Music as imitative art: from Cartesian aesthetics to the art of expressing passions

Detalhes bibliográficos
Autor(a) principal: Sahd, Luiz Felipe
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Argumentos : Revista de Filosofia (Online)
Texto Completo: http://periodicos.ufc.br/argumentos/article/view/41900
Resumo: The Quarrel of the Buffoons, which lasted from 1752 to 1754, and set the French operatic tradition against the Italian, serves as a backdrop to the article. Rameau was accused of being outdated, and his music too complicated, compared to the "simplicity" and "naturalness" of Pergolesi's La Serva Padronacomic. In the mid-1750s Rameau criticized the music entries Rousseau had written for the Encyclopédie, leading to a dispute with philosophers D'Alembert and Diderot. 
id UFC-17_1eeb7330107aa8572a394f08e72274af
oai_identifier_str oai:periodicos.ufc:article/41900
network_acronym_str UFC-17
network_name_str Argumentos : Revista de Filosofia (Online)
repository_id_str
spelling Music as imitative art: from Cartesian aesthetics to the art of expressing passionsA música como arte imitativa: da estética cartesiana à arte de expressar paixõesMusic. Imitative art. Passions. Melody. Harmony.Música. Arte imitativa. Paixões. Melodia. Harmonia.The Quarrel of the Buffoons, which lasted from 1752 to 1754, and set the French operatic tradition against the Italian, serves as a backdrop to the article. Rameau was accused of being outdated, and his music too complicated, compared to the "simplicity" and "naturalness" of Pergolesi's La Serva Padronacomic. In the mid-1750s Rameau criticized the music entries Rousseau had written for the Encyclopédie, leading to a dispute with philosophers D'Alembert and Diderot. A Querela dos Bufões que durou de 1752 a 1754 e colocou a tradição operística francesa contra a italiana serve de pano de fundo para o artigo. Rameau foi acusado de estar ultrapassado e sua música de ser complicada demais, em comparação com a "simplicidade" e "naturalidade" da ópera cômica La Serva Padrona, de Pergolesi. Em meados de 1750 Rameau criticou os verbetes sobre música que Rousseau havia escrito para a Encyclopédie, levando a uma disputa com os filósofos D'Alembert e Diderot.  Universidade Federal do Ceará2019-11-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed Articleapplication/pdfhttp://periodicos.ufc.br/argumentos/article/view/4190010.36517/Argumentos.22.10Argumentos - Revista de Filosofia; No 22; 120-130Argumentos - Periódico de Filosofia; Núm. 22; 120-130Argumentos - Revista de Filosofia; n. 22; 120-1301984-42551984-4247reponame:Argumentos : Revista de Filosofia (Online)instname:Universidade Federal do Ceará (UFC)instacron:UFCporhttp://periodicos.ufc.br/argumentos/article/view/41900/99577Copyright (c) 2019 Argumentos - Revista de Filosofiainfo:eu-repo/semantics/openAccessSahd, Luiz Felipe2021-07-22T14:28:46Zoai:periodicos.ufc:article/41900Revistahttp://www.filosofia.ufc.br/argumentosPUBhttp://periodicos.ufc.br/argumentos/oaiargumentos@ufc.br||1984-42551984-4247opendoar:2021-07-22T14:28:46Argumentos : Revista de Filosofia (Online) - Universidade Federal do Ceará (UFC)false
dc.title.none.fl_str_mv Music as imitative art: from Cartesian aesthetics to the art of expressing passions
A música como arte imitativa: da estética cartesiana à arte de expressar paixões
title Music as imitative art: from Cartesian aesthetics to the art of expressing passions
spellingShingle Music as imitative art: from Cartesian aesthetics to the art of expressing passions
Sahd, Luiz Felipe
Music. Imitative art. Passions. Melody. Harmony.
Música. Arte imitativa. Paixões. Melodia. Harmonia.
title_short Music as imitative art: from Cartesian aesthetics to the art of expressing passions
title_full Music as imitative art: from Cartesian aesthetics to the art of expressing passions
title_fullStr Music as imitative art: from Cartesian aesthetics to the art of expressing passions
title_full_unstemmed Music as imitative art: from Cartesian aesthetics to the art of expressing passions
title_sort Music as imitative art: from Cartesian aesthetics to the art of expressing passions
author Sahd, Luiz Felipe
author_facet Sahd, Luiz Felipe
author_role author
dc.contributor.author.fl_str_mv Sahd, Luiz Felipe
dc.subject.por.fl_str_mv Music. Imitative art. Passions. Melody. Harmony.
Música. Arte imitativa. Paixões. Melodia. Harmonia.
topic Music. Imitative art. Passions. Melody. Harmony.
Música. Arte imitativa. Paixões. Melodia. Harmonia.
description The Quarrel of the Buffoons, which lasted from 1752 to 1754, and set the French operatic tradition against the Italian, serves as a backdrop to the article. Rameau was accused of being outdated, and his music too complicated, compared to the "simplicity" and "naturalness" of Pergolesi's La Serva Padronacomic. In the mid-1750s Rameau criticized the music entries Rousseau had written for the Encyclopédie, leading to a dispute with philosophers D'Alembert and Diderot. 
publishDate 2019
dc.date.none.fl_str_mv 2019-11-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufc.br/argumentos/article/view/41900
10.36517/Argumentos.22.10
url http://periodicos.ufc.br/argumentos/article/view/41900
identifier_str_mv 10.36517/Argumentos.22.10
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufc.br/argumentos/article/view/41900/99577
dc.rights.driver.fl_str_mv Copyright (c) 2019 Argumentos - Revista de Filosofia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Argumentos - Revista de Filosofia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Ceará
publisher.none.fl_str_mv Universidade Federal do Ceará
dc.source.none.fl_str_mv Argumentos - Revista de Filosofia; No 22; 120-130
Argumentos - Periódico de Filosofia; Núm. 22; 120-130
Argumentos - Revista de Filosofia; n. 22; 120-130
1984-4255
1984-4247
reponame:Argumentos : Revista de Filosofia (Online)
instname:Universidade Federal do Ceará (UFC)
instacron:UFC
instname_str Universidade Federal do Ceará (UFC)
instacron_str UFC
institution UFC
reponame_str Argumentos : Revista de Filosofia (Online)
collection Argumentos : Revista de Filosofia (Online)
repository.name.fl_str_mv Argumentos : Revista de Filosofia (Online) - Universidade Federal do Ceará (UFC)
repository.mail.fl_str_mv argumentos@ufc.br||
_version_ 1797068846916435968