Wooden cyborgs: technomythic profanations of drag queen aesthetics in the popular religiosity of Cariri from Ceará
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Periódicus |
Texto Completo: | https://periodicos.ufba.br/index.php/revistaperiodicus/article/view/38195 |
Resumo: | Chisels, wax and paint in the foam of the body carved in the wood. From the essay “A rib of Adão” by photographer Giovanna Duarte for the fifth edition of Jornal Sertão Transviado, launched in 2017 through an experimental journalism project, we reinterpreted Donna Haraway’s cyborg theory in a localized context. In this sense, we use the methodology of documentary analysis of photography in its expressive dimension to look for the meanings of the drag queen body in the popular culture of Cariri, from the state of Ceará. Altogether there are seven photographs showing the Phantom and Malina drags among the sculptures of the Mestre Noza Popular Culture Center in the city of Juazeiro do Norte, better known as the land of Father Cícero. Far from a technoutopy, we face the affective policies in artivism between the cyborg and the goddess to think about the hybrids between gender and popular culture, above all, by affecting the performative identity with the cultural tradition. From irony and blasphemy, we look at dissidences and technomitic artefactualisms in the cyberdrag body’s discursive imagery in its potent fusion with simulacra capable of hacking codes of reading of the body in popular religion. |
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Wooden cyborgs: technomythic profanations of drag queen aesthetics in the popular religiosity of Cariri from CearáCyborgs de madera: profanaciones tecnomíticas de la estética drag queen en la religiosidad popular de Cariri de CearáCiborgues de madeira: profanações tecnomíticas das estéticas drag queen na religiosidade popular do Cariri cearenseChisels, wax and paint in the foam of the body carved in the wood. From the essay “A rib of Adão” by photographer Giovanna Duarte for the fifth edition of Jornal Sertão Transviado, launched in 2017 through an experimental journalism project, we reinterpreted Donna Haraway’s cyborg theory in a localized context. In this sense, we use the methodology of documentary analysis of photography in its expressive dimension to look for the meanings of the drag queen body in the popular culture of Cariri, from the state of Ceará. Altogether there are seven photographs showing the Phantom and Malina drags among the sculptures of the Mestre Noza Popular Culture Center in the city of Juazeiro do Norte, better known as the land of Father Cícero. Far from a technoutopy, we face the affective policies in artivism between the cyborg and the goddess to think about the hybrids between gender and popular culture, above all, by affecting the performative identity with the cultural tradition. From irony and blasphemy, we look at dissidences and technomitic artefactualisms in the cyberdrag body’s discursive imagery in its potent fusion with simulacra capable of hacking codes of reading of the body in popular religion.Cinceles, buril, cera y pintura en la espuma del cuerpo tallado en la madera. Del ensayo “La costilla de Adão”, de la fotógrafa Giovanna Duarte, para la quinta edición de Jornal Sertão Transviado, lanzado en 2017 por un proyecto de periodismo experimental, reinterpretamos la teoría del cyborg de Donna Haraway en un contexto específico. En este sentido, utilizamos la metodología del análisis documental de la fotografía en su dimensión expresiva para buscar los significados del cuerpo drag queen en la cultura popular de Cariri, Ceará (Brasil). En total, hay siete fotografías que muestran los drag Phantom y Malina entre las esculturas del Centro de Cultura Popular Mestre Noza en la ciudad de Juazeiro do Norte, más conocida como la “tierra del Padre Cícero”. Lejos de ser una tecnoutopía, enfrentamos las políticas afectivas en el artivismo entre el cyborg y la diosa para pensar sobre los híbridos entre el género y la cultura popular, sobre todo, al afectar la identidad performativa con la tradición cultural. Desde la ironía y la blasfemia, nos enfrentamos disidencias y artefactismos tecnomíticos en las imágenes discursivas del cuerpo cyberdrag en su potente fusión con simulacros capaces de piratear códigos rígidos de lectura de corporalidades en la religión popular.Formões, buril, cera e tinta na espuma do corpo talhado na madeira. A partir do ensaio “A costela de Adão” da fotógrafa Giovanna Duarte para a quinta edição do Jornal Sertão Transviado, lançado em 2017 através de um projeto experimental de jornalismo, realizamos uma releitura da teoria ciborgue de Donna Haraway em um contexto localizado. Nesse sentido, utilizamos a metodologia de análise documentária da fotografia em sua dimensão expressiva para procuramos os sentidos do corpo drag queen na cultura popular do Cariri cearense. Ao todo são sete fotografias que mostram as drags Phantom e Malina entre as esculturas do Centro Popular de Cultura Mestre Noza na cidade de Juazeiro do Norte, mais conhecida como a terra do Padre Cícero. Distante de uma tecnoutopia, encaramos as políticas afetivas do artivismo entre o ciborgue e a deusa para pensarmos os híbridos entre o gênero e a cultura popular, sobretudo, através da afetação da identidade performativa com a tradição cultural. Da ironia e blasfêmia, encaramos as dissidências e os artefactualismos tecnomíticos na imagética-discursiva do corpo cyberdrag em sua potente fusão com os simulacros capazes de hackear códigos rígidos de leitura das corporalidades na