Travel guide to Lacan’s country

Detalhes bibliográficos
Autor(a) principal: Fontenele, Laéria
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Psicologia (Fortaleza. Online)
Texto Completo: http://www.periodicos.ufc.br/psicologiaufc/article/view/84
Resumo: A great reader and critic of the culture of his time and one of the most prominent names in contemporary psychoanalysis, Slavoj Žižek dispels the fable according to which reading Lacan is hard and difficult work that would only be the privilege of psychoanalysis specialists and, your reader with an engaging tour of the Lacan country. Slavoj Žižek is the author of a number of books, including the provocative essays "Hegel, the most sublime of the hysterics" and "They do not know what they say" - the majority published in around thirty languages. He is acknowledged to be a profound connoisseur of Hegel and Karl Marx; passionate reader of Sigmund Freud and Jacques Lacan; a striking critic of totalitarian ideologies, a spirit cultivated by his affiliation with the multiple arts - including a specialist in Alfred Hitchcock's cinematography. The traces of his erudition and sensitivity to the arts are reflected and his writing style is particularly well represented in the manner in which this new book was created. "How to read Lacan" teaches us to adopt a special method to guide in such a venture. Žižek advocates that in order to read Lacan we should apply the same method employed by psychoanalysis to read and interpret the text that results from unconscious work. But there is a condition for this use: to abandon the vice of wanting to understand, for, like the unconscious, Lacan should not be understood and read, for, as he himself had already warned us, the worst destiny to which we can be led is destiny that leads us to understanding. Only in this way will it be easy to read Lacan, more than is often imagined. Many introductions to his teaching were published, some of them marked by conceptual rigor, others resulted in crude versions of his writing. Without detracting from the existing good introductions to Lacan, the version of Žižek, in addition to its original stylistic and creative edification, is distinguished from the others by proposing that the reader may read Lacan by asserting the very method he used when reading it. Freudian work, in which he proposes the return to the truth of his letter: the unconscious thinks and speaks. In him lies not a deep truth but an unbearable truth and with which each subject should learn to live. One of the arguments of the book is that in his return to Freud, Lacan, he sought to be accompanied by other non-members of the psychoanalytic field, among them Saussure, Levi-Strauss, Jakobson, Edgar Allan Poe, Cantor, Plato, Kant, Hegel, Heidegger, Karl Marx. The same is proposed by the author to his reader, taking him through the reading with Lacan of authors and artistic works, as well as events of our culture, to illuminate concepts previously considered as obscure. Each chapter of the book was constructed in the sense of confronting a Lacanian concept with a fragment from literature, cinema, media productions, politics, among others, showing that psychoanalytic concepts, as well as their clinical dimension, are disseminated in the various domains of what our life is made of. Thus, for example, the concepts of "ideal of the self" and "superego" are transmitted as Lacan becomes a spectator of the movie "Casablanca". The concept of real, in turn, emerges from Lacan's position as an Alien viewer. Zizek also makes Lacan watch even a Mexican soap opera to mention his theses. It is exemplary the passage in which it seeks to inform the reader of the Lacanian theses about the dissymmetry that exists, due to the subjective incidence of sexual difference, in the amorous encounter between man and woman. It refers to an advertising piece of beer - aired on British TV - where a beautiful girl walks along the bank of a river and faces a frog, to which she kisses him affectionately, transforming him, by this act, in a prince. The latter, in turn, cast an eager glance of desire at the girl, pulling her to him and kissing her with ardor, thereby turning her into an appetizing beer can. Nothing more coherent with the quantum formulas of Lacan's sexuation which shows the impossible complementation between man and woman, since she expects of man his phallic substance, while he expects the woman to be the cause of his desire. A final example of the many present in the book: The letter addressed to Max Brod by Milena Jesenska in which he speaks of Kafka serves the purpose of elucidating Lacan's thesis that the true formula of materialism is not that " God does not exist, "but that" God is dead. " "How to read Lacan" testifies to the vitality of psychoanalysis, despite the imperative of the illusions so fashionable in our culture, marked by the ideals of happiness; of eternal youth; of perfect health, of well-being, of success; of the adaptation and affirmation of the power of synthesis and self-control of the self. Alice loved it and remembered the lesson she had when she stepped through the mirror: know how to make the horrible a marvel. Unheimlich
