Do not cease to disappear: the drifts of Bas Jan Ader and Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURST

Detalhes bibliográficos
Autor(a) principal: Scoz, Flavia
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Communitas
Texto Completo: https://periodicos.ufac.br/index.php/COMMUNITAS/article/view/3055
Resumo: The purpose of the essay is to reflect on the maritime space from two incompatible stories that cross themselves because of their coincident outcome: the mysterious disappearance into the ocean. These are the cases of the Dutch artist Bas Jan Ader, who disappears into the immensity in 1975 during the second part of his performance In search of the miraculous, and of the english electrical engineer Donald Crowhurst, who is never seen again after participating of the Golden Globe Race, in 1968. The idea is to insist on the smooth, not striated, character of the sea, as postulated by Deleuze and Guatarri. In Foucault's line, the objective is to establish the sailboats of the two characters who feature this text as, by excellence, the place of heterotopia. Through a brief biographical research and literary and philosophical contributions on the sea, the proposal is to think Ader and Crowhusrt against Ulysses.
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spelling Do not cease to disappear: the drifts of Bas Jan Ader and Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURSTNo cessar de desaparecer: las derivas de Bas Jan Ader y Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURSTNÃO CESSAR DE DESAPARECER: : AS DERIVAS DE BAS JAN ADER E DONALD CROWHURSTBas Jan AderDonald CrowhurstseadisappearanceBas Jan AderDonald CrowhurstmardesaparecimentoThe purpose of the essay is to reflect on the maritime space from two incompatible stories that cross themselves because of their coincident outcome: the mysterious disappearance into the ocean. These are the cases of the Dutch artist Bas Jan Ader, who disappears into the immensity in 1975 during the second part of his performance In search of the miraculous, and of the english electrical engineer Donald Crowhurst, who is never seen again after participating of the Golden Globe Race, in 1968. The idea is to insist on the smooth, not striated, character of the sea, as postulated by Deleuze and Guatarri. In Foucault's line, the objective is to establish the sailboats of the two characters who feature this text as, by excellence, the place of heterotopia. Through a brief biographical research and literary and philosophical contributions on the sea, the proposal is to think Ader and Crowhusrt against Ulysses.El propósito del ensayo es reflexionar sobre el espacio marítimo a partir de dos historias no coincidentes, pero que se cruzan debido a su resultado coincidente: la misteriosa desaparición en el océano. Estos son los casos del artista holandés Bas Jan Ader, que desaparece en la imensidad en 1975, durante la segunda parte de su perfomance "In search of the miraculous", y del ingeniero eléctrico inglés Donald Crowhurst, a quien nunca se vuelve a ver después de particilar de la Golden Globe Race, en 1968. La idea es insistir en el carácter liso, no estriado, del mar, como lo postulan Deleuze y Guatarri. En la línea de Foucault, el objetivo es establecer los veleros de los personajes que protagonizan este texto como el lugar por excelencia de la heterotopía. A través de una breve investigación biográfica y de contribuciones literarias y filosóficas sobre el mar, la propuesta es pensar Ader y Crowhusrt en contra de Ulises.A proposta do ensaio é refletir sobre o espaço marítimo a partir de duas histórias desencontradas, mas que se cruzam em razão do seu desfecho coincidente: o misterioso desaparecimento no oceano. São os casos do artista holandês Bas Jan Ader, que some na imensidão em 1975, durante a segunda parte da performance  In search of the miraculous, e do engenheiro elétrico inglês Donald Crowhurst, que nunca mais é visto depois de participar da Golden Globe Race, em 1968. A ideia é insistir no caráter liso, e não estriado, do mar, como postulam Deleuze e Guatarri. Na linha de Foucault, o objetivo é estabelecer os veleiros dos personagens que protagonizam este texto como o lugar por excelência da heterotopia. Através de uma breve pesquisa biográfica e de contribuições literárias e filosóficas acerca do mar, a proposta é pensar Ader e Crowhusrt na contramão de Ulisses.Editora da Universidade Federal do Acre - EDUFAC2019-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufac.br/index.php/COMMUNITAS/article/view/3055Communitas; v. 3 n. 6 (2019): OS OCEANOS DE FRONTEIRAS INVISÍVEIS: TRÂNSITOS, IDENTIDADES E MEMÓRIAS NA LITERATURA; 119-138Communitas; Vol. 3 No. 6 (2019): OS OCEANOS DE FRONTEIRAS INVISÍVEIS: TRÂNSITOS, IDENTIDADES