religião popular.Universidade Federal da Bahia2021-08-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado por paresapplication/pdfhttps://periodicos.ufba.br/index.php/revistaperiodicus/article/view/3819510.9771/peri.v1i16.38195Revista Periódicus; Vol. 1 No. 16 (2021): Intersexualidade: desafios de gênero; 294-326Revista Periódicus; Vol. 1 Núm. 16 (2021): Intersexualidade: desafios de gênero; 294-326Revista Periódicus; v. 1 n. 16 (2021): Intersexualidade: desafios de gênero; 294-3262358-0844reponame:Revista Periódicusinstname:Universidade Federal da Bahia (UFBA)instacron:UFBAporhttps://periodicos.ufba.br/index.php/revistaperiodicus/article/view/38195/25036Copyright (c) 2021 Ribamar José de Oliveira Junior, Walisson Angélico de Araújohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessOliveira Junior, Ribamar José deAraújo, Walisson Angélico de2021-10-28T00:00:16Zoai:ojs.periodicos.ufba.br:article/38195Revistahttps://periodicos.ufba.br/index.php/revistaperiodicusPUBhttps://periodicos.ufba.br/index.php/revistaperiodicus/oai||revistaperiodicus@ufba.br2358-08442358-0844opendoar:2021-10-28T00:00:16Revista Periódicus - Universidade Federal da Bahia (UFBA)false |
dc.title.none.fl_str_mv |
Wooden cyborgs: technomythic profanations of drag queen aesthetics in the popular religiosity of Cariri from Ceará Cyborgs de madera: profanaciones tecnomíticas de la estética drag queen en la religiosidad popular de Cariri de Ceará Ciborgues de madeira: profanações tecnomíticas das estéticas drag queen na religiosidade popular do Cariri cearense |
title |
Wooden cyborgs: technomythic profanations of drag queen aesthetics in the popular religiosity of Cariri from Ceará |
spellingShingle |
Wooden cyborgs: technomythic profanations of drag queen aesthetics in the popular religiosity of Cariri from Ceará Oliveira Junior, Ribamar José de |
title_short |
Wooden cyborgs: technomythic profanations of drag queen aesthetics in the popular religiosity of Cariri from Ceará |
title_full |
Wooden cyborgs: technomythic profanations of drag queen aesthetics in the popular religiosity of Cariri from Ceará |
title_fullStr |
Wooden cyborgs: technomythic profanations of drag queen aesthetics in the popular religiosity of Cariri from Ceará |
title_full_unstemmed |
Wooden cyborgs: technomythic profanations of drag queen aesthetics in the popular religiosity of Cariri from Ceará |
title_sort |
Wooden cyborgs: technomythic profanations of drag queen aesthetics in the popular religiosity of Cariri from Ceará |
author |
Oliveira Junior, Ribamar José de |
author_facet |
Oliveira Junior, Ribamar José de Araújo, Walisson Angélico de |
author_role |
author |
author2 |
Araújo, Walisson Angélico de |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira Junior, Ribamar José de Araújo, Walisson Angélico de |
description |
Chisels, wax and paint in the foam of the body carved in the wood. From the essay “A rib of Adão” by photographer Giovanna Duarte for the fifth edition of Jornal Sertão Transviado, launched in 2017 through an experimental journalism project, we reinterpreted Donna Haraway’s cyborg theory in a localized context. In this sense, we use the methodology of documentary analysis of photography in its expressive dimension to look for the meanings of the drag queen body in the popular culture of Cariri, from the state of Ceará. Altogether there are seven photographs showing the Phantom and Malina drags among the sculptures of the Mestre Noza Popular Culture Center in the city of Juazeiro do Norte, better known as the land of Father Cícero. Far from a technoutopy, we face the affective policies in artivism between the cyborg and the goddess to think about the hybrids between gender and popular culture, above all, by affecting the performative identity with the cultural tradition. From irony and blasphemy, we look at dissidences and technomitic artefactualisms in the cyberdrag body’s discursive imagery in its potent fusion with simulacra capable of hacking codes of reading of the body in popular religion. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-08-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufba.br/index.php/revistaperiodicus/article/view/38195 10.9771/peri.v1i16.38195 |
url |
https://periodicos.ufba.br/index.php/revistaperiodicus/article/view/38195 |
identifier_str_mv |
10.9771/peri.v1i16.38195 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufba.br/index.php/revistaperiodicus/article/view/38195/25036 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Ribamar José de Oliveira Junior, Walisson Angélico de Araújo http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Ribamar José de Oliveira Junior, Walisson Angélico de Araújo http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal da Bahia |
publisher.none.fl_str_mv |
Universidade Federal da Bahia |
dc.source.none.fl_str_mv |
Revista Periódicus; Vol. 1 No. 16 (2021): Intersexualidade: desafios de gênero; 294-326 Revista Periódicus; Vol. 1 Núm. 16 (2021): Intersexualidade: desafios de gênero; 294-326 Revista Periódicus; v. 1 n. 16 (2021): Intersexualidade: desafios de gênero; 294-326 2358-0844 reponame:Revista Periódicus instname:Universidade Federal da Bahia (UFBA) instacron:UFBA |
instname_str |
Universidade Federal da Bahia (UFBA) |
instacron_str |
UFBA |
institution |
UFBA |
reponame_str |
Revista Periódicus |
collection |
Revista Periódicus |
repository.name.fl_str_mv |
Revista Periódicus - Universidade Federal da Bahia (UFBA) |
repository.mail.fl_str_mv |
||revistaperiodicus@ufba.br |
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1799318322619088896 |