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spelling Travel guide to Lacan’s countryRoteiro de viagem ao país de LacanA great reader and critic of the culture of his time and one of the most prominent names in contemporary psychoanalysis, Slavoj Žižek dispels the fable according to which reading Lacan is hard and difficult work that would only be the privilege of psychoanalysis specialists and, your reader with an engaging tour of the Lacan country. Slavoj Žižek is the author of a number of books, including the provocative essays "Hegel, the most sublime of the hysterics" and "They do not know what they say" - the majority published in around thirty languages. He is acknowledged to be a profound connoisseur of Hegel and Karl Marx; passionate reader of Sigmund Freud and Jacques Lacan; a striking critic of totalitarian ideologies, a spirit cultivated by his affiliation with the multiple arts - including a specialist in Alfred Hitchcock's cinematography. The traces of his erudition and sensitivity to the arts are reflected and his writing style is particularly well represented in the manner in which this new book was created. "How to read Lacan" teaches us to adopt a special method to guide in such a venture. Žižek advocates that in order to read Lacan we should apply the same method employed by psychoanalysis to read and interpret the text that results from unconscious work. But there is a condition for this use: to abandon the vice of wanting to understand, for, like the unconscious, Lacan should not be understood and read, for, as he himself had already warned us, the worst destiny to which we can be led is destiny that leads us to understanding. Only in this way will it be easy to read Lacan, more than is often imagined. Many introductions to his teaching were published, some of them marked by conceptual rigor, others resulted in crude versions of his writing. Without detracting from the existing good introductions to Lacan, the version of Žižek, in addition to its original stylistic and creative edification, is distinguished from the others by proposing that the reader may read Lacan by asserting the very method he used when reading it. Freudian work, in which he proposes the return to the truth of his letter: the unconscious thinks and speaks. In him lies not a deep truth but an unbearable truth and with which each subject should learn to live. One of the arguments of the book is that in his return to Freud, Lacan, he sought to be accompanied by other non-members of the psychoanalytic field, among them Saussure, Levi-Strauss, Jakobson, Edgar Allan Poe, Cantor, Plato, Kant, Hegel, Heidegger, Karl Marx. The same is proposed by the author to his reader, taking him through the reading with Lacan of authors and artistic works, as well as events of our culture, to illuminate concepts previously considered as obscure. Each chapter of the book was constructed in the sense of confronting a Lacanian concept with a fragment from literature, cinema, media productions, politics, among others, showing that psychoanalytic concepts, as well as their clinical dimension, are disseminated in the various domains of what our life is made of. Thus, for example, the concepts of "ideal of the self" and "superego" are transmitted as Lacan becomes a spectator of the movie "Casablanca". The concept of real, in turn, emerges from Lacan's position as an Alien viewer. Zizek also makes Lacan watch even a Mexican soap opera to mention his theses. It is exemplary the passage in which it seeks to inform the reader of the Lacanian theses about the dissymmetry that exists, due to the subjective incidence of sexual difference, in the amorous encounter between man and woman. It refers to an advertising piece of beer - aired on British TV - where a beautiful girl walks along the bank of a river and faces a frog, to which she kisses him affectionately, transforming him, by this act, in a prince. The latter, in turn, cast an eager glance of desire at the girl, pulling her to him and kissing her with ardor, thereby turning her into an appetizing beer can. Nothing more coherent with the quantum formulas of Lacan's sexuation which shows the impossible complementation between man and woman, since she expects of man his phallic substance, while he expects the woman to be the cause of his desire. A final example of the many present in the book: The letter addressed to Max Brod by Milena Jesenska in which he speaks of Kafka serves the purpose of elucidating Lacan's thesis that the true formula of materialism is not that " God does not exist, "but that" God is dead. " "How to read Lacan" testifies to the vitality of psychoanalysis, despite the imperative of the illusions so fashionable in our culture, marked by the ideals of happiness; of eternal youth; of perfect health, of well-being, of success; of the adaptation and affirmation of the power of synthesis and self-control of the self. Alice loved it and remembered the lesson she had when she stepped through the mirror: know how to make the horrible a marvel. UnheimlichGrande leitor e crítico da cultura de seu tempo e um dos nomes de maior destaque da psicanálise contemporânea, Slavoj Žižek desfaz a fábula segundo a qual ler Lacan é um trabalho árduo e difícil que seria apenas privilégio dos especialistas em psicanálise e, com isso, brinda o seu leitor com um envolvente passeio pelo país de Lacan. De origem eslovena, e quase eleito presidente de seu país, Slavoj Žižek é autor de diversos livros - dentre os quais os instigantes ensaios “Hegel, o mais sublime dos histéricos” e “Eles não sabem o que dizem” -, a maioria publicada em por volta de trinta idiomas. É ele reconhecido como sendo um profundo conhecedor de Hegel e Karl Marx; apaixonado leitor de Sigmund Freud e de Jacques Lacan; crítico contundente das ideologias totalitárias, espírito cultivado por sua filia às múltiplas artes – sendo, inclusive, especialista na cinematografia de Alfred Hitchcock. Os traços de sua erudição e sensibilidade para com as artes, se refletem e particularizam, também, o seu estilo de escrever, o qual se encontra muito bem representado no modo como urdiu esse seu novo livro. “Como ler Lacan” nos ensina a adotar um método especial para orientar em uma tal empreitada. Žižek advoga que, para lermos Lacan, devemos aplicar o mesmo método empregado pela psicanálise para ler e interpretar o texto que resulta do trabalho inconsciente. Mas há uma condição para esse emprego: abandonar o vício de querer entender, pois, assim como o inconsciente, Lacan não deve ser compreendido e sim lido, pois, conforme ele mesmo já nos advertira, o pior destino a que podemos ser conduzidos é o destino que nos leva à compreensão. Só assim será fácil ler Lacan, mais do que, amiúde, se imagina. Muitas introduções ao seu ensino foram publicadas, algumas delas marcadas por rigor conceitual, outras resultaram em versões grosseiras de sua letra. Sem desmerecer as boas introduções a Lacan existentes, a versão de Žižek, além de sua original edificação estilística e criativa, distingue-se das demais por propor que o leitor possa ler Lacan se fazendo valer do próprio método por ele utilizado quando de sua leitura da obra freudiana, ocasião em que propõe o retorno à verdade de sua letra: o inconsciente pensa e fala. Nele reside não uma verdade profunda, mas uma verdade insuportável e com que cada sujeito deveria aprender a viver. Um dos argumentos do livro é o de que em seu retorno à Freud, Lacan, buscou acompanhar-se de outros autores não integrantes do campo psicanalítico, dentre eles estavam: Saussure, Levi-Strauss, Jakobson, Edgar Allan Poe, Cantor, Platão, Kant, Hegel, Heidegger, Karl Marx. O mesmo é proposto pelo autor ao seu leitor, levando-o através da leitura com Lacan de autores e obras artísticas, bem como eventos de nossa cultura, a iluminar conceitos antes tidos como obscuros. Cada capítulo do livro foi construído no sentido de confrontar um conceito lacaniano com um fragmento proveniente da literatura, do cinema, de produções da mídia, da política, dentre outros, mostrando que os conceitos psicanalíticos, assim como sua dimensão clínica, estão disseminados nos diversos domínios de que é feita nossa vida. Assim, por exemplo, os conceitos de “ideal do eu” e “supereu” são transmitidos na medida em que Lacan torna-se espectador do filme “Casablanca”. O conceito de real, por sua vez, emerge da posição de Lacan como espectador de Alien. Zizek faz, também, com que Lacan  assista até mesmo novela mexicana para mencionar suas teses. É exemplar o trecho em que procura informar o leitor das teses Lacanianas acerca da dissimetria que existe, devida à incidência subjetiva da diferença sexual, no encontro amoroso entre homem e mulher. Refere-se, então, a uma peça publicitária de cerveja – veiculada pela TV britânica -, onde uma bela moça passeia ao longo da margem de um rio e depara um sapo, ao que o beija afetuosamente, transformando-o, por esse ato, num príncipe. Esse por sua vez, lança um olhar ávido de desejo para a moça, puxando-lhe para si e a beija com ardor, com isso transforma-a numa apetitosa lata de cerveja. Nada mais coerente com as formulas quânticas da sexuação de Lacan que mostra a impossível complementação entre homem e mulher, pois ela espera do homem sua substância fálica, enquanto ele espera que a mulher seja causa de seu desejo. Um último exemplo, dos muitos presentes no livro: A carta endereçada a Max Brod por Milena Jesenska, na qual fala de Kafka, serve ao propósito de elucidar a tese de Lacan, segundo a qual a verdadeira fórmula do materialismo não é a de que “Deus não existe”, e sim a de que “Deus está morto”. “Como ler Lacan” testemunha a vitalidade da psicanálise, apesar do imperativo das ilusões tão em voga em nossa cultura, marcada que se encontra pelos ideais de felicidade; da juventude eterna; da saúde perfeita, do bem estar;do sucesso; da adaptação e afirmação do poder de síntese e domínio de si do eu. Alice adorou e recordou a lição que teve quando atravessou o espelho: saber fazer do horrível uma maravilha. Unheimlich.Universidade Federal do Ceará2015-12-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.ufc.br/psicologiaufc/article/view/84Journal of Psychology; v.2, n.1, 2011 (janeiro-junho); 152-153Revista de Psicologia; v.2, n.1, 2011 (janeiro-junho); 152-1532179-17400102-1222reponame:Revista de Psicologia (Fortaleza. Online)instname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://www.periodicos.ufc.br/psicologiaufc/article/view/84/83Fontenele, Laériainfo:eu-repo/semantics/openAccess2018-04-27T18:12:58Zoai:periodicos.ufc:article/84Revistahttp://www.periodicos.ufc.br/index.php/psicologiaufcPUBhttp://www.periodicos.ufc.br/index.php/psicologiaufc/oairevpsico@ufc.br||2179-17402179-1740opendoar:2018-04-27T18:12:58Revista de Psicologia (Fortaleza. Online) - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv Travel guide to Lacan’s country
Roteiro de viagem ao país de Lacan
title Travel guide to Lacan’s country