E MEMÓRIAS NA LITERATURA; 119-138Revista Communitas; ##issue.vol## 3 ##issue.no## 6 (2019): OS OCEANOS DE FRONTEIRAS INVISÍVEIS: TRÂNSITOS, IDENTIDADES E MEMÓRIAS NA LITERATURA; 119-1382526-5970reponame:Communitasinstname:Universidade Federal do Acre (UFAC)instacron:UFACporhttps://periodicos.ufac.br/index.php/COMMUNITAS/article/view/3055/1958Copyright (c) 2019 REVISTA COMMUNITASinfo:eu-repo/semantics/openAccessScoz, Flavia2019-12-10T18:02:45Zoai:ojs.pkp.sfu.ca:article/3055Revistahttps://periodicos.ufac.br/revista/index.php/COMMUNITASPUBhttps://periodicos.ufac.br/revista/index.php/COMMUNITAS/oairevistas@ufac.br || rafael.goncalves@ufac.br2526-59702526-5970opendoar:2019-12-10T18:02:45Communitas - Universidade Federal do Acre (UFAC)false
dc.title.none.fl_str_mv Do not cease to disappear: the drifts of Bas Jan Ader and Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURST
No cessar de desaparecer: las derivas de Bas Jan Ader y Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURST
NÃO CESSAR DE DESAPARECER: : AS DERIVAS DE BAS JAN ADER E DONALD CROWHURST
title Do not cease to disappear: the drifts of Bas Jan Ader and Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURST
spellingShingle Do not cease to disappear: the drifts of Bas Jan Ader and Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURST
Scoz, Flavia
Bas Jan Ader
Donald Crowhurst
sea
disappearance
Bas Jan Ader
Donald Crowhurst
mar
desaparecimento
title_short Do not cease to disappear: the drifts of Bas Jan Ader and Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURST
title_full Do not cease to disappear: the drifts of Bas Jan Ader and Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURST
title_fullStr Do not cease to disappear: the drifts of Bas Jan Ader and Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURST
title_full_unstemmed Do not cease to disappear: the drifts of Bas Jan Ader and Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURST
title_sort Do not cease to disappear: the drifts of Bas Jan Ader and Donald Crowhurst: AS DERIVAS DE BAS JAN ADER E DONALD CROWHURST
author Scoz, Flavia
author_facet Scoz, Flavia
author_role author
dc.contributor.author.fl_str_mv Scoz, Flavia
dc.subject.por.fl_str_mv Bas Jan Ader
Donald Crowhurst
sea
disappearance
Bas Jan Ader
Donald Crowhurst
mar
desaparecimento
topic Bas Jan Ader
Donald Crowhurst
sea
disappearance
Bas Jan Ader
Donald Crowhurst
mar
desaparecimento
description The purpose of the essay is to reflect on the maritime space from two incompatible stories that cross themselves because of their coincident outcome: the mysterious disappearance into the ocean. These are the cases of the Dutch artist Bas Jan Ader, who disappears into the immensity in 1975 during the second part of his performance In search of the miraculous, and of the english electrical engineer Donald Crowhurst, who is never seen again after participating of the Golden Globe Race, in 1968. The idea is to insist on the smooth, not striated, character of the sea, as postulated by Deleuze and Guatarri. In Foucault's line, the objective is to establish the sailboats of the two characters who feature this text as, by excellence, the place of heterotopia. Through a brief biographical research and literary and philosophical contributions on the sea, the proposal is to think Ader and Crowhusrt against Ulysses.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufac.br/index.php/COMMUNITAS/article/view/3055
url https://periodicos.ufac.br/index.php/COMMUNITAS/article/view/3055
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufac.br/index.php/COMMUNITAS/article/view/3055/1958
dc.rights.driver.fl_str_mv Copyright (c) 2019 REVISTA COMMUNITAS
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 REVISTA COMMUNITAS
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da Universidade Federal do Acre - EDUFAC
publisher.none.fl_str_mv Editora da Universidade Federal do Acre - EDUFAC
dc.source.none.fl_str_mv Communitas; v. 3 n. 6 (2019): OS OCEANOS DE FRONTEIRAS INVISÍVEIS: TRÂNSITOS, IDENTIDADES E MEMÓRIAS NA LITERATURA; 119-138
Communitas; Vol. 3 No. 6 (2019): OS OCEANOS DE FRONTEIRAS INVISÍVEIS: TRÂNSITOS, IDENTIDADES E MEMÓRIAS NA LITERATURA; 119-138
Revista Communitas; ##issue.vol## 3 ##issue.no## 6 (2019): OS OCEANOS DE FRONTEIRAS INVISÍVEIS: TRÂNSITOS, IDENTIDADES E MEMÓRIAS NA LITERATURA; 119-138
2526-5970
reponame:Communitas
instname:Universidade Federal do Acre (UFAC)
instacron:UFAC
instname_str Universidade Federal do Acre (UFAC)
instacron_str UFAC
institution UFAC
reponame_str Communitas
collection Communitas
repository.name.fl_str_mv Communitas - Universidade Federal do Acre (UFAC)
repository.mail.fl_str_mv revistas@ufac.br || rafael.goncalves@ufac.br
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