The researcher-filmmaker and the ethics of shared looks

Detalhes bibliográficos
Autor(a) principal: Souza, Solange Jobim e
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Psicologia (Fortaleza. Online)
Texto Completo: http://www.periodicos.ufc.br/psicologiaufc/article/view/13952
Resumo: This article is a result of the researches that I have developed over nearly two decades on the use of audiovisual camera in academic research. The starting point is the claim that the use of the camera as mediation causes an unique intervention in the relationship that is established between the researcher and the research subjects. The goal is to present the methodological principles that have guided the use of audiovisual in academic research, offering support for the definition of the act of researching as building an ethical and aesthetical look. The philosophy of Bakhtin's language, the pioneer debate initiated by Walter Benjamin on the transformation of the art at the time of mechanical reproduction, Coutinho´s documentary film and the theoretical and cinematographic work of Pasolini are the main references.
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spelling The researcher-filmmaker and the ethics of shared looksO pesquisador-cineasta e a ética dos olhares compartilhadostechnical imageresearch in humanitiesethics lookmethodological principlesimagem técnicapesquisa em ciências humanasética do olharprincípios metodológicos.This article is a result of the researches that I have developed over nearly two decades on the use of audiovisual camera in academic research. The starting point is the claim that the use of the camera as mediation causes an unique intervention in the relationship that is established between the researcher and the research subjects. The goal is to present the methodological principles that have guided the use of audiovisual in academic research, offering support for the definition of the act of researching as building an ethical and aesthetical look. The philosophy of Bakhtin's language, the pioneer debate initiated by Walter Benjamin on the transformation of the art at the time of mechanical reproduction, Coutinho´s documentary film and the theoretical and cinematographic work of Pasolini are the main references.O presente artigo é uma decorrência das pesquisas que venho desenvolvendo, ao longo de quase duas décadas, sobre o uso da imagem técnica em pesquisa acadêmica. O ponto de partida é a afirmação de que a utilização da câmera como mediação provoca uma intervenção singular na relação que se estabelece entre o pesquisador e os sujeitos da pesquisa. O objetivo é apresentar os princípios metodológicos que têm orientado o uso de câmera de vídeo em pesquisa acadêmica, oferecendo subsídios para a definição do ato de pesquisar como construção de uma ética e de uma estética do olhar. A filosofia da linguagem de Mikhail Bakhtin, o debate pioneiro instaurado por Walter Benjamin sobre as transformações da arte na época da reprodução técnica, o cinema documentário de Eduardo Coutinho e a obra teórica e cinematográfica de Pasolini são as principais referências.Universidade Federal do Ceará2017-06-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.ufc.br/psicologiaufc/article/view/13952Journal of Psychology; v.8, n.1, 2017 (janeiro - junho); 8-22Revista de Psicologia; v.8, n.1, 2017 (janeiro - junho); 8-222179-17400102-1222reponame:Revista de Psicologia (Fortaleza. Online)instname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://www.periodicos.ufc.br/psicologiaufc/article/view/13952/10269Souza, Solange Jobim einfo:eu-repo/semantics/openAccess2021-02-20T19:23:24Zoai:periodicos.ufc:article/13952Revistahttp://www.periodicos.ufc.br/index.php/psicologiaufcPUBhttp://www.periodicos.ufc.br/index.php/psicologiaufc/oairevpsico@ufc.br||2179-17402179-1740opendoar:2021-02-20T19:23:24Revista de Psicologia (Fortaleza. Online) - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv The researcher-filmmaker and the ethics of shared looks
O pesquisador-cineasta e a ética dos olhares compartilhados
title The researcher-filmmaker and the ethics of shared looks
spellingShingle The researcher-filmmaker and the ethics of shared looks
Souza, Solange Jobim e
technical image
research in humanities
ethics look
methodological principles
imagem técnica
pesquisa em ciências humanas
ética do olhar
princípios metodológicos.
title_short The researcher-filmmaker and the ethics of shared looks
title_full The researcher-filmmaker and the ethics of shared looks
title_fullStr The researcher-filmmaker and the ethics of shared looks
title_full_unstemmed The researcher-filmmaker and the ethics of shared looks
title_sort The researcher-filmmaker and the ethics of shared looks
author Souza, Solange Jobim e
author_facet Souza, Solange Jobim e
author_role author
dc.contributor.author.fl_str_mv Souza, Solange Jobim e
dc.subject.por.fl_str_mv technical image
research in humanities
ethics look
methodological principles
imagem técnica
pesquisa em ciências humanas
ética do olhar
princípios metodológicos.
topic technical image
research in humanities
ethics look
methodological principles
imagem técnica
pesquisa em ciências humanas
ética do olhar
princípios metodológicos.
description This article is a result of the researches that I have developed over nearly two decades on the use of audiovisual camera in academic research. The starting point is the claim that the use of the camera as mediation causes an unique intervention in the relationship that is established between the researcher and the research subjects. The goal is to present the methodological principles that have guided the use of audiovisual in academic research, offering support for the definition of the act of researching as building an ethical and aesthetical look. The philosophy of Bakhtin's language, the pioneer debate initiated by Walter Benjamin on the transformation of the art at the time of mechanical reproduction, Coutinho´s documentary film and the theoretical and cinematographic work of Pasolini are the main references.
publishDate 2017
dc.date.none.fl_str_mv 2017-06-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://www.periodicos.ufc.br/psicologiaufc/article/view/13952
url http://www.periodicos.ufc.br/psicologiaufc/article/view/13952
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://www.periodicos.ufc.br/psicologiaufc/article/view/13952/10269
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Ceará
publisher.none.fl_str_mv Universidade Federal do Ceará
dc.source.none.fl_str_mv Journal of Psychology; v.8, n.1, 2017 (janeiro - junho); 8-22
Revista de Psicologia; v.8, n.1, 2017 (janeiro - junho); 8-22
2179-1740
0102-1222
reponame:Revista de Psicologia (Fortaleza. Online)
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Revista de Psicologia (Fortaleza. Online)
collection Revista de Psicologia (Fortaleza. Online)
repository.name.fl_str_mv Revista de Psicologia (Fortaleza. Online) - Universidade Federal do Ceará (UFC)
repository.mail.fl_str_mv revpsico@ufc.br||
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