spellingShingle Travel guide to Lacan’s country
Fontenele, Laéria
title_short Travel guide to Lacan’s country
title_full Travel guide to Lacan’s country
title_fullStr Travel guide to Lacan’s country
title_full_unstemmed Travel guide to Lacan’s country
title_sort Travel guide to Lacan’s country
author Fontenele, Laéria
author_facet Fontenele, Laéria
author_role author
dc.contributor.author.fl_str_mv Fontenele, Laéria
description A great reader and critic of the culture of his time and one of the most prominent names in contemporary psychoanalysis, Slavoj Žižek dispels the fable according to which reading Lacan is hard and difficult work that would only be the privilege of psychoanalysis specialists and, your reader with an engaging tour of the Lacan country. Slavoj Žižek is the author of a number of books, including the provocative essays "Hegel, the most sublime of the hysterics" and "They do not know what they say" - the majority published in around thirty languages. He is acknowledged to be a profound connoisseur of Hegel and Karl Marx; passionate reader of Sigmund Freud and Jacques Lacan; a striking critic of totalitarian ideologies, a spirit cultivated by his affiliation with the multiple arts - including a specialist in Alfred Hitchcock's cinematography. The traces of his erudition and sensitivity to the arts are reflected and his writing style is particularly well represented in the manner in which this new book was created. "How to read Lacan" teaches us to adopt a special method to guide in such a venture. Žižek advocates that in order to read Lacan we should apply the same method employed by psychoanalysis to read and interpret the text that results from unconscious work. But there is a condition for this use: to abandon the vice of wanting to understand, for, like the unconscious, Lacan should not be understood and read, for, as he himself had already warned us, the worst destiny to which we can be led is destiny that leads us to understanding. Only in this way will it be easy to read Lacan, more than is often imagined. Many introductions to his teaching were published, some of them marked by conceptual rigor, others resulted in crude versions of his writing. Without detracting from the existing good introductions to Lacan, the version of Žižek, in addition to its original stylistic and creative edification, is distinguished from the others by proposing that the reader may read Lacan by asserting the very method he used when reading it. Freudian work, in which he proposes the return to the truth of his letter: the unconscious thinks and speaks. In him lies not a deep truth but an unbearable truth and with which each subject should learn to live. One of the arguments of the book is that in his return to Freud, Lacan, he sought to be accompanied by other non-members of the psychoanalytic field, among them Saussure, Levi-Strauss, Jakobson, Edgar Allan Poe, Cantor, Plato, Kant, Hegel, Heidegger, Karl Marx. The same is proposed by the author to his reader, taking him through the reading with Lacan of authors and artistic works, as well as events of our culture, to illuminate concepts previously considered as obscure. Each chapter of the book was constructed in the sense of confronting a Lacanian concept with a fragment from literature, cinema, media productions, politics, among others, showing that psychoanalytic concepts, as well as their clinical dimension, are disseminated in the various domains of what our life is made of. Thus, for example, the concepts of "ideal of the self" and "superego" are transmitted as Lacan becomes a spectator of the movie "Casablanca". The concept of real, in turn, emerges from Lacan's position as an Alien viewer. Zizek also makes Lacan watch even a Mexican soap opera to mention his theses. It is exemplary the passage in which it seeks to inform the reader of the Lacanian theses about the dissymmetry that exists, due to the subjective incidence of sexual difference, in the amorous encounter between man and woman. It refers to an advertising piece of beer - aired on British TV - where a beautiful girl walks along the bank of a river and faces a frog, to which she kisses him affectionately, transforming him, by this act, in a prince. The latter, in turn, cast an eager glance of desire at the girl, pulling her to him and kissing her with ardor, thereby turning her into an appetizing beer can. Nothing more coherent with the quantum formulas of Lacan's sexuation which shows the impossible complementation between man and woman, since she expects of man his phallic substance, while he expects the woman to be the cause of his desire. A final example of the many present in the book: The letter addressed to Max Brod by Milena Jesenska in which he speaks of Kafka serves the purpose of elucidating Lacan's thesis that the true formula of materialism is not that " God does not exist, "but that" God is dead. " "How to read Lacan" testifies to the vitality of psychoanalysis, despite the imperative of the illusions so fashionable in our culture, marked by the ideals of happiness; of eternal youth; of perfect health, of well-being, of success; of the adaptation and affirmation of the power of synthesis and self-control of the self. Alice loved it and remembered the lesson she had when she stepped through the mirror: know how to make the horrible a marvel. Unheimlich
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