fl_str_mv Correia, José Ailton Carlos Lima
dc.subject.por.fl_str_mv Benjamin; Photography; Kafka; Memory; Critical discourse.
Benjamin; Fotografia; Kafka; Memória; Discursividade crítica.
topic Benjamin; Photography; Kafka; Memory; Critical discourse.
Benjamin; Fotografia; Kafka; Memória; Discursividade crítica.
description The essay The Little History of Photography by Walter Benjamin inscribes the unique account of photography by Franz Kafka as a child. Therefore, the objective of this article is to capture important mobilizations of other discourses circulating behind the opacity of the interdiscourse of this image, which reveal striking features of the ideology of the time; above all, through the reconstruction of memory through forgetting. The hypothesis is proposed that Kafka's photography evidences the theoretical framework of Benjamin's thought and its identity convergence with the author of Prague – the exemplary failure – who was chosen by Benjamin as the new modern narrator. As a method, we adopt the Discourse Analysis (AD) of the French Matrix, from Michel Pêcheux and the notes of Eni P. Orlandi in dialogue with Roland Barthes and his concepts of Studium and Punctum in his book The camera lucida, as well as Benjamin's own critical analysis of photography.  
publishDate 2022
dc.date.none.fl_str_mv 2022-07-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufac.br/index.php/mui/article/view/5769
10.29327/210932.10.1-10
url https://periodicos.ufac.br/index.php/mui/article/view/5769
identifier_str_mv 10.29327/210932.10.1-10
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufac.br/index.php/mui/article/view/5769/3705
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Nepan Editora
publisher.none.fl_str_mv Nepan Editora
dc.source.none.fl_str_mv Muiraquitã: Revista de Letras e Humanidades; v. 10 n. 1 (2022): Muiraquitã: Revista de Letras e Humanidades
2525-5924
1807-1856
10.29327/10.29327/210932.10.1
reponame:Muiraquitã (Online)
instname:Universidade Federal do Acre (UFAC)
instacron:UFAC
instname_str Universidade Federal do Acre (UFAC)
instacron_str UFAC
institution UFAC
reponame_str Muiraquitã (Online)
collection Muiraquitã (Online)
repository.name.fl_str_mv Muiraquitã (Online) - Universidade Federal do Acre (UFAC)
repository.mail.fl_str_mv muiraquita.ppgli@ufac.